Defoe's Sources for Robert Drury's Journal
Author | : John Robert Moore |
Publisher | : Ardent Media |
Total Pages | : 96 |
Release | : 1943 |
Genre | : |
ISBN | : |
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Author | : John Robert Moore |
Publisher | : Ardent Media |
Total Pages | : 96 |
Release | : 1943 |
Genre | : |
ISBN | : |
Author | : Arthur Wellesley Secord |
Publisher | : Urbana, University of Illinois Press |
Total Pages | : 176 |
Release | : 1961 |
Genre | : Literary Criticism |
ISBN | : |
Author | : William Roughead |
Publisher | : |
Total Pages | : 604 |
Release | : 1919 |
Genre | : Gowrie Conspiracy, 1600 |
ISBN | : |
Author | : Daniel Defoe |
Publisher | : Courier Corporation |
Total Pages | : 801 |
Release | : 2012-05-11 |
Genre | : History |
ISBN | : 0486131947 |
Considered the major source of information about piracy in the early 18th century, this fascinating history by the author of Robinson Crusoe profiles the deeds of Edward (Blackbeard) Teach, Captain Kidd, Anne Bonny, others.
Author | : Paul Scarron |
Publisher | : Alma Books |
Total Pages | : 289 |
Release | : 2018-01-01 |
Genre | : Fiction |
ISBN | : 0714546577 |
Paul Scarron's masterpiece, The Comic Romance, recounts the adventures of a troupe of provincial itinerant actors, skilfully weaving comic anecdotes of their amorous exploits and the central love story between Leandre and his beloved Angelique into a rich and realistic tapestry depicting rural France.
Author | : W R Owens |
Publisher | : Routledge |
Total Pages | : 166 |
Release | : 2017-09-29 |
Genre | : Literary Criticism |
ISBN | : 1351220640 |
Daniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.
Author | : Andrew Lincoln |
Publisher | : Cambridge University Press |
Total Pages | : 315 |
Release | : 2023-10-31 |
Genre | : Literary Criticism |
ISBN | : 1009366548 |
Is war the opposite of peace, or its necessary accomplice? Exploring this question in relation to eighteenth-century Britain, Andrew Lincoln opens up complex, paradoxical and enduring issues and shows how ideas and methods were developed to provide the British public with moral insulation from violence both overseas and at home.
Author | : Pierre Van den Boogaerde |
Publisher | : Strategic Book Publishing |
Total Pages | : 350 |
Release | : 2011-04-12 |
Genre | : Biography & Autobiography |
ISBN | : 1612043399 |
There are more than one hundred shipwrecks off the coast of Madagascar. These are the stories from ancient to modern times.
Author | : Paula R. Backscheider |
Publisher | : University Press of Kentucky |
Total Pages | : 379 |
Release | : 2021-10-21 |
Genre | : Literary Criticism |
ISBN | : 0813185726 |
In this book, Paula Backscheider considers Daniel Defoe's entire canon as related, developing, and in close dynamic relationship to the literature of its time. In so doing, she revises our conception of the contexts of Defoe's work and reassesses his achievement and contribution as a writer. By restoring a literary context for modern criticism, Backscheider argues the intensity and integrity of Defoe's artistic ambitions, demonstrating that everything he wrote rests solidly upon extensive reading of books published in England, his understanding of the reading tastes of his contemporaries, and his engagement with the issues and events of his time. Defoe, the dedicated professional writer and innovator, emerges with a new wholeness, and certain of his novels assume new significance. Defoe's literary status continues to be debated and misunderstood. Even critical studies of the novel often begin with Richardson rather than Defoe. By moving from Defoe's poetry, pamphlets, and histories to the novels, Backscheider offers an argument for the thematic and stylistic coherency of his oeuvre and for a recognition of the dominant place he held in shaping the English novel. For example, Defoe deserves to be recognized as the true originator of the historical novel, for three of his fictions are deeply engaged with just those conceptual and technical issues common to all later historical fiction. And Roxana now appears as Defoe's deliberate attempt to enter the fastest growing market for fiction—that for women readers. What have been powerfully significant for the history of the novel, then, are the very characteristics of his writing that have been held against his literary stature: its contemporaneity, its mixed and untidy form, its formal realism, its concentration on the life of an individual, and its probing of the individual's psychological interaction with the empirical world, making that world representative even as it is referential. It is exactly these characteristics most original, prominent, and subsequently imitated in Defoe's fiction that define the form we call "novel."
Author | : Neil Rennie |
Publisher | : OUP Oxford |
Total Pages | : 1956 |
Release | : 2013-09-12 |
Genre | : Literary Criticism |
ISBN | : 0191668656 |
Treasure Neverland is about factual and fictional pirates. Swashbuckling eighteenth-century pirates were the ideal pirates of all time and tales of their exploits are still popular today. Most people have heard of Blackbeard and Captain Kidd even though they lived about three hundred years ago, but most have also heard of other pirates, such as Long John Silver and Captain Hook, even though these pirates never lived at all, except in literature. The differences between these two types of pirates - real and imaginary - are not quite as stark as we might think as the real, historical pirates are themselves somewhat legendary, somewhat fictional, belonging on the page and the stage rather than on the high seas. Based on extensive research of fascninating primary material, including testimonials, narratives, legal statements, colonial and mercantile records, Neil Rennie describes the ascertainable facts of real eighteenth-century pirate lives and then investigates how such facts were subsequently transformed artistically, by writers like Defoe and Stevenson, into realistic and fantastic fictions of various kinds: historical novels, popular melodramas, boyish adventures, Hollywood films. Rennie's aim is to watch, in other words, the long dissolve from Captain Kidd to Johnny Depp. There are surprisingly few scholarly studies of the factual pirates - properly analysing the basic manuscript sources and separating those documents from popular legends - and there are even fewer literary-historical studies of the whole crew of fictional pirates, although those imaginary pirates form a distinct and coherent literary tradition. Treasure Neverland is a study of this Scots-American literary tradition and also of the interrelations between the factual and fictional pirates - pirates who are intimately related, as the nineteenth-century writings about fictional pirates began with the eighteenth-century writings about supposedly real pirates. 'What I want is the best book about the Buccaneers', wrote Stevenson when he began Treasure Island in 1881. What he received, rightly, was indeed the best book: the sensational and unreliable History of the Pyrates (1724).