Rise Of The Audience
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| Author | : James Poniewozik |
| Publisher | : Liveright Publishing |
| Total Pages | : 277 |
| Release | : 2019-09-10 |
| Genre | : Political Science |
| ISBN | : 1631494430 |
New York Times Book Review • Notable Book of the Year Washington Post • 50 Notable Works of Nonfiction in 2019 NPR.org • NPR 2019 Concierge Slate • 10 Best Books of the Year Chicago Tribune • Best Books of the Year Publishers Weekly • 10 Best Books of the Year Audience of One reframes America’s identity through the rattled mind of an insomniac, cable-news-junkie president.New York Times chief television critic James Poniewozik offers a “darkly entertaining” (Carlos Lozada, Washington Post) history of mass media from the early 1980s to today, demonstrating how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In charting the seismic evolution of television from a monolithic mass medium into today’s fractious confederation of spite-and-insult media subcultures, Poniewozik reveals how Donald Trump took advantage of these historic changes by constantly reinventing himself: from a boastful cartoon zillionaire; to 1990s self-parodic sitcom fixture; to The Apprentice reality-TV star; and finally to Twitter-mad, culture-warring demagogue. Already lauded as a “brilliant and daring” (Annalisa Quinn, NPR) work that defines a generation, Audience of One emerges as a classic in cultural criticism.
| Author | : IFH Books |
| Publisher | : |
| Total Pages | : |
| Release | : 2019-11-19 |
| Genre | : |
| ISBN | : 9780578608655 |
It's harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with indie film is broken and there needs to be a change. The future of independent filmmaking is the entrepreneurial filmmaker or the Filmtrepreneur®. In Rise of the Filmtrepreneur® author and filmmaker Alex Ferrari breaks down how to actually make money with independent film projects and shows filmmakers how to turn their indie films into profitable businesses. This is not all theory, Alex uses multiple real-world case studies to illustrate each part of his method. this book shows you the step by step way to turn your filmmaking passion into a profitable career. If you are making a feature film, series or any kind of video content, The Filmtrepreneur® Method will set you up for success.
| Author | : Denis McQuail |
| Publisher | : SAGE Publications |
| Total Pages | : 177 |
| Release | : 1997-07-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1506339239 |
The word audience has long been familiar as the collective term for the "receivers" in the model of mass communication process (source, channel, message, receiver, effect). It is a term that is understood by media practitioners and theorists alike and has entered into everyday usage; however, there is much room for differences of meaning, misunderstandings, and theoretical conflicts. In Audience Analysis, author Denis McQuail provides a coherent and succinct account of the concept "media audience" in terms of its history and its place in present-day media theory and research. He describes and explains the main types of audience, alternative theories about the audience, and the main traditions and fields of audience research. This informative volume explains the contrast between social scientific and humanistic approaches and gives due weight to the view "from the audience," as well as the view "from the media." It summarizes key research findings and assesses the impact of new media developments, especially transnationalization and new interactive technology. Finally, the volume concludes with an evaluation of the continued relevance of the audience concept under conditions of rapid media change. Providing both an overview of past research and a guide to current thinking, Audience Analysis will be enlightening to academics and students in the fields of mass communication and media studies.
| Author | : Tim Dunlop |
| Publisher | : Scribe Publications |
| Total Pages | : 273 |
| Release | : 2013-08-26 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1922072664 |
A provocative, timely account of the changing face of journalism from a pioneer of the new-media revolution For a long time, media organisations have controlled the news, treating their audiences as products for advertisers. Yet as journalism has moved online and behind paywalls, the public is demanding more say in how the news is created. They are using blogs, Twitter, and Facebook to share stories, and selecting their sources to create their own ‘front page’. In this lively, biting critique, media commentator Tim Dunlop explores the rise of the audience, and how unprepared the mainstream media has been for this changing balance of power. Drawing on his experiences as a prominent political blogger, he argues that the future of meaningful journalism — the sort we need in order to be informed citizens — will increasingly rely on journalists and editors taking the audience into their confidence and working with them, rather than against them. The New Front Page is a passionate plea on behalf of those tired of being talked down to by the fourth estate. Perceptive and illuminating, it asks audiences and media to work together to hold the powerful to account, and to produce the sort of news and analysis that enriches public debate.
| Author | : Andrew Franta |
| Publisher | : Cambridge University Press |
| Total Pages | : 15 |
| Release | : 2007-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 1139462997 |
Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poet and reader, these changes prompted marked changes in conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the novel and the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and the publishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron, Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a unique reading of Romanticism and its contribution to modern conceptions of politics and publicity.
| Author | : Srinivas Rao |
| Publisher | : Penguin |
| Total Pages | : 163 |
| Release | : 2018-08-07 |
| Genre | : Business & Economics |
| ISBN | : 110198175X |
The creator of the Unmistakable Creative podcast makes a counterintuitive argument: By focusing your creative work on pleasing yourself, you can increase your productivity, happiness, and (eventually, paradoxically) the size of your audience. Creating for your own pleasure--whether you're writing a novel, composing songs, or painting a landscape--can seem pointless. It's tempting to focus on pursuing money and fame, rather than the process itself. But as Srini Rao warns, creating then turns into a chore that can harm your self-esteem and suck the pleasure out of life, rather than being a source of joy. Rao, host of the podcast The Unmistakable Creative, argues that we should counter this thinking by intentionally creating art for ourselves alone--an audience of one. In this book he shares the fascinating true stories of creatives who took this path, along with actionable tips and the research of creativity experts. You'll learn, for example: How Oprah's intentional focus on her own work rather than the opinions of everyone else catapulted her into one of the most popular talk shows of all time. How being process-driven can not only help you produce more work, but can make you happier outside of your creative time. How to put together a creative "team of rivals" whose feedback can help you hone your craft and filter out useless feedback. By playing to an audience of one, we can find more happiness, increased productivity, and a greater sense of community.
| Author | : Philip M. Napoli |
| Publisher | : Columbia University Press |
| Total Pages | : 266 |
| Release | : 2011 |
| Genre | : Business & Economics |
| ISBN | : 0231150350 |
Annotation Napoli examines the ongoing redefinition of the industry-audience relationship by technologies that have moved the audience marketplace beyond traditional metrics.
| Author | : John L. Sullivan |
| Publisher | : SAGE Publications |
| Total Pages | : 290 |
| Release | : 2019-07-24 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1506397387 |
Whether we are watching TV, surfing the Internet, listening to our iPods, or reading a novel, we all engage with media as an audience. . Despite the widespread use of this term in our popular culture, the meaning of "audience" is complex, and it has undergone significant historical shifts as new forms of mediated communication have developed from print, telegraphy, and radio to film, television, and the Internet. Media Audiences: Effects, Users, Institutions, and Power 2nd Edition explores the concept of media audiences from four broad perspectives: as "victims" of mass media, as market constructions and commodities, as users of media, and as producers and subcultures of mass media. The goal of the text is for students to be able to think critically about the role and status of media audiences in contemporary society, reflecting on their relative power in relation to institutional media producers.
| Author | : Andy Ruddock |
| Publisher | : SAGE |
| Total Pages | : 208 |
| Release | : 2000-12-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1446239497 |
The history of audience research tells us that the relationship between the media and viewers, readers and listeners is complex and requires multiple methods of analysis. In Understanding Audiences, Andy Ruddock introduces students to the range of quantitative and qualitative methods and invites his readers to consider the merits of both. Understanding Audiences: demonstrates how - practically - to investigate media power; places audience research - from early mass communication models to cultural studies approaches - in their historical and epistemological context; explores the relationship between theory and method; concludes with a consideration of the long-running debate on media effects; includes exercises which invite readers to engage with the practical difficulties of conducting social research.
| Author | : David Morley |
| Publisher | : Routledge |
| Total Pages | : 331 |
| Release | : 2003-09-02 |
| Genre | : History |
| ISBN | : 1134937695 |
A multi-faceted exploration of audience research, in which Morley draws on a rich body of empirical work to examine the emergence, development and future of audience research.
