Rich Writer Poor Writer
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Author | : C. A. Lindsay |
Publisher | : Lulu.com |
Total Pages | : 183 |
Release | : 2016-04-22 |
Genre | : Education |
ISBN | : 1365064158 |
This book is an unconventional manual for anyone desiring to become a ""rich writer"" and avoid simultaneously existing as a ""poor writer."" As a basic instruction guide, it's a logical analysis of language rules to help writers of all ages accomplish their goals. Included are essential writing lessons clarified by life-long writer Lindsay, plus stories, essays, and poetry that demonstrate how the author developed as a ""Rich Writer, Poor Writer."" Lindsay is a rich writer, meaning she has written millions and millions of words, including a few that are not politically correct. Within these pages are samples of her newspaper columns which lashed out against flawed parts of the environmentalist and women's movements. The author of 11 books also explains exactly how she became a rich writer, and the reason some of her works resulted in receipt of checks after publication, while some did not.
Author | : Jacob Wren |
Publisher | : Book*hug Press |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Fiction |
ISBN | : 9781771662383 |
The story of a middle-class, immigrant pianist who has fallen on hard times, and now finds himself washing dishes to make ends meet. He awakens to the possibility of a solution to his troubles and begins to formulate a plan of attack, in which the only answer is to get rid of the 1%.
Author | : Jon Wuebben |
Publisher | : Greenleaf Book Group |
Total Pages | : 298 |
Release | : 2008 |
Genre | : Business & Economics |
ISBN | : 0979762901 |
The Complete SEO Copywriting Guide to Search Engine Rankings and Sales Conversion.
Author | : Sam Griffiths |
Publisher | : Routledge |
Total Pages | : 183 |
Release | : 2021-06-14 |
Genre | : Architecture |
ISBN | : 0429804059 |
Writing the Materialities of the Past offers a close analysis of how the materiality of the built environment has been repressed in historical thinking since the 1950s. Author Sam Griffiths argues that the social theory of cities in this period was characterised by the dominance of socio-economic and linguistic-cultural models, which served to impede our understanding of time-space relationality towards historical events and their narration. The book engages with studies of historical writing to discuss materiality in the built environment as a form of literary practice to express marginalised dimensions of social experience in a range of historical contexts. It then moves on to reflect on England’s nineteenth-century industrialization from an architectural topographical perspective, challenging theories of space and architecture to examine the complex role of industrial cities in mediating social changes in the practice of everyday life. By demonstrating how the authenticity of historical accounts rests on materially emplaced narratives, Griffiths makes the case for the emancipatory possibilities of historical writing. He calls for a re-evaluation of historical epistemology as a primarily socio-scientific or literary enquiry and instead proposes a specifically architectural time-space figuration of historical events to rethink and refresh the relationship of the urban past to its present and future. Written for postgraduate students, researchers and academics in architectural theory and urban studies, Griffiths draws on the space syntax tradition of research to explore how contingencies of movement and encounter construct the historical imagination.
Author | : Vanessa Guignery |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 485 |
Release | : 2015-04-01 |
Genre | : Literary Collections |
ISBN | : 1443876801 |
From 1959 to 1973, the writers B. S. Johnson and Zulfikar Ghose regularly wrote letters to each other in which they discussed their own work and literary preoccupations. They exchanged early drafts of poems, short stories, plays and novels, and their correspondence contains detailed comments and extended analyses of these texts, as well as illuminating reflections on literature, criticism, poetics and aesthetics. Though much of the correspondence is an extended literary discussion, it also contains moments of personal revelation, jokes and anecdotes so that the letters, with their surprising asides, are enjoyable to read, even as they inform with their biographical and intellectual content. The two authors also frequently refer to the university poetry journals and literary magazines they contributed to or edited, and they write about the poetry meetings they attended and the writers they met or read. Their involvement in literary groups and their dealings with publishers, editors and agents are indicative of the publishing mechanisms of the time. This correspondence thus not only provides insight into the work of both B. S. Johnson and Zulfikar Ghose, but also conjures up a comprehensive picture of the London literary world of the 1960s.
Author | : Robert T. Kiyosaki |
Publisher | : Business Plus |
Total Pages | : 185 |
Release | : 2001-01-15 |
Genre | : Business & Economics |
ISBN | : 0759521433 |
Personal finance author and lecturer Robert T. Kiyosaki developed his unique economic perspective from two very different influences - his two fathers. This text lays out Kiyosaki's philosophy and his relationship with money.
Author | : Robert T. Kiyosaki |
Publisher | : Lulu.com |
Total Pages | : 196 |
Release | : 2021 |
Genre | : Business & Economics |
ISBN | : 0359727891 |
In Rich Dad Poor Dad, the #1 Personal Finance book of all time, Robert Kiyosaki shares the story of his two dad: his real father and his rich dad. One was educated and an employee all his life, the other's education was street smarts" over traditional classroom education and he took the path of entrepreneurship?a road that led him to become one of the wealthiest men in Hawaii. Robert's poor dad struggled financially all his life. and these two dads had varying points of view of money and investing.Rich Dad Poor Dad will?? explode the myth that you need to earn a high income to become rich? challenge the belief that your house is an asset? show parents why they can't rely on the school system to teach their kids about money? define, once and for all, an asset and a liability? explain the difference between good debt and bad debt? teach you to see the world of money from different perspectives? discuss the shift in mindset that can put you on the road to financial freedom
Author | : Camellia Louisa Ghiuzan |
Publisher | : Author House |
Total Pages | : 113 |
Release | : 2014-01-13 |
Genre | : Poetry |
ISBN | : 1491886749 |
Inspiration is a truly important aspect of ones life, this is due to the fact that inspiration pushes everyday people to do great and wonderful things. It also pushes one to be a better person. In Born Poor, Die Rich author Camellia Louisa Ghiuzan has written a beautiful collection of poems that emphasizes the many merits of hope, happiness and inspiration. Born Poor, Die Rich is a compilation of beautiful poems written to show readers that there is always hope in the world. This highly engrossing book of poetry is made to enlighten peoples lives and to bring a glimpse of hope, inspiration, happiness, and joy into the readers life.".
Author | : Caitlin Barasch |
Publisher | : Penguin |
Total Pages | : 337 |
Release | : 2022-03-15 |
Genre | : Fiction |
ISBN | : 0593185595 |
A Good Morning America Buzz Pick, and A Most Anticipated Book of 2022 by BuzzFeed, The Millions, Goodreads, Bustle, BookRiot, and The Nerd Daily "If you’ve ever felt tempted to ‘keep tabs on’ a partner’s ex on Instagram and then found yourself down a rabbit hole of their vacation posts from three years ago, this debut novel—which follows a 24-year-old New Yorker named Naomi who becomes obsessed with her boyfriend’s former girlfriend—is for you."—Vogue, “Best New Beach Reads” Twenty-four-year-old New York bookseller Naomi Ackerman is desperate to write a novel, but struggles to find a story to tell. When, after countless disastrous dates, she meets Caleb—a perfectly nice guy with a Welsh accent and a unique patience for all her quirks—she thinks she's finally stumbled onto a time-honored subject: love. Then Caleb's ex-girlfriend, Rosemary, enters the scene. Upon learning that Rosemary is not safely tucked away in Caleb’s homeland overseas, but in fact lives in New York and also works in the literary world, Naomi is threatened and intrigued in equal measure. If they both fell for the same man, what else might they have in common? The more Naomi learns about Rosemary, the more her curiosity consumes her. Before she knows it, her casual Instagram stalking morphs into a friendship under false pretenses—and becomes the subject of her nascent novel. As her lies and half-truths spiral out of control, and fact and fiction become increasingly difficult to untangle, Naomi must decide what—and who—she’s willing to sacrifice to write the perfect ending.
Author | : Brahim El Guabli |
Publisher | : Liverpool University Press |
Total Pages | : 328 |
Release | : 2022-11-17 |
Genre | : Literary Collections |
ISBN | : 1802079181 |
The LAMALIF anthology presents a wide variety of articles from LAMALIF, Morocco’s longest-serving Francophone journal. Active between 1966 and 1988, LAMALIF covered the most critical periods of Moroccan history and engaged in crucial debates about democratization, feminism, culture, education, Third World relations, and decolonization. However, LAMALIF was not just a journal; it was a real school, where Morocco’s, North Africa’s, and the developing world’s emerging and established writers, artists, and thinkers found a space to disseminate their ideas and address readerships across different cultures and geographical areas in French. This anthology is the first comprehensive translation into English of a wide selection of LAMALIF’s articles covering literary and art criticism as well as critical theory, feminism, Islam, and emigration. In addition to making available to Anglophone readerships articles about transnational solidarities and connections between North Africa and the rest of the world, LAMALIF anthology historicizes this sociocultural and political project within the painful period of authoritarianism in Morocco and reveals how culture worked as a trenchant weapon in the struggle against repression and silence.