Robert W. Tebbs, Photographer to Architects

Robert W. Tebbs, Photographer to Architects
Author: Richard Anthony Lewis
Publisher: LSU Press
Total Pages: 168
Release: 2011-12-05
Genre: Architecture
ISBN: 0807142190

One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. The images, now housed in the Louisiana State Museum, and never before widely available, consist of 110 plates showcasing fifty-two homes. Author and curator Richard Anthony Lewis explores Tebbs's life and photographs, revealing in both a new awareness of historic preservation.

Baseball Photography of the Deadball Era

Baseball Photography of the Deadball Era
Author: Jim Chapman
Publisher: Chapman Deadball Collection
Total Pages: 399
Release: 2023-05-31
Genre: Sports & Recreation
ISBN:

Winner of the 2024 SABR Larry Ritter Book Award for best Deadball Era baseball book. Second place finisher for 2023 CASEY Award for best baseball book of the year. While ostensibly a tool for collectors to identify and authenticate Deadball Era photographs, a purpose at which it excels, this book is so much more. At its heart, Baseball Photography of the Deadball Era is the definitive story of the rise of baseball press photographers in the early 20th century and a celebration of the visual splendors of the game they captured. Collectors have long admired the artistry of their beautiful sepia toned baseball prints from the early 1900’s. These images are visual time machines that transport us back to those halcyon days when we romanticize that baseball was pure. What collectors haven’t appreciated, as they have long been shrouded in mystery, are the stories of the men behind the lens and the photo syndicates who distributed their work. These Photographers’ indelible images brought the game from the field to the fans and helped create the baseball legends we still revere. This book lifts the veil on their previously untold stories. Through extensive research and newfound discoveries, the lives of many of the photographic artists and innovators who brought the game to life have been revealed. Their stories are as fascinating as those of the more famous men in front of the lens. Some names are iconic, such as Charles Conlon. Some should be, such as Frances Burke. Dozens more are profiled, all in far more detail than has ever been presented before. The clues to uncovering their stories are embedded in their photos and stamped on the back of their vintage prints. Baseball Photography of the Deadball Era contains extensive and groundbreaking research on identifying and authenticating Deadball photographs through the examination of back stampings. The hundreds of stamps presented, dated and interpreted in this book represent a quantum leap forward in the knowledge base regarding the era’s photographers. Of course, the book contains hundreds of gorgeous are rare images of the Deadball Era, many never seen before by the public. Longtime collectors have generously granted use of their private collections to embellish this story, and what a visual feast it is. Ty Cobb, Babe Ruth, Christy Mathewson, “Shoeless” Joe Jackson and other ballyard legends are all here, as seen in their glory days. Many readers will buy the book for the images alone. My hope is they stick around for the stories.

Charting the Plantation Landscape from Natchez to New Orleans

Charting the Plantation Landscape from Natchez to New Orleans
Author: Laura Kilcer VanHuss
Publisher: LSU Press
Total Pages: 254
Release: 2021-05-05
Genre: Architecture
ISBN: 0807175714

Charting the Plantation Landscape from Natchez to New Orleans examines the hidden histories behind one of the nineteenth-century South’s most famous maps: Norman’s Chart of the Lower Mississippi River, created by surveyor Marie Adrien Persac before the Civil War and used for decades to guide the pilots of river vessels. Beyond its purely cartographic function, Persac’s map depicted a world of accomplishment and prosperity, while concealing the enslaved and exploited laborers whose work powered the plantations Persac drew. In this collection, contributors from a variety of disciplines consider the histories that Persac’s map omitted, exploring plantations not as sites of ease and plenty, but as complex legal, political, and medical landscapes. Essays by Laura Ewen Blokker and Suzanne Turner consider the built and designed landscapes of plantations as they were structured by the logics and logistics of both slavery and the effort to present a façade of serenity and wealth. William Horne and Charles D. Chamberlain III delve into the political activity of formerly enslaved people and slaveholders respectively, while Christopher Willoughby explores the ways the plantation health system was defined by the agro-industrial environment. Jochen Wierich examines artistic depictions of plantations from the antebellum years through the twentieth century, and Christopher Morris uses the famed Uncle Sam Plantation to explain how plantations have been memorialized, remembered, and preserved. With keen insight into the human cost of the idealized version of the agrarian South depicted in Persac’s map, Charting the Plantation Landscape encourages us to see with new eyes and form new definitions of what constitutes the plantation landscape.

Educating the Sons of Sugar

Educating the Sons of Sugar
Author: R. Eric Platt
Publisher: University of Alabama Press
Total Pages: 313
Release: 2017-10-10
Genre: Education
ISBN: 0817319662

A study of Louisiana French Creole sugar planters’ role in higher education and a detailed history of the only college ever constructed to serve the sugar elite The education of individual planter classes—cotton, tobacco, sugar—is rarely treated in works of southern history. Of the existing literature, higher education is typically relegated to a footnote, providing only brief glimpses into a complex instructional regime responsive to wealthy planters. R. Eric Platt’s Educating the Sons of Sugar allows for a greater focus on the mindset of French Creole sugar planters and provides a comprehensive record and analysis of a private college supported by planter wealth. Jefferson College was founded in St. James Parish in 1831, surrounded by slave-holding plantations and their cash crop, sugar cane. Creole planters (regionally known as the “ancienne population”) designed the college to impart a “genteel” liberal arts education through instruction, architecture, and geographic location. Jefferson College played host to social class rivalries (Creole, Anglo-American, and French immigrant), mirrored the revival of Catholicism in a region typified by secular mores, was subject to the “Americanization” of south Louisiana higher education, and reflected the ancienne population’s decline as Louisiana’s ruling population. Resulting from loss of funds, the college closed in 1848. It opened and closed three more times under varying administrations (French immigrant, private sugar planter, and Catholic/Marist) before its final closure in 1927 due to educational competition, curricular intransigence, and the 1927 Mississippi River flood. In 1931, the campus was purchased by the Society of Jesus (Jesuits) and reopened as a silent religious retreat. It continues to function to this day as the Manresa House of Retreats. While in existence, Jefferson College was a social thermometer for the white French Creole sugar planter ethos that instilled the “sons of sugar” with a cultural heritage resonant of a region typified by the management of plantations, slavery, and the production of sugar.

Creole Italian

Creole Italian
Author: Justin A. Nystrom
Publisher: University of Georgia Press
Total Pages: 264
Release: 2018-08-01
Genre: Cooking
ISBN: 0820353574

In Creole Italian, Justin A. Nystrom explores the influence Sicilian immigrants have had on New Orleans foodways. His culinary journey follows these immigrants from their first impressions on Louisiana food culture in the mid-1830s and along their path until the 1970s. Each chapter touches on events that involved Sicilian immigrants and the relevancy of their lives and impact on New Orleans. Sicilian immigrants cut sugarcane, sold groceries, ran truck farms, operated bars and restaurants, and manufactured pasta. Citing these cultural confluences, Nystrom posits that the significance of Sicilian influence on New Orleans foodways traditionally has been undervalued and instead should be included, along with African, French, and Spanish cuisine, in the broad definition of “creole.” Creole Italian chronicles how the business of food, broadly conceived, dictated the reasoning, means, and outcomes for a large portion of the nearly forty thousand Sicilian immigrants who entered America through the port of New Orleans in the nineteenth and early-twentieth centuries and how their actions and those of their descendants helped shape the food town we know today.

The New Encyclopedia of Southern Culture

The New Encyclopedia of Southern Culture
Author: Judith H. Bonner
Publisher: UNC Press Books
Total Pages: 527
Release: 2013-01-14
Genre: Reference
ISBN: 0807869945

From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.

Clay Lancaster's Kentucky

Clay Lancaster's Kentucky
Author: James D. Birchfield
Publisher: University Press of Kentucky
Total Pages: 192
Release: 2021-10-21
Genre: Architecture
ISBN: 0813185513

"Clay Lancaster was infected by a love of architecture at an early age, a gentle madness from which he never cared to recover."—From the Foreword, by Roger W. Moss It is easy to take for granted the visual environment that we inhabit. Familiarity with routes of travel and places of work or leisure leads to indifference, and we fail to notice incremental changes. When a dilapidated building is eliminated by new development, it is forgotten as soon as its replacement becomes a part of our daily landscape. When an addition is grafted onto the shell of a house fallen out of fashion or function, onlookers might notice at first, but the memory of its original form is eventually lost. Also forgotten is the use a building once served. From historic homes to livestock barns, each structure holds a place in the community and can tell us as much about its citizens as their portraits and memoirs. Such is the vital yet intangible role that architecture plays in our collective memory. Clay Lancaster (1917-2000) began during the Great Depression to document and to encourage the preservation of America's architectural patrimony. He was a pioneer of American historic preservation before the movement had a name. Although he established himself as an expert on Brooklyn brownstones and California bungalows, the nationally known architectural historian also spent four decades photographing architecture in his native Kentucky. Lancaster did not consider himself a photographer. His equipment consisted of nothing more complex than a handheld camera, and his images were only meant for his own personal use in documenting memorable and endangered structures. He had the eye of an artist, however, and recognized the importance of vernacular architecture. The more than 150 duotone photographs in Clay Lancaster's Kentucky preserve the beauty of commonplace buildings as well as historic mansions and monuments. With insightful commentary by James D. Birchfield about the photographs and about Lancaster's work in Kentucky, the book documents the many buildings and architectural treasures—both existing and long gone—whose images and stories remain a valuable part of the state's heritage.