Richard Ii The Oxford Shakespeare
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| Author | : William Shakespeare |
| Publisher | : OUP Oxford |
| Total Pages | : 320 |
| Release | : 2011-08-25 |
| Genre | : Drama |
| ISBN | : 0191620033 |
The Oxford Shakespeare General Editor: Stanley Wells The Oxford Shakespeare offer authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, collated and edited from the early texts - wide-ranging introduction discusses the play's historical contexts, political significance, characters, sources, and language - detailed stage history designed to meet the needs of students and theatre professionals - on-page commentary and notes explain meaning, allusions, staging, and much else - illustrated with production photographs, historical portraits, textual facsimiles, and map - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
| Author | : William Shakespeare |
| Publisher | : Oxford University Press |
| Total Pages | : 310 |
| Release | : 2011-08-25 |
| Genre | : Drama |
| ISBN | : 0198186428 |
Deftly combining history and tragedy, Shakespeare's tale of bad government and usurpation had great political immediacy for its first audiences. This version of the text is based on the early quartos and first Folio of 1623. It is complemented by an introduction that places the play in its own time, thorough textual notes, and full commentary.
| Author | : Gary Taylor |
| Publisher | : Oxford University Press |
| Total Pages | : 776 |
| Release | : 2017 |
| Genre | : Literary Criticism |
| ISBN | : 0199591164 |
"Authorship Companion: Cutting-edge research in attribution studies; A new perspective on the dating of Shakespeare's plays, and on his dramatic collaborations; Combines the work of senior scholars with exciting new voices; Explores the latest developments in the understanding of Shakespeare's style and methods for detecting and describing it; Covers the entire breadth of Shakespeare's writing, across the plays and the poems; A record of all early documents relevant to authorship and chronology; A survey and synthesis of past scholarship to 2016; Individual case studies combined with broader analysis of theories and methods."--Publisher's description.
| Author | : William Shakespeare |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 311 |
| Release | : 2011-08-25 |
| Genre | : Drama |
| ISBN | : 019960228X |
Shakespeare plays, texts.
| Author | : William Shakespeare |
| Publisher | : |
| Total Pages | : 768 |
| Release | : 2002 |
| Genre | : Drama |
| ISBN | : 9780198184317 |
'This Complete Sonnets and Poems is a distinguished addition to a distinguished series. It will repay continuing study, and act as a valuable point of reference for readers concerned more generally with Shakespeare's art and language. Colin Burrow's good sense, tact and balance as aneditor are deeply impressive.' -H. R. Woudhuysen, Times Literary SupplementThis is the only fully annotated and modernized edition to bring together Shakespeare's Sonnets as well as all his poems (including those attributed to him after his death). A full introduction discusses his development as a poet, and how the poems relate to his plays; detailed notes explain the language and allusions in clear modern English. While accessibly written, the edition takes account of the most recent scholarship and criticism.
| Author | : William Shakespeare |
| Publisher | : Independently Published |
| Total Pages | : 218 |
| Release | : 2018-10-28 |
| Genre | : |
| ISBN | : 9781728877501 |
Richard II by William Shakespeare . Richard II is one of Shakespeare's finest works: lucid, eloquent, and boldly structured. It can be seen as a tragedy, or a historical play, or a political drama, or as one part of a vast dramatic cycle which helped to generate England's national identity. Today, to some of us, Richard II may appear conservative; but, in Shakespeare's day, it could appear subversive: 'I am Richard II', declared an indignant Queen Elizabeth. Numerous recent revivals in the theatre and on screen have demonstrated the enduring power and poignancy of this drama of the downfall of an egoistic but pitiable monarch.
| Author | : William Shakespeare |
| Publisher | : Penguin |
| Total Pages | : 1810 |
| Release | : 2002-10-01 |
| Genre | : Drama |
| ISBN | : 0141000589 |
This major new complete edition of Shakespeare's works combines accessibility with the latest scholarship. Each play and collection of poems is preceded by a substantial introduction that looks at textual and literary-historical issues. The texts themselves have been scrupulously edited and are accompanied by same-page notes and glossaries. Particular attention has been paid to the design of the book to ensure that this first new edition of the twenty-first century is both attractive and approachable.
| Author | : Peter Davison |
| Publisher | : Penguin UK |
| Total Pages | : 707 |
| Release | : 2007-07-26 |
| Genre | : Drama |
| ISBN | : 0141961414 |
The volume contains Richard II, Henry IV Part One, henry IV Part Two, and Henry V. Each play possesses its own distinctive mood, tone and style, and together they inhabit the turbulent period of change from the usurpation of the throne of Richard II by Bolingbroke to the triumph of heroic kingship in Henry V.
| Author | : Emma Smith |
| Publisher | : Vintage |
| Total Pages | : 263 |
| Release | : 2020-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 1524748552 |
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
| Author | : William Shakespeare |
| Publisher | : CUP Archive |
| Total Pages | : 344 |
| Release | : 1969-12-02 |
| Genre | : Drama |
| ISBN | : 9780521075299 |
John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.
