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| Author | : |
| Publisher | : University of Texas Press |
| Total Pages | : 256 |
| Release | : 1984 |
| Genre | : Art |
| ISBN | : |
Riders across the centuries is a celebration of the several decades Jose Cisneros has decorated, with grace and consummate artistry, so many of the titles published by Texas Western Press.
| Author | : Jose Cisneros |
| Publisher | : |
| Total Pages | : 199 |
| Release | : 1984-06-01 |
| Genre | : History |
| ISBN | : 9780874042092 |
| Author | : Clay Risen |
| Publisher | : Scribner |
| Total Pages | : 368 |
| Release | : 2019-06-04 |
| Genre | : History |
| ISBN | : 1501143999 |
A NEW YORK TIMES 100 NOTABLE BOOKS OF 2019 SELECTION The dramatic story of the most famous regiment in American history: the Rough Riders, a motley group of soldiers led by Theodore Roosevelt, whose daring exploits marked the beginning of American imperialism in the 20th century. When America declared war on Spain in 1898, the US Army had just 26,000 men, spread around the country—hardly an army at all. In desperation, the Rough Riders were born. A unique group of volunteers, ranging from Ivy League athletes to Arizona cowboys and led by Theodore Roosevelt, they helped secure victory in Cuba in a series of gripping, bloody fights across the island. Roosevelt called their charge in the Battle of San Juan Hill his “crowded hour”—a turning point in his life, one that led directly to the White House. “The instant I received the order,” wrote Roosevelt, “I sprang on my horse and then my ‘crowded hour’ began.” As The Crowded Hour reveals, it was a turning point for America as well, uniting the country and ushering in a new era of global power. Both a portrait of these men, few of whom were traditional soldiers, and of the Spanish-American War itself, The Crowded Hour dives deep into the daily lives and struggles of Roosevelt and his regiment. Using diaries, letters, and memoirs, Risen illuminates a disproportionately influential moment in American history: a war of only six months’ time that dramatically altered the United States’ standing in the world. In this brilliant, enlightening narrative, the Rough Riders—and a country on the brink of a new global dominance—are brought fully and gloriously to life.
| Author | : Barbara Lüthi |
| Publisher | : Taylor & Francis |
| Total Pages | : 166 |
| Release | : 2022-08-30 |
| Genre | : Social Science |
| ISBN | : 1000592170 |
The Freedom Riders Across Borders: Contentious Mobilities provides the first comprehensive transnational historical analysis of the Freedom Rides. It explores the transnational history of these social movements and the struggles for the right to mobility and other civil rights in the United States of America, Australia, and Palestine between 1961 and 2011. This book makes a significant contribution to the transnational studies of social movements and the burgeoning field of mobility studies by investigating the specific constellations of mobility as historically and geographically specific formations of movement as well as investigating how the images, ideas and strategies of Freedom Riders were adapted, translated, and moved across time and space. Foremost, this book speaks to the pressing questions of the past and present concerning the politics and inequalities of mobilities impacting different social groups in different ways. From a historical perspective, it gives answers to the intensified interest and questions concerning the dynamics, techniques and "contentious politics" of social movements in a globalized environment. The book details how the question of mobility has come to constitute political conflict and protest over norms, restrictions, and representations. It shows not only that mobility is a differentially accessed resource which shapes and is shaped by political processes, but also that contestation is an equal part of forming mobility. The book identifies vehicles as a mobile site of contestation and, in the context of the Freedom Rides, as a site of strategic political action. In doing so, Lüthi makes a persuasive case for mobility to be given a central place in the study of progressive social movements. As such, this book will be of great interest to researchers in a number of disciplines, including history, geography and sociology.
| Author | : Laura Spinney |
| Publisher | : PublicAffairs |
| Total Pages | : 342 |
| Release | : 2017-09-12 |
| Genre | : Social Science |
| ISBN | : 1610397681 |
In 1918, the Italian-Americans of New York, the Yupik of Alaska, and the Persians of Mashed had almost nothing in common except for a virus -- one that triggered the worst pandemic of modern times and had a decisive effect on twentieth-century history. The Spanish flu of 1918-1920 was one of the greatest human disasters of all time. It infected a third of the people on Earth -- from the poorest immigrants of New York City to the king of Spain, Franz Kafka, Mahatma Gandhi, and Woodrow Wilson. But despite a death toll of between 50 and 100 million people, it exists in our memory as an afterthought to World War I. In this gripping narrative history, Laura Spinney traces the overlooked pandemic to reveal how the virus travelled across the globe, exposing mankind's vulnerability and putting our ingenuity to the test. As socially significant as both world wars, the Spanish flu dramatically disrupted -- and often permanently altered -- global politics, race relations and family structures, while spurring innovation in medicine, religion and the arts. It was partly responsible, Spinney argues, for pushing India to independence, South Africa to apartheid, and Switzerland to the brink of civil war. It also created the true "lost generation." Drawing on the latest research in history, virology, epidemiology, psychology and economics, Pale Rider masterfully recounts the little-known catastrophe that forever changed humanity.
| Author | : George Niels Sorensen |
| Publisher | : |
| Total Pages | : 120 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : |
| Author | : Jody Rosen |
| Publisher | : Random House |
| Total Pages | : 270 |
| Release | : 2022-08-04 |
| Genre | : History |
| ISBN | : 1448192250 |
**SHORTLISTED FOR THE SUNDAY TIMES SPORTS BOOK AWARDS 2023** 'Full of delightful anecdotes and interviews and fascinating historical tales' Mail on Sunday A panoramic portrait of the wonderous vehicle whose passenger is also its engine. A toy, a tool, a liberator, or complete nuisance: the bicycle has been many things to many people over the decades, yet it endures as the most popular form of transport in the world. How has such a simple machine achieved so much? Combining history, travelogue and memoir, Jody Rosen reshapes our understanding of this ubiquitous vehicle from its invention in 1817 to its present-day renaissance as a 'green machine'. Readers meet unforgettable characters: women's suffragists who steered bikes to the barricades in the 1890s, a Bhutanese king who races mountain bikes in the Himalayas, astronauts who ride a floating bicycle in zero gravity. By examining the bicycle's past and peering into its future, Two Wheels Good forms a joyful ode to an engineering marvel of global importance. 'Funny, precise, surprising' Adam Gopnik 'Love for two-wheeled transport runs through every sentence' Economist 'Wry, rich, deeply researched' Patrick Radden Keefe
| Author | : Erin Bow |
| Publisher | : Simon and Schuster |
| Total Pages | : 384 |
| Release | : 2016-09-20 |
| Genre | : Juvenile Fiction |
| ISBN | : 1481442740 |
"Greta was her country's crown princess, and also its hostage, destined to be the first casualty in an inevitable war. But when the war came, it broke all the rules, and Greta forged a different past. She is no longer princess. No longer hostage. No longer human. Greta Stuart has become an AI."--Page 2 of cover.
| Author | : Robert Drews |
| Publisher | : Routledge |
| Total Pages | : 434 |
| Release | : 2004-08-02 |
| Genre | : History |
| ISBN | : 1134340729 |
In this wide-ranging and often controversial book, Robert Drews examines the question of the origins of man's relations with the horse. He questions the belief that on the Eurasian steppes men were riding in battle as early as 4000 BC, and suggests that it was not until around 900 BC that men anywhere - whether in the Near East and the Aegean or on the steppes of Asia - were proficient enough to handle a bow, sword or spear while on horseback. After establishing when, where, and most importantly why good riding began, Drews goes on to show how riding raiders terrorized the civilized world in the seventh century BC, and how central cavalry was to the success of the Median and Persian empires. Drawing on archaeological, iconographic and textual evidence, this is the first book devoted to the question of when horseback riders became important in combat. Comprehensively illustrated, this book will be essential reading for anyone interested in the origins of civilization in Eurasia, and the development of man's military relationship with the horse.
| Author | : Jaqueline Avila |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 289 |
| Release | : 2019-10-14 |
| Genre | : Music |
| ISBN | : 0190671300 |
During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisements, films--with film music studies, sound studies, and Mexican film and cultural history, Avila examines how these tropes and archetypes mirrored changing perceptions of mexicanidad manufactured by the State and popular and transnational culture. As she shows, several social and political agencies were heavily invested in creating a unified national identity in an attempt to merge the previously fragmented populace as a result of the Revolution. The commercial medium of film became an important tool to acquaint a diverse urban audience with the nuances of Mexican national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.
