Road Movies
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| Author | : Steven Cohan |
| Publisher | : Routledge |
| Total Pages | : 396 |
| Release | : 2002-01-04 |
| Genre | : Social Science |
| ISBN | : 113482436X |
The Road Movie Book is the first comprehensive study of an enduring but ever-changing Hollywood genre, its place in American culture, and its legacy to world cinema. The road and the cinema both flourished in the twentieth century, as technological advances brought motion pictures to a mass audience and the mass produced automobile opened up the road to the ordinary American. When Jean Baudrillard equated modern American culture with 'space, speed, cinema, technology' he could just as easily have added that the road movie is its supreme emblem. The contributors explore how the road movie has confronted and represented issues of nationhood, sexuality, gender, class and race. They map the generic terrain of the road movie, trace its evolution on American television as well as on the big screen from the 1930s through the 1980s, and, finally, consider road movies that go off the road, departing from the US landscape or travelling on the margins of contemporary American culture. Movies discussed include: * Road classics such as It Happened One Night, The Grapes of Wrath, The Wizard of Oz and the Bob Hope-Bing Crosby Road to films * 1960's reworkings of the road movie in Easy Rider and Bonnie and Clyde * Russ Meyer's road movies: from Motorpsycho! to Faster Pussycat! Kill! Kill! * Contemporary hits such as Paris Texas, Rain Man, Natural Born Killers and Thelma and Louise * The road movie, Australian style, from Mad Max to the Adventures of Priscilla, Queen of the Desert.
| Author | : Jason Wood |
| Publisher | : British Film Institute |
| Total Pages | : 0 |
| Release | : 2007-07-12 |
| Genre | : Performing Arts |
| ISBN | : 9781844571604 |
In '100 Road Movies', each entry will offer an insightful critique in terms of aesthetics, plot structure and defining formal and thematic features, whilst also considering the title in the wider context and understanding of by what criteria a film may be considered a road movie. Full credits, including year of production, principal cast and technical crew and country of origin will also be included at the foot of each entry. There will be a selection of illustrative stills, approximately twenty-five in total. The scope is broad, a consideration of the elements that gave rise to the road movie sub-genre, how this sub-genre corresponds to other traditional genres (the thriller, the western etc) and how various international countries have adopted the road movie to reflect their cultural, social, political and geographical identities.
| Author | : Lee Ranaldo |
| Publisher | : |
| Total Pages | : 165 |
| Release | : 2004 |
| Genre | : Poetry |
| ISBN | : 9781932360738 |
Road Movies is poetry by the guitarist of the seminal punk (and beyond) band Sonic Youth, who paved the way for the explosion of Nirvana and punk on to the mainstream music scene in the early nineties. They are arguably the most influential rock band of the late 1980's, and are living legends today. Road Movies is the literary equivalent of the dark and noisy waters of Sonic Youth's early work. His words mirror the beauty that can be discerned in the band's emotive walls of noise. As the title suggests, large parts of the book are inspired by time spent on the road with Sonic Youth. His words evoke the strange suprises and almost out of body clarity that occurs during travel. Interspersed with grainy photographs of road side fireworks stands, cigarette machines, and tractor trailer wheels, the book recalls the everyday things that, when taken out of context, become absolutely extraordinairy. In this way he tells, in flashes reminescent of the absolute freedom attained in the literature of Kerouac and Bukowski, the story of one restless mind's journey across and through America.
| Author | : Jack Sargeant |
| Publisher | : Creation Books |
| Total Pages | : 300 |
| Release | : 1999 |
| Genre | : Performing Arts |
| ISBN | : |
Through a series of detailed, illustrated essays,on key flms within the genre, Lost Highways,explores the history of the road movei.Bringin in,other, until now neglected, genres such as the,western, film noir, horror, and even science,fiction, this is the definitive guide to a diverse,body of film that incorporates some fo the most,dominant themes and most popular films of this,century.
| Author | : D. Orgeron |
| Publisher | : Springer |
| Total Pages | : 243 |
| Release | : 2007-12-09 |
| Genre | : Performing Arts |
| ISBN | : 0230610218 |
Road Movies engages with two foundational twentieth century technologies: cinematic and automotive. It is a book about road movies, a genre burdened by its own seductiveness. It is also, however, a book about images of human mobility more generally and the social function those images have served.
| Author | : Heidi Wilkins |
| Publisher | : Edinburgh University Press |
| Total Pages | : 216 |
| Release | : 2016-02-19 |
| Genre | : Performing Arts |
| ISBN | : 1474406904 |
The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound "e; music, voice, sound effects and silence "e; is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.
| Author | : José Duarte |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Road films |
| ISBN | : 9781783208777 |
The Global Road Movie looks at the road movie genre from a wider perspective, exploring the motif of travel not just in American films. Through analyses of several films, this book enables us to think afresh about how today's road movies fit into the history of the genre and what they can tell us about how people move about in the world today.
| Author | : Cormac McCarthy |
| Publisher | : Vintage Books |
| Total Pages | : 297 |
| Release | : 2007 |
| Genre | : Fiction |
| ISBN | : 0307386457 |
In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity
| Author | : Neil Archer |
| Publisher | : Columbia University Press |
| Total Pages | : 126 |
| Release | : 2016-01-12 |
| Genre | : Performing Arts |
| ISBN | : 0231850883 |
Though often seen as one of America's native cinematic genres, the road movie has lent itself to diverse international contexts and inspired a host of filmmakers. As analyzed in this study, from its most familiar origins in Hollywood the road movie has become a global film practice, whether as a vehicle for exploring the relationship between various national contexts and American cinema, as a means of narrating different national and continental histories, or as a form of individual filmmaking expression. Beginning with key films from Depression-era Hollywood and the New Hollywood of the late 1960s and then considering its wider effect on world cinemas, this volume maps the development and adaptability of an enduring genre, studying iconic films along the way.
| Author | : Victor H. Green |
| Publisher | : Colchis Books |
| Total Pages | : 222 |
| Release | : |
| Genre | : History |
| ISBN | : |
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
