Romantic And Its Cognates
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Author | : Hans Eichner |
Publisher | : University of Toronto Press |
Total Pages | : 505 |
Release | : 1972-12-15 |
Genre | : Literary Criticism |
ISBN | : 1487596634 |
Ever since the word romantic and its many cognates in European languages began to be used as technical terms towards the end of the eighteenth century, the quest for a satisfactory definition of their meanings has continued unabated. This collection of essays traces the history of the word in the major European languages, showing how romantic and its cognates were first introduced, how their usage spread and their connotations proliferated, and how their present usage became established. This book opens with an introduction by the editor, followed by an essay in which Professor Raymond Immerwaher, Chairman of the Department of German, University of Western Ontario, shows how romantic and its cognates became fashionable in England, France and Germany, and traces the extension of the meanings of these words up to 1790. The story is then taken up in individual essays on the history of the word and its cognates in the major European countries: in Germany, by the editor; in England, by Professor George Whalley, FRSC, of the Department of English, Queen's University, Kingston; in France, by Professor Maurice Z. Shroder of the Department of French, Barnard College, Columbia University; in Italy, by Professor Olga Ragusa of the Department of Italian, Columbia University; in Spain, by Professor Donald L. Shaw of the Department of Hispanic Studies, University of Edinburgh; in Scandinavia, by Professor P.M. Mitchell of the Department of Germanic Languages and Literature, University of Illinois; and in Russia, by Professor Sigrid McLaughlin of the Department of Slavic Studies, University of California at Santa Cruz. The final essay, by H.H.H. Remak, Professor of German and Comparative Literature at the University of Indiana, reports on trends of recent research on West European romanticism and suggests fruitful avenues for further exploration. The book will be of immense value to students and specialists interested in literary, linguistic and cultural aspects of romanticism, and to those concerned with comparative literature and the history of ideas. Hans Eicner taught at Queen's University, Kingston, from 1950 to 1967 when he was appointed Professor and Chairman of German, University of Toronto. Among his published books are: Thomas Mann, Eine Einführung in sein Werk; Friedrich Schlegel: Literary Notebooks 1797-1801; Reading German for Scientists; Kritische Friedrich Schlegel-Ausgabe (in four volumes); Four Modern German Authors: Mann, Rilke, Kafka, Brecht. In 1967 he was elected a Fellow of the Royal Society of Canada.
Author | : Hans Eichner |
Publisher | : Toronto, Buffalo, University of Toronto Press [1972] |
Total Pages | : 0 |
Release | : 1972 |
Genre | : Indo-European languages |
ISBN | : 9780802052438 |
The history of the term and concept in the languages of Germany, England, France, Italy, Spain, Scandinavia, and Russia.
Author | : Frederick C. Beiser |
Publisher | : Harvard University Press |
Total Pages | : 262 |
Release | : 2006-04-28 |
Genre | : Literary Criticism |
ISBN | : 0674019806 |
This study restores and enhances the philosophical aspect of early German Romanticism, offering an understanding of the movement's origins, development, aims and accomplishments.
Author | : Ernst Behler |
Publisher | : Cambridge University Press |
Total Pages | : 372 |
Release | : 1993-04-22 |
Genre | : Literary Criticism |
ISBN | : 0521325854 |
Professor Behler provides a view of the literary work and the artistic process developed in the German Romantic period.
Author | : Carmen Casaliggi |
Publisher | : Routledge |
Total Pages | : 282 |
Release | : 2016-05-12 |
Genre | : Literary Criticism |
ISBN | : 1317609352 |
The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
Author | : Nicholas Saul |
Publisher | : Cambridge University Press |
Total Pages | : 363 |
Release | : 2009-07-09 |
Genre | : Literary Criticism |
ISBN | : 1139827537 |
The late eighteenth and early nineteenth centuries saw an extraordinary flowering of arts and culture in Germany which produced many of the world's finest writers, artists, philosophers and composers. This volume, first published in 2004, offers students and specialists an authoritative introduction to that dazzling cultural phenomenon, now known collectively as German Romanticism. Individual chapters not only introduce the reader to individual writers such as Friedrich Schlegel, Novalis, Eichendorff, Heine, Hoffmann, Kleist, Schiller and Tieck, but also treat key concepts of Romantic music, painting, philosophy, gender and cultural anthropology, science and criticism in concise and lucid language. All German quotations are translated to make this volume fully accessible to a wide audience interested in how Romanticism evolved across Europe. Brief biographies and bibliographies are supplemented by a list of primary and secondary further reading in both English and German.
Author | : Hugh Honour |
Publisher | : Routledge |
Total Pages | : 383 |
Release | : 2018-05-04 |
Genre | : Art |
ISBN | : 0429977182 |
"This stylish and erudite thematic study of the influence Romanticism exerts upon Western culture and particularly the visual arts is the companion volume to Honour's equally valuable Neo-classicism.... The text is supported by a useful selection of illustrations Excellent footnotes and a good index. Finely produced, Romanticism will stimulate the graduate and inform the undergraduate." —Choice "An interpretation that rings true for our own time.... His approach to his vast subject is essentially cool, analytic and balanced This is a book that covers an immense amount of material with a freshness of touch." —John Russell, The New York Times "A book of great interest and quality which gives form to a subject that is often treated very vaguely." —Kenneth Clark
Author | : David Duff |
Publisher | : Cambridge University Press |
Total Pages | : 304 |
Release | : 1994-09 |
Genre | : History |
ISBN | : 9780521450188 |
Relates the revival of literary romance to the French Revolution's imaginative impact on English Romanticism.
Author | : Jerome J. McGann |
Publisher | : University of Chicago Press |
Total Pages | : 182 |
Release | : 1985-02-15 |
Genre | : Literary Criticism |
ISBN | : 0226558509 |
Claiming that the scholarship and criticism of Romanticism and its works have for too long been dominated by a Romantic ideology—by an uncritical absorption in Romanticism's own self-representations—Jerome J. McGann presents a new, critical view of the subject that calls for a radically revisionary reading of Romanticism. In the course of his study, McGann analyzes both the predominant theories of Romanticism (those deriving from Coleridge, Hegel, and Heine) and the products of its major English practitioners. Words worth, Coleridge, Shelley, and Byron are considered in greatest depth, but the entire movement is subjected to a searching critique. Arguing that poetry is produced and reproduced within concrete historical contexts and that criticism must take these contexts into account, McGann shows how the ideologies embodied in Romantic poetry and theory have shaped and distorted contemporary critical activities.
Author | : Lilian R. Furst |
Publisher | : Routledge |
Total Pages | : 91 |
Release | : 2017-07-06 |
Genre | : Literary Criticism |
ISBN | : 1351631225 |
First published in 1969, this work traces the evolution of Romanticism and in doing so, demonstrates its novelty as an imaginative and emotional perception of the world in contrast to the rationalistic approach which was dominant in the seventeenth century. It identifies the fundamental similarities between Romantic writing in England, France and Germany as well as their differences brought about by divergent literary and social backgrounds. The book is concluded by a review of the problems that arise from a simple definition of Romanticism.