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| Author | : Dirk de Vos |
| Publisher | : ABRAMS |
| Total Pages | : 458 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
"This sumptuously illustrated volume is the first comprehensive study of Van der Weyden's work in twenty-five years. Author Dirk De Vos, who has incorporated all the latest scholarship, illuminates longstanding questions concerning Van der Weyden's early years and a number of problematic attributions."--BOOK JACKET.
| Author | : Bastian Eclercy |
| Publisher | : |
| Total Pages | : 410 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
This volume collects more than 50 masterpieces from the most important museums in the world and presents them side by side to encourage direct comparison.
| Author | : Ursula Vorwerk |
| Publisher | : Hatje Cantz |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Painting, Flemish |
| ISBN | : 9783775723657 |
Text by Ursula Vorwerk.
| Author | : Otto Pächt |
| Publisher | : |
| Total Pages | : 274 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : |
This volume follows on from Pacht's work on the Van Eycks and their circle, to encompass the great artists of the fifteenth and sixteenth centuries. Figures such as Van Der Weyden, Bouts, Christus, Van Der Goes and Memling, as well as lesser known artists, are examined in turn. With detailed discussion of particular paintings, style and symbolism.
| Author | : Bart Fransen |
| Publisher | : Harvey Miller |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Sculpture, Medieval |
| ISBN | : 9781909400153 |
Tiles form an important part of the great Dutch tradition of tin-glazed earthenware, internationally renowned as 'Delftware'. The presence of the right raw materials and know-how as well as a sufficiently large clientele allowed tile production to reach an impressive scale in the provinces of Holland, Friesland and Utrecht. In this way the Netherlands wrote its own fascinating chapter in the world history of tiles. In this publication the Foundation of Friends of the Dutch Tile Museum in Otterlo present tiles and tile pictures from the Friends' collections. The catalogue gives a detailed description of all the items illustrated. Supplemented by a number if examples from museum collections, a canon of approximately four hundred years of Dutch tile culture is thus created and also opened up to an international audience.
| Author | : Lorne Campbell |
| Publisher | : Chaucer Press |
| Total Pages | : 136 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : |
One of the greatest 'observers of detail', Van der Weyden's unique style and personal history are illustrated in this new book
| Author | : Lorne Campbell |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Painting |
| ISBN | : 9789042926929 |
On 20 September 2009 the new M-Museum Leuven (Belgium) was inaugurated with the opening of the exhibition Rogier van der Weyden 1400-1464 - Master of Passions. The starting point of the exhibition was the work of Rogier van der Weyden himself and the intention was to display and define his individual style and contribution. To demonstrate the significance of his overwhelming influence across artistic media, his own works were brought together with those of his contemporaries and followers: painters, designers, sculptors, tapestry weavers and embroiderers. His significance was reflected in the international Colloquium Rogier van der Weyden in Context, which took place on 22, 23 and 24 October 2009. It was organised by Illuminare - Centre for the Study of Medieval Art (KU Leuven), the Art History Department KU Leuven and Artes. Leuven, in conjunction with the UCL (Catholic University of Louvain-la-Neuve, Laboratoire d'etude des oeuvres d'art par les methodes scientifiques) and the KIK-IRPA (Royal Institute for Cultural Heritage, Belgium). It was the XVIIth Symposium for the Study of Underdrawing and Technology in Painting, yet its scope was extended beyond the technical examination of paintings so that the work of one great genius, Rogier van der Weyden, could be considered in a variety of contexts. The papers in this volume are grouped around the following themes: (i) Rogier van der Weyden, painter and designer; (ii) Archival sources; (iii) Studies in painting; (iv) Studies in underdrawing; (v) Studies in sculpture; (vi) The legacy of Van der Weyden.
| Author | : Noa Turel |
| Publisher | : Yale University Press |
| Total Pages | : 201 |
| Release | : 2020-09-25 |
| Genre | : Art |
| ISBN | : 0300247575 |
A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck’s pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not “from life” but “into life.” Animation, not representation, drove Van Eyck and his contemporaries. Turel’s interpretation reverses the commonly held belief that these artists were inspired by the era’s burgeoning empiricism, proposing instead that their “living pictures” helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works’ key role in shaping, rather than simply mirroring, the early modern world.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 466 |
| Release | : 1998 |
| Genre | : Art patronage |
| ISBN | : 0870998706 |
Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25"Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Bernhard Ridderbos |
| Publisher | : Amsterdam University Press |
| Total Pages | : 506 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9789053566145 |
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
