Roma Publications at Fondazione Giuliani, Rome
Author | : Lorenzo Benedetti (Kurator) |
Publisher | : |
Total Pages | : |
Release | : 2015 |
Genre | : Book cover art |
ISBN | : 9789491843358 |
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Author | : Lorenzo Benedetti (Kurator) |
Publisher | : |
Total Pages | : |
Release | : 2015 |
Genre | : Book cover art |
ISBN | : 9789491843358 |
Author | : Claudia Moser |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2018-12-31 |
Genre | : Art |
ISBN | : 1108690823 |
In this book, Claudia Moser offers a new understanding of Roman religion in the Republican era through an exploration of sacrifice, its principal ritual. Examining the long-term imprint of sacrificial practices on the material world, she focuses on monumental altars as the site for the act of sacrifice. Piecing together the fragments of the complex kaleidoscope of Roman religious practices, she shows how they fit together in ways that shed new light on the characteristic diversity of Roman religion. This study reorients the study of sacrificial practice in three principal ways: first, by establishing the primacy of sacred architecture, rather than individual action, in determining religious authority; second, by viewing religious activities as haptic, structured experiences in the material world rather than as expressions of doctrinal, belief-based mentalities; and third, by considering Roman sacrifice as a local, site-specific ritual rather than as a single, monolithic practice.
Author | : University of Illinois (Urbana-Champaign campus). Library |
Publisher | : |
Total Pages | : 678 |
Release | : 1950 |
Genre | : Italy |
ISBN | : |
Author | : John Bradley |
Publisher | : Archaeopress Publishing Ltd |
Total Pages | : 212 |
Release | : 2019-01-31 |
Genre | : Social Science |
ISBN | : 178969048X |
This book examines the frescoes of one of the most enigmatic funerary monuments of ancient Rome: the three chambers of the Hypogeum of the Aurelii. This is the first study in modern times to examine all the extant images in detail.
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 1138 |
Release | : 1969 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 1294 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 550 |
Release | : 1968 |
Genre | : English imprints |
ISBN | : |
Author | : Salvatore Garau |
Publisher | : Routledge |
Total Pages | : 313 |
Release | : 2015-03-24 |
Genre | : History |
ISBN | : 131790947X |
This book develops a number of new conceptual tools to tackle some of the most hotly debated issues concerning the nature of fascism, using three profoundly different national contexts in the inter-war years as case studies: Italy, Britain and Norway. It explores how fascist ideology was the result of a sustained struggle between competing internal factions, which created a precarious, but also highly dynamic, balance between revolutionary/totalitarian and conservative/authoritarian tendencies. Such a balance meant that these movements were hybrids with a surprising degree of internal diversity, which cannot be explained away as simple opportunism or lack of ideological substance. The book's focus on fascist ideology's internal variety and aggregative potential leads it to argue that when fascism "succeeded," this was less an effect of its revolutionary ideas, than of the opposite – namely, its power to integrate elements from other pre-existing ideologies. Given the prevailing opinion that fascism is revolutionary by definition, the book ultimately poses a challenge to the dominant view in the field of fascist studies.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : African Americans |
ISBN | : 9789491843426 |
In 1992, Dana Lixenberg travelled to South Central Los Angeles for a magazine story on the riots that erupted following the verdict in the Rodney King trial. What she encountered inspired her to revisit the area, and led her to the community of the Imperial Courts housing project in Watts. Returning countless times over the following twenty-two years, Lixenberg gradually created a collaborative portrait of the changing face of this community. Over the years, some in the community were killed, while others disappeared or went to jail, and others, once children in early photographs, grew up and had children of their own. In this way, Imperial Courts constitutes a complex and evocative record of the passage of time in an underserved community.