Richard Marquis Objects
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Author | : Tina Oldknow |
Publisher | : |
Total Pages | : 154 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Richard Marquis has had an extraordinary influence on the development of contemporary studio glass in America and around the world. Studying at the University of California at Berkeley during the 1960s, he explored ceramics and was introduced to glassblowing. Unsatisfied by the limited techniques practiced in American studio glass at that time, Marquis went to the island of Murano, near Venice, to observe and work with the masters of a glassblowing tradition acknowledged as the best in the world. Freely sharing the techniques he learned in Venice, Marquis has demonstrated and taught throughout the U.S., Europe, Japan, Australia, and New Zealand. The effect of Venetian glassblowing techniques on American studio glass enabled glass artists to expand their technical vocabularies and, combined with new and experimental approaches, led to the redefinition of glass as an artistic medium. As an artist, Marquis is admired for his sophisticated understanding of color and form as much as for his humor and willingness to experiment. As a glassblower, he has influenced an entire generation of artists working in glass who aspire to his technical mastery and the originality of his voice. He lives on an island in Puget Sound.
Author | : Richard Marquis |
Publisher | : |
Total Pages | : 4 |
Release | : 1997 |
Genre | : Glass art |
ISBN | : |
Author | : Barry Behrstock MD |
Publisher | : SCB Distributors |
Total Pages | : 199 |
Release | : 2015-01-26 |
Genre | : Art |
ISBN | : 0935314954 |
The Way of the Artist is a thought-provoking collection of essays and photographs by Barry Behrstock, who gives us an inside look at the life, art, home and collections of legendary glass artist Richard Marquis. This eclectic journey of the eye and mind takes the reader from Melville to Proust, math to physics, metaphor to fantasy, while exploring Marquis’s way of life as representative of “a life well lived,” which the author characterizes as filled with creativity, lived in the present, and in tune with the rhythms of nature. Artist Marquis is an apt avatar of the creative life, as seen in the photographs of his glass work and the exquisite collections of ordinary objects in his home, including bowling balls, oilcans, fishing poles, and other cast-off items. Behrstock brings the reader into the game as he muses on Marquis’s creativity and shares thoughts from Eastern philosophy, quantum physics, and his own experience to highlight and celebrate each individual’s unique importance in the creative human equation.
Author | : Glenn Adamson |
Publisher | : The Monacelli Press, LLC |
Total Pages | : 232 |
Release | : 2020-10-27 |
Genre | : Art |
ISBN | : 1580935737 |
Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.
Author | : Karen S. Chambers |
Publisher | : Pomegranate |
Total Pages | : 146 |
Release | : 1999 |
Genre | : Architecture |
ISBN | : 9780764909320 |
For five thousand years, artisans have worked in glass to create forms that serve and delight. But only recently have artists turned their hands and minds to this traditionally utilitarian and decorative material. Clearly Inspired: Contemporary Glass and Its Origins contrasts the work of contemporary glass artists with examples of earlier glass that have inspired them to rediscover or reinvent forgotten techniques. Transforming an ancient craft into a contemporary art, they honor the past while making visual statements that are very much of our time.
Author | : Howard Risatti |
Publisher | : Univ of North Carolina Press |
Total Pages | : 346 |
Release | : 2009-09-15 |
Genre | : Crafts & Hobbies |
ISBN | : 0807889075 |
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft as uniquely blending function with a deeper expression of human values that transcend culture, time, and space. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design, and its singular approach to understanding the world will be lost.
Author | : Janet Koplos |
Publisher | : Univ of North Carolina Press |
Total Pages | : 544 |
Release | : 2010-07-31 |
Genre | : Crafts & Hobbies |
ISBN | : 0807895830 |
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
Author | : Edward Moor |
Publisher | : |
Total Pages | : 632 |
Release | : 1801 |
Genre | : |
ISBN | : |
Author | : Richard Kurin |
Publisher | : Penguin |
Total Pages | : 786 |
Release | : 2016-10-25 |
Genre | : History |
ISBN | : 0143128159 |
The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.
Author | : BOMBAY, Presidency of. Army |
Publisher | : |
Total Pages | : 536 |
Release | : 1801 |
Genre | : |
ISBN | : |