Rhetorics Of Order Ordering Rhetorics In English Neoclassical Literature
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| Author | : John Douglas Canfield |
| Publisher | : University of Delaware Press |
| Total Pages | : 214 |
| Release | : 1989 |
| Genre | : Literary Collections |
| ISBN | : 9780874133745 |
This collection of essays on the rhetorics of order in English neoclassical literature includes Rose A. Zimbardo's investigation of generic slippage between drama and novel in works by Dryden and Behn; Maynard Mack's analysis of Pope's enduring rhetorics of presentation; and Patricia Meyer Spacks's examination of the heroines of Clarissa and the Italian.
| Author | : Katherine M. Quinsey |
| Publisher | : University Press of Kentucky |
| Total Pages | : 357 |
| Release | : 2021-03-17 |
| Genre | : Drama |
| ISBN | : 0813159997 |
This volume of twelve original essays is the first comprehensive study of feminist issues in Restoration drama. The late seventeenth century marks a pivotal era in the history of feminism, when Renaissance assumptions about gender and patriarchy were being directly challenged. For the first time, women appeared onstage as actresses, made their presence felt as spectators and patrons, and wrote a number of the plays produced in theaters. In an unusually direct and probing way, drama of the Restoration period raised radical questions about the place of women in the family and in society, and about the essential nature of men and women. The essays examine feminist issues from a variety of historical and theoretical approaches across a spectrum of plays—comedies, tragedies, tragicomedies, and heroic drama. By addressing the acute questions of gender raised in the drama, Broken Boundaries presents a vivid portrait of the uncertainties and changing perceptions in all areas of intellectual, political, and social life during the last decades of the seventeenth century.
| Author | : Brian Michael Norton |
| Publisher | : Bucknell University Press |
| Total Pages | : 170 |
| Release | : 2012-09-28 |
| Genre | : Literary Criticism |
| ISBN | : 1611484316 |
Fiction and the Philosophy of Happiness explores the novel’s participation in eighteenth-century “inquiries after happiness,” an ancient ethical project that acquired new urgency with the rise of subjective models of wellbeing in early modern and Enlightenment Europe. Combining archival research on treatises on happiness with illuminating readings of Samuel Johnson, Laurence Sterne, Denis Diderot, Jean-Jacques Rousseau, William Godwin and Mary Hays, Brian Michael Norton’s innovative study asks us to see the novel itself as a key instrument of Enlightenment ethics. His centralargument is that the novel form provided a uniquely valuable tool for thinking about the nature and challenges of modern happiness: whereas treatises sought to theorize the conditions that made happiness possible in general, eighteenth-century fiction excelled at interrogating the problem on the level of the particular, in the details of a single individual’s psychology and unique circumstances. Fiction and the Philosophy of Happiness demonstrates further that through their fine-tuned attention to subjectivity and social context these writers called into question some cherished and time-honored assumptions about the good life: happiness is in one’s power; virtue is the exclusive path to happiness; only vice can make us miserable. This elegant and richly interdisciplinary book offers a new understanding of the cultural work the eighteenth-century novel performed as well as an original interpretation of the Enlightenment’s ethical legacy.
| Author | : Nicole Horejsi |
| Publisher | : University of Toronto Press |
| Total Pages | : 291 |
| Release | : 2019-04-08 |
| Genre | : Literary Criticism |
| ISBN | : 1442667400 |
Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic.
| Author | : Mary-Celine Newbould |
| Publisher | : Routledge |
| Total Pages | : 340 |
| Release | : 2016-03-23 |
| Genre | : Literary Criticism |
| ISBN | : 1317185498 |
Exploring how readers received and responded to literary works in the long eighteenth century, M-C. Newbould focuses on the role played by Laurence Sterne’s fiction and its adaptations. Literary adaptation flourished throughout the eighteenth century, encouraging an interactive relationship between writers, readers, and artists when well-known works were transformed into new forms across a variety of media. Laurence Sterne offers a particularly dynamic subject: the immense interest provoked by The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey through France and Italy inspired an unrivalled number and range of adaptations from their initial publication onwards. In placing her examination of Sterneana within the context of its production, Newbould demonstrates how literary adaptation operates across generic and formal boundaries. She breaks new ground by bringing together several potentially disparate aspects of Sterneana belonging to areas of literary studies that include drama, music, travel writing, sentimental fiction and the visual. Her study is a vital resource for Sterne scholars and for readers generally interested in cultural productivity in this period.
| Author | : Gerd Bayer |
| Publisher | : Manchester University Press |
| Total Pages | : 387 |
| Release | : 2016-07-15 |
| Genre | : Literary Criticism |
| ISBN | : 1526100495 |
Novel horizons analyses how narrative prose fiction developed during the English Restoration. It argues that after 1660, generic changes within dramatic texts occasioned an intense debate within prologues and introductions. This discussion about the poetics of a genre was echoed in the paratextual material of prose fictions. In the absence of an official poetics that defined prose fiction, paratexts fulfilled this function and informed readers about the budding genre. This study traces the piecemeal development of these boundaries and describes the generic competence of readers through the analysis of paratexts and prose fictions. Novel horizons covers the surviving textual material widely, focusing on narrative prose fictions published between 1660 and 1710. In addition to tracing the paratextual poetics of Restoration fiction, this book also covers the state of the art of fiction-writing during the period, discussing character development, narrative point of view and questions of fictionality and realism.
| Author | : David Mikics |
| Publisher | : Yale University Press |
| Total Pages | : 364 |
| Release | : 2008-10-01 |
| Genre | : Reference |
| ISBN | : 030013522X |
A New Handbook of Literary Terms offers a lively, informative guide to words and concepts that every student of literature needs to know. Mikics’s definitions are essayistic, witty, learned, and always a pleasure to read. They sketch the derivation and history of each term, including especially lucid explanations of verse forms and providing a firm sense of literary periods and movements from classicism to postmodernism. The Handbook also supplies a helpful map to the intricate and at times confusing terrain of literary theory at the beginning of the twenty-first century: the author has designated a series of terms, from New Criticism to queer theory, that serves as a concise but thorough introduction to recent developments in literary study. Mikics’s Handbook is ideal for classroom use at all levels, from freshman to graduate. Instructors can assign individual entries, many of which are well-shaped essays in their own right. Useful bibliographical suggestions are given at the end of most entries. The Handbook’s enjoyable style and thoughtful perspective will encourage students to browse and learn more. Every reader of literature will want to own this compact, delightfully written guide.
| Author | : Nathan Gorelick |
| Publisher | : Northwestern University Press |
| Total Pages | : 192 |
| Release | : 2024-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810146789 |
Unveiling the fantasies that drove the Enlightenment and created modern literature Nathan Gorelick’s The Unwritten Enlightenment: Literature between Ideology and the Unconscious traces the relations between literary criticism and psychoanalysis to their shared origins in the Enlightenment era’s novels and novelistic discourse, where the period’s efforts to invent new notions of subjectivity and individualism are most apparent. Gorelick shows how modern concepts of literature and the unconscious were generated in response to these efforts and by an ethical concern for what the language of the Enlightenment excludes, represses, or struggles to erase. Troubling the idea of the Enlightenment on its own terms, subverting its supposed authority from within, Gorelick thus reveals the workings of unconscious fantasy at the foundations of our contemporary political realities. The Unwritten Enlightenment makes clear that to criticize the Enlightenment’s deficiencies, ambiguities, and legacies of violence without regard for the unconscious fantasies that drive them risks reproducing the very patterns of thought, action, and imagination that the Enlightenment novel already unsettles.
| Author | : Mark Knights |
| Publisher | : OUP Oxford |
| Total Pages | : 448 |
| Release | : 2006-09-28 |
| Genre | : Literary Criticism |
| ISBN | : 019151456X |
In this original and illuminating new study, Mark Knights reveals how the political culture of the eighteenth century grew out of earlier trends and innovations. Arguing that the period from 1675 needs to be seen as the second stage of a seventeenth-century revolution that ran on until c.1720, Representation and Misrepresentation in Later Stuart Britain charts the growth of a national political culture and traces the development of the public as an arbiter of politics. In doing so, it uncovers a crisis of public discourse and credibility, and finds a political enlightenment rooted in local and national partisan conflict. The later Stuart period was characterized by frequent elections, the lapse of pre-publication licensing, the emergence of party politics, the creation of a public debt, and ideological conflict over popular sovereignty. These factors combined to enhance the status of the 'public', not least in requiring it to make numerous acts of judgement. Contemporaries from across the political spectrum feared that the public might be misled by the misrepresentations pedalled by their rivals. Each side, and those ostensibly of no side, discerned a culture of passion, slander, libel, lies, hypocrisy, dissimulation, conspiracy, private languages, and fictions. 'Truth' appeared an ambiguous, political matter. Yet the reaction to partisanship was also creative, for it helped to construct an ideal form of political discourse. This was one based on reason rather than passion, on moderation rather than partisan zeal, on critical reading rather than credulity; and an increasing realization that these virtues arose from infrequent rather than frequent elections. Finding synergies between social, political, religious, scientific, literary, cultural, and intellectual history, Representation and Misrepresentation in Later Stuart Britain reinvigorates the debate about the emergence of 'the public sphere' in the later Stuart period.
| Author | : April London |
| Publisher | : Cambridge University Press |
| Total Pages | : 274 |
| Release | : 1999-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 1139426206 |
This book investigates the critical importance of women to the eighteenth-century debate on property as conducted in the fiction of the period. April London argues that contemporary novels advanced several, often conflicting, interpretations of the relation of women to property, ranging from straightforward assertions of equivalence between women and things to subtle explorations of the self-possession open to those denied a full civic identity. Two contemporary models for the defining of selfhood through reference to property structure the book, one historical (classical republicanism and bourgeois individualism), and the other literary (pastoral and georgic). These paradigms offer a cultural context for the analysis of both canonical and less well-known writers, from Samuel Richardson and Henry Mackenzie to Clara Reeve and Jane West. While this study focuses on fiction from 1740–1800, it also draws on the historiography, literary criticism and philosophy of the period, and on recent feminist and cultural studies.
