Robert Henri in Santa Fe

Robert Henri in Santa Fe
Author: Robert Henri
Publisher:
Total Pages: 0
Release: 1998
Genre: Art
ISBN: 9780935037838

In 1914, Dr. Edgar Hewitt, director of Santa Fe's School of American Archaelogy, urged Henri to paint in New Mexico. Henri's strong personality and liberal ideas regarding museum policy, particularly unjuried exhibitions, left a lasting imprint on the newly opened Museum of New Mexico.

Art in New Mexico, 1900-1945

Art in New Mexico, 1900-1945
Author: Charles C. Eldredge
Publisher: Abbeville Press
Total Pages: 228
Release: 1986
Genre: Art
ISBN:

Traces the history of the art of New Mexico and examines the works of Hispanic and Indian artists of the region.

Taos Artists and Their Patrons, 1898-1950

Taos Artists and Their Patrons, 1898-1950
Author: Dean A. Porter
Publisher:
Total Pages: 0
Release: 1999
Genre: Art patronage
ISBN: 9780826321091

A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.

Ladies of the Canyons

Ladies of the Canyons
Author: Lesley Poling-Kempes
Publisher: University of Arizona Press
Total Pages: 384
Release: 2015-09-17
Genre: History
ISBN: 0816524947

Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony. Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.

The Taos Society of Artists

The Taos Society of Artists
Author: Robert Rankin White
Publisher:
Total Pages: 168
Release: 1998
Genre: Art
ISBN:

This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.

For America

For America
Author: Jeremiah William McCarthy
Publisher: Yale University Press
Total Pages: 305
Release: 2019-01-01
Genre: Art
ISBN: 0300244282

Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.

The Eight and American Modernisms

The Eight and American Modernisms
Author: Peter John Brownlee
Publisher: Terra Foundation for the Arts
Total Pages: 184
Release: 2009
Genre: Art
ISBN:

Frustrated by the art world’s elitism and the snobbish exclusivity of the academy’s juries, eight American painters united in 1908 to upend the establish norms and stage their own exhibition of modernist art. Led by the charismatic Robert Henri, they came to be known as "The Eight," and their two-week show at New York’s Macbeth Galleries drew a multitude of visitors, who crowded into the galleries to critique the much-publicized work of these "revolutionary" artists. Their paintings of urban scenes marked a significant departure from the prevailing style—which emphasized physical and natural beauty—and met with critical success. The established chronicle maintains that the Eight were rendered dysfunctional and artistically irrelevant after European modernism arrived in the United States at the 1913 Armory Show. The Eight and American Modernisms revises this account and reevaluates these respected artists’ careers, including their late works. Accompanying a traveling exhibition, this lushly illustrated volume challenges the accepted wisdom about the evolution of the modernist style. In addition to Henri, "The Eight" included William Glackens, George Luks, Everett Shinn, John French Sloan, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.