Role Of Women In Utopian And Dystopian Novels
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Author | : Jelena Vukadinovic |
Publisher | : GRIN Verlag |
Total Pages | : 125 |
Release | : 2009-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 3640318269 |
Thesis (M.A.) from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,7, RWTH Aachen University, language: English, abstract: Being a great lover of mythological tales since childhood, I have early discovered that certain traits and patterns of behaviour were usually ascribed to certain gender roles. Yet even within the roles of the respective genders, considerable differences were to be found. Those who shared many characteristics tended to end in similar ways. Strong and capable Penthesilea ends dead on the battlefield of Troy and her corpse is raped by Achilles. Atalanta, who beats male heroes in great adventures is tricked into marriage against her will, by an offended goddess and a man who is not her equal. Helen's beauty has the power to launch thousand ships. Yet Helen herself is only a toy for men and gods. Penelope sits and weaves for twenty years waiting for her husband to return from a Trojan war while he is pursued and seduced by enchantresses. The more I read, in mythology and other fiction, the more often I discovered some endlessly repeating characteristics and patterns of behaviour of diverse roles. During my studies I became very interested in gender roles in Anglo-American literature, again particularly in those of female characters. Female roles in literature were always the more interesting to me when read from the background of the historical period in which they were created. Some of those fictional characters reflected the roles women were expected to fill at that particular age and geographical area. Others again were bad examples and warnings of what happens to women who do not fit into socially accepted roles. Once in a while a heroine would rise above the expected roles yet in the end she would return to the domestic area in which she was expected to be, or she would be destroyed. Of course there were always exceptions. Yet the first permanent and recognisable change of such roles in literature beco
Author | : Sharon R. Wilson |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 220 |
Release | : 2014-07-18 |
Genre | : Literary Collections |
ISBN | : 1443864439 |
Women’s Utopian and Dystopian Fiction explores the genres of utopian and dystopian recent fiction. It is about how this literature of both imagined perfection and disaster creates new worlds and critiques gender roles, traditions, and values. Essays range in subject matter from Charlotte Perkins Gilman, P. D. James, Joanna Russ, and Marge Piercy, to Ursula Le Guin, Fay Weldon, and Toni Morrison. Two of the three sections focus on Doris Lessing and Margaret Atwood. Examining especially the twentieth century, including second-wave feminism, writers from Tunisia, Turkey, Italy, Korea, the US, and England give both an historical and a global perspective. Utopian and dystopian elements are explored in the Nobel-Prize-winning Doris Lessing’s Memoirs of a Survivor, the little-known Mara and Dann, and The Cleft; and new perspectives are offered on Atwood’s The Handmaid’s Tale.
Author | : Jelena Vukadinovic |
Publisher | : GRIN Verlag |
Total Pages | : 120 |
Release | : 2009-04-20 |
Genre | : Literary Criticism |
ISBN | : 3640314794 |
Thesis (M.A.) from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,7, RWTH Aachen University, language: English, abstract: Being a great lover of mythological tales since childhood, I have early discovered that certain traits and patterns of behaviour were usually ascribed to certain gender roles. Yet even within the roles of the respective genders, considerable differences were to be found. Those who shared many characteristics tended to end in similar ways. Strong and capable Penthesilea ends dead on the battlefield of Troy and her corpse is raped by Achilles. Atalanta, who beats male heroes in great adventures is tricked into marriage against her will, by an offended goddess and a man who is not her equal. Helen’s beauty has the power to launch thousand ships. Yet Helen herself is only a toy for men and gods. Penelope sits and weaves for twenty years waiting for her husband to return from a Trojan war while he is pursued and seduced by enchantresses. The more I read, in mythology and other fiction, the more often I discovered some endlessly repeating characteristics and patterns of behaviour of diverse roles. During my studies I became very interested in gender roles in Anglo-American literature, again particularly in those of female characters. Female roles in literature were always the more interesting to me when read from the background of the historical period in which they were created. Some of those fictional characters reflected the roles women were expected to fill at that particular age and geographical area. Others again were bad examples and warnings of what happens to women who do not fit into socially accepted roles. Once in a while a heroine would rise above the expected roles yet in the end she would return to the domestic area in which she was expected to be, or she would be destroyed. Of course there were always exceptions. Yet the first permanent and recognisable change of such roles in literature becomes obvious at the turn from the 19th to the 20th century. It is no coincidence that the same time in history marks the rise of the women’s liberation and suffrage movement with sweeping changes occurring in many issues of gender and social class. For the next hundred years, the roles and characteristics of women in literature underwent a greater change than in all previous centuries put together.
Author | : Katharine Burdekin |
Publisher | : Feminist Press at CUNY |
Total Pages | : 212 |
Release | : 1985 |
Genre | : Fiction |
ISBN | : 9780935312560 |
In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.
Author | : Marge Piercy |
Publisher | : Ballantine Books |
Total Pages | : 434 |
Release | : 1997-06-23 |
Genre | : Fiction |
ISBN | : 044900094X |
Hailed as a classic of speculative fiction, Marge Piercy’s landmark novel is a transformative vision of two futures—and what it takes to will one or the other into reality. Harrowing and prescient, Woman on the Edge of Time speaks to a new generation on whom these choices weigh more heavily than ever before. Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity—and now they want to take her sanity. After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation in which the barrier between person and commodity has finally been eroded. One will become our world. And Connie herself may strike the decisive blow. Praise for Woman on the Edge of Time “This is one of those rare novels that leave us different people at the end than we were at the beginning. Whether you are reading Marge Piercy’s great work again or for the first time, it will remind you that we are creating the future with every choice we make.”—Gloria Steinem “An ambitious, unusual novel about the possibilities for moral courage in contemporary society.”—The Philadelphia Inquirer “A stunning, even astonishing novel . . . marvelous and compelling.”—Publishers Weekly “Connie Ramos’s world is cuttingly real.”—Newsweek “Absorbing and exciting.”—The New York Times Book Review
Author | : Margaret Atwood |
Publisher | : McClelland & Stewart |
Total Pages | : 370 |
Release | : 2011-09-06 |
Genre | : Fiction |
ISBN | : 0771008791 |
An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.
Author | : Shawn Coyne |
Publisher | : Black Irish Entertainment LLC |
Total Pages | : 459 |
Release | : 2015-05-02 |
Genre | : Reference |
ISBN | : 1936891360 |
WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.
Author | : Sławomir Kuźnicki |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 230 |
Release | : 2017-05-11 |
Genre | : Literary Criticism |
ISBN | : 1443892696 |
This volume details Margaret Atwood’s dystopian novels through the themes of the ambivalent ethics of science and technology, the position of women in the male-dominated world, and the ambiguous role played by religion and spirituality. The book’s unique and original approach places Atwood’s fiction within the contemporary world, with all the problems of our fast-changing reality. Furthermore, it provides an excellent reading of her dystopias in a broader, humanist context, with an emphasis on the social, cultural and political issues that have been important for both her, the writer, and us, the readers.
Author | : Jennie Melamed |
Publisher | : Hachette+ORM |
Total Pages | : 360 |
Release | : 2018-10-16 |
Genre | : Fiction |
ISBN | : 0316463671 |
Never Let Me Go meets The Giver in this haunting debut about a cult on an isolated island, where nothing is as it seems. Years ago, just before the country was incinerated to wasteland, ten men and their families colonized an island off the coast. They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers -- chosen male descendants of the original ten -- are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires. The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly -- they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others. Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing. Gather the Daughters is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.
Author | : Chana Porter |
Publisher | : Soho Press |
Total Pages | : 217 |
Release | : 2020-01-21 |
Genre | : Fiction |
ISBN | : 1641290870 |
A 2021 Lambda Literary Award Finalist “A unique alien invasion story that focuses on the human and the myriad ways we see and don’t see our own world. Mesmerizing.” —Jeff VanderMeer A blend of searing social commentary and speculative fiction, Chana Porter’s fresh, pointed debut explores a strange new world in the wake of a benign alien invasion. Trina FastHorse Goldberg-Oneka is a fifty-year-old trans woman whose life is irreversibly altered in the wake of a gentle—but nonetheless world-changing—invasion by an alien entity called The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible. Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence—until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seeptech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated. Heartbroken and deep into an alcoholic binge, Trina follows a lost boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind. A strange new elegy of love and loss, The Seep explores grief, alienation, and the ache of moving on.