Robert Houle: Red Is Beautiful

Robert Houle: Red Is Beautiful
Author: Wanda Nanibush
Publisher: Delmonico Books
Total Pages: 252
Release: 2022-01-25
Genre: Art
ISBN: 9781636810379

Houle's painting blends Western abstraction, postmodernism and conceptualism with First Nations art history and techniques, challenging expectations about Indigenous aesthetics An extensive survey spanning more than 50 years, Robert Houle: Red Is Beautiful celebrates Houle's ongoing career as an internationally recognized Indigenous artist, curator and writer, calling attention to First Nations and settler-colonialist histories through the critical lens of his impressive oeuvre. Painful personal experiences from the time he spent in residential school as a youth are brought into sharp relief through painting. Houle's visual commentary tackles global topics including commercial appropriation, Indigenous resistance movements, land rights, religion and war, among others. A leader in challenging systemic racial biases, Houle has played a significant role at successfully introducing Indigenous art and its relationship to the contemporary art world in Canada and beyond. Rare excerpts from the artist's archive are featured alongside major scholarly texts, poetic writings and personal anecdotes from fellow prominent Indigenous thinkers and creators, offering new insights about an artist ahead of his time. Robert Houle (born 1947) teaches at the OCADU and has collaborated on projects that seek to establish awareness of First Nations contemporary art, such as the Land, Spirit, Power exhibition at the National Gallery of Canada in 1992. He is represented by Kinsman Robinson Galleries in Toronto.

Robert Houle

Robert Houle
Author: Shirley Madill
Publisher: Canadian Art Library
Total Pages: 128
Release: 2021-10-18
Genre:
ISBN: 9781487102647

Saulteaux artist Robert Houle (b.1947) has claimed space and authority for Indigenous representation in contemporary art for more than fifty years. This new publication celebrates his generational influence and coincides with his exhibition Red Is Beautiful, organized by the Art Gallery of Ontario and touring to the Winnipeg Art Gallery and the National Museum of the American Indian at the Smithsonian Institution. A curator, writer, and educator as well as an artist, Houle has made a profound impact. Growing up on the Sandy Bay First Nation/Kaa-wii-kwe-tawang-kak in Manitoba, he was placed in residential school and denied access to his family and traditions. Always fiercely principled, he has dedicated his career to challenging colonialist perspectives. In 1980, he resigned from his position as the first curator of contemporary Indigenous art at the National Museum of Man (now the Canadian Museum of History) and set off on a path toward creating a remarkable body of work that spans painting, drawing, and large-scale installation. Robert Houle: Life & Work reveals how Houle's artistic output has opened critical discussion on political and cultural issues surrounding First Nations peoples, including Indigenous identity, the impact of colonialism, and land claims and residential schools. Houle has played a pivotal role in bringing contemporary Indigenous artists into the Canadian art mainstream through his writing and curating of important exhibitions, such as Land, Spirit, Power: First Nations at the National Gallery of Canada in 1992. This book also explores the artist's public art projects, critical elements of his legacy for art in Canada.

Robert Houle

Robert Houle
Author: Robert Houle
Publisher: Goose Lane Editions
Total Pages: 106
Release: 1990
Genre: Art
ISBN:

Indigenous Toronto

Indigenous Toronto
Author: Denise Bolduc
Publisher: Coach House Books
Total Pages: 360
Release: 2021-04-27
Genre: Literary Collections
ISBN: 1770566457

WINNER OF THE HERITAGE TORONTO 2022 BOOK AWARD Rich and diverse narratives of Indigenous Toronto, past and present Beneath many major North American cities rests a deep foundation of Indigenous history that has been colonized, paved over, and, too often, silenced. Few of its current inhabitants know that Toronto has seen twelve thousand years of uninterrupted Indigenous presence and nationhood in this region, along with a vibrant culture and history that thrives to this day. With contributions by Indigenous Elders, scholars, journalists, artists, and historians, this unique anthology explores the poles of cultural continuity and settler colonialism that have come to define Toronto as a significant cultural hub and intersection that was also known as a Meeting Place long before European settlers arrived. "This book is a reflection of endurance and a helpful corrective to settler fantasies. It tells a more balanced account of our communities, then and now. It offers the space for us to reclaim our ancestors’ language and legacy, rewriting ourselves back into a landscape from which non Indigenous historians have worked hard to erase us. But we are there in the skyline and throughout the GTA, along the coast and in all directions." -- from the introduction by Hayden King

R. Crumb Sketchbook

R. Crumb Sketchbook
Author: Robert Crumb
Publisher:
Total Pages: 444
Release: 2017
Genre: Design
ISBN: 9783836566940

Collection of cartoons, caricatures and some comic strips by R. Crumb.

Robert Houle, Sovereignty Over Subjectivity

Robert Houle, Sovereignty Over Subjectivity
Author: Robert Houle
Publisher:
Total Pages: 66
Release: 1999
Genre: Art
ISBN:

With passion, humour and honesty, Salteaux painter and installation artist Robert Houle explores First Nations cultural issues in Canada's history.

Masculindians

Masculindians
Author: Sam McKegney
Publisher: Univ. of Manitoba Press
Total Pages: 657
Release: 2014-02-07
Genre: Social Science
ISBN: 0887554423

What does it mean to be an Indigenous man today? Between October 2010 and May 2013, Sam McKegney conducted interviews with leading Indigenous artists, critics, activists, and elders on the subject of Indigenous manhood. In offices, kitchens, and coffee shops, and once in a car driving down the 401, McKegney and his participants tackled crucial questions about masculine self-worth and how to foster balanced and empowered gender relations. Masculindians captures twenty of these conversations in a volume that is intensely personal, yet speaks across generations, geography, and gender boundaries. As varied as their speakers, the discussions range from culture, history, and world view to gender theory, artistic representations, and activist interventions. They speak of possibility and strength, of beauty and vulnerability. They speak of sensuality, eroticism, and warriorhood, and of the corrosive influence of shame, racism, and violence. Firmly grounding Indigenous continuance in sacred landscapes, interpersonal reciprocity, and relations with other-than-human kin, these conversations honour and embolden the generative potential of healthy Indigenous masculinities.

Land, Spirit, Power

Land, Spirit, Power
Author: Diana Nemiroff
Publisher:
Total Pages: 240
Release: 1992
Genre: Art
ISBN:

Exhibition catalogue for 'Land, Spirit, Power' at the National Gallery of Canada, Ottawa, in 1992, a collection of contemporary art intended as a response and contribution to current discussions on questions of cultural identity, from the specific perspective of First Nations. Includes three essays, and data on each artist.

Northern Plains Native Americans

Northern Plains Native Americans
Author: Shane Balkowitsch
Publisher: G Editions LLC
Total Pages: 128
Release: 2019
Genre: Photography
ISBN: 9781943876082

Foreword : Aóhanziyapi / Shadow, reflection and soul -- Preface : ANawáh wetUstaknuéi /Hello, it's a good day -- Introduction : Shane Balkowitsch understanding the modern wet plate perspective -- The studio : Nostalgic glass North Light studio -- Ambrotypes : the photographs -- Appendix : Archiving the images / State Historical Society of North Dakota.

Making African Christianity

Making African Christianity
Author: Robert J. Houle
Publisher: Lehigh University Press
Total Pages: 355
Release: 2011-09-16
Genre: Religion
ISBN: 1611460824

Making African Christianity argues that Africans successfully naturalized Christianity. It examines the long history of the faith among colonial Zulu Christians (known as amaKholwa) in what would become South Africa. As it has become clear that Africans are not discarding Christianity, a number of scholars have taken up the challenge of understanding why this is the case and how we got to this point. While functionalist arguments have their place, this book argues that we need to understand what is imbedded within the faith that many find so appealing. Houle argues that other aspects of the faith also needed to be 'translated,'particularly the theology of Christianity. For Zulu, the religion would never be a good fit unless converts could fill critical gaps such as how Christianity could account for the active and everyday presence of the amadhlozi ancestral spirits - a problem that was true for African converts across the continent in slightly different ways. Accomplishing this translation took years and a number of false-starts. Coming to this understanding is one of the particularly important contributions of this work, for like Benedict Anderson's 'Imagined Communities,' the early African Christian communities were entirely constructed ones. Here was a group struggling to understand what it meant to be both African and Christian. For much of their history this dual identity was difficult to reconcile, but through constant struggle to do so they transformed both themselves and their adopted faith. This manuscript goes far in filling a critical gap in how we have gotten to this point and will be welcomed by African historians, those interested in the history of colonialism, missions, southern African, and in particular Christianity.