Rhetoric Of Sensibility In Eighteenth Century Culture
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Author | : Paul Goring |
Publisher | : Cambridge University Press |
Total Pages | : 236 |
Release | : 2004-12-23 |
Genre | : Literary Criticism |
ISBN | : 1139456768 |
The Rhetoric of Sensibility in Eighteenth-Century Culture explores the burgeoning eighteenth-century fascination with the human body as an eloquent, expressive object. This wide-ranging study examines the role of the body within a number of cultural arenas - particularly oratory, the theatre and the novel - and charts the efforts of projectors and reformers who sought to exploit the textual potential of the body for the public assertion of modern politeness. Paul Goring shows how diverse writers and performers including David Garrick, James Fordyce, Samuel Richardson, Sarah Fielding and Laurence Sterne were involved in the construction of new ideals of physical eloquence - bourgeois, sentimental ideals which stood in contrast to more patrician, classical bodily modes. Through innovative readings of fiction and contemporary manuals on acting and public speaking, Goring reveals the ways in which the human body was treated as an instrument for the display of sensibility and polite values.
Author | : B. Carey |
Publisher | : Springer |
Total Pages | : 249 |
Release | : 2005-08-31 |
Genre | : Literary Criticism |
ISBN | : 0230501621 |
British Abolitionism and the Rhetoric of Sensibility argues that participants in the late eighteenth-century slavery debate developed a distinct sentimental rhetoric, using the language of the heart to powerful effect in the most important political and humanitarian battle of the time. Examining both familiar and unfamiliar texts, including poetry, novels, journalism, and political writing, Carey shows that salve-owners and abolitionists alike made strategic use of the rhetoric of sensibility in the hope of influencing a reading public thoroughly immersed in the 'cult of feeling'.
Author | : Paul Goring |
Publisher | : |
Total Pages | : 222 |
Release | : 2005 |
Genre | : Eighteenth century |
ISBN | : 9781107164086 |
Paul Goring explores the eighteenth-century fascination with the human body as an eloquent, expressive object. Through innovative readings of Sterne, Richardson and other authors alongside manuals on acting and public speaking, Goring reveals the ways in which the body became an instrument for the display of sensibility and polite values.
Author | : Julia Banister |
Publisher | : Cambridge University Press |
Total Pages | : 267 |
Release | : 2018-04-26 |
Genre | : Literary Criticism |
ISBN | : 1108168884 |
This book investigates the figure of the military man in the long eighteenth century in order to explore how ideas about militarism served as vehicles for conceptualizations of masculinity. Bringing together representations of military men and accounts of court martial proceedings, this book examines eighteenth-century arguments about masculinity and those that appealed to the 'naturally' sexed body and construed masculinity as social construction and performance. Julia Banister's discussion draws on a range of printed materials, including canonical literary and philosophical texts by David Hume, Adam Smith, Horace Walpole and Jane Austen, and texts relating to the naval trials of, amongst others, Admiral John Byng. By mapping eighteenth-century ideas about militarism, including professionalism and heroism, alongside broader cultural concerns with politeness, sensibility, the Gothic past and celebrity, Julia Banister reveals how ideas about masculinity and militarism were shaped by and within eighteenth-century culture.
Author | : Andrea A. Lunsford |
Publisher | : SAGE Publications |
Total Pages | : 713 |
Release | : 2008-10-29 |
Genre | : Language Arts & Disciplines |
ISBN | : 1452212031 |
The SAGE Handbook of Rhetorical Studies surveys the latest advances in rhetorical scholarship, synthesizing theories and practices across major areas of study in the field and pointing the way for future studies. Edited by Andrea A. Lunsford and Associate Editors Kirt H. Wilson and Rosa A. Eberly, the Handbook aims to introduce a new generation of students to rhetorical study and provide a deeply informed and ready resource for scholars currently working in the field.
Author | : Inger Sigrun Brodey |
Publisher | : Routledge |
Total Pages | : 295 |
Release | : 2008 |
Genre | : Architecture |
ISBN | : 0415989507 |
By examining the motif of ruination in a variety of late-eighteenth-century domains, this book portrays the moral aesthetic of the culture of sensibility in Europe, particularly its negotiation of the demands of tradition and pragmatism alongside utopian longings for authenticity, natural goodness, self-governance, mutual transparency, and instantaneous kinship. This book argues that the rhetoric of ruins lends a distinctive shape to the architecture and literature of the time and requires the novel to adjust notions of authorship and narrative to accommodate the prevailing aesthetic. Just as architects of eighteenth-century follies pretend to have discovered "authentic" ruins, novelists within the culture of sensibility also build purposely fragmented texts and disguise their authorship, invoking highly artificial means of simulating nature. The cultural pursuit of human ruin, however, leads to hypocritical and sadistic extremes that put an end to the characteristic ambivalence of sensibility and its unusual structures.
Author | : Ian Newman |
Publisher | : Liverpool University Press |
Total Pages | : 352 |
Release | : 2022-02-15 |
Genre | : Performing Arts |
ISBN | : 1800855605 |
Charles Macklin (1699?–1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 – no other actor can claim to have acted across seven decades of the century, from the reign of George I to the Regency Crisis of 1788. He is credited alongside Garrick with the development of the natural school of acting and gave a famous performance of Shylock that gave George II nightmares. As a dramatist, he wrote one of the great comic pieces of the mid-century (Love à la Mode, 1759), as well as the only play of the century to be twice refused a performance licence (The Man of the World, 1781). He opened an experimental coffeehouse in Covent Garden, he advocated energetically for actors’ rights and copyright reform for dramatists, and he successfully sued theatre rioters. In short, he had an astonishingly varied career. With essays by leading experts on eighteenth-century culture, this volume provides a sustained critical examination of his career, illuminating many aspects of eighteenth-century theatrical culture and of the European Enlightenment, and explores the scholarly benefit – and thrill – of restaging Macklin’s work in the twenty-first century.
Author | : Chiara Rolli |
Publisher | : Bloomsbury Publishing |
Total Pages | : 224 |
Release | : 2019-06-13 |
Genre | : History |
ISBN | : 1350112747 |
The impeachment trial of Warren Hastings lasted from 1788 until 1795. Hastings was the first Governor-General of Bengal and his trial had a formative impact on the British Empire. Chiara Rolli shows that in an age when British education consisted mainly of classical studies, it was antique views of rhetoric and imperial governance that permeated the trial. Prosecutor Edmund Burke was figured as a modern-day Cicero fighting corruption in the colonies, while Hastings was Verres, the corrupt propraetor of Sicily in the first century BC. In their prosecution, both Burke and Richard Brinsley Sheridan employed certain coups de théâtre – such as fainting for emphasis – advised by Cicero and the later Roman rhetorician Quintilian, whose style of spectacular justice played particularly well amid the eighteenth-century vogue for sentimental drama. Burke's defence of natural rights and passion for extirpating vice in the colonies similarly reflected an admiration for Cicero, just as Hastings' preference to rule the conquered by means of their own traditions recalled models of Roman provincial administration. Using contemporary journalism, satire and other ephemera, the book reconstructs the public's equally profound grasp of these parallels. It illuminates new aspects of early British discourse around the Empire, and shows how deeply classical precedents influenced the cultural and political imaginations of eighteenth-century Britain.
Author | : Arianne Chernock |
Publisher | : Stanford University Press |
Total Pages | : 272 |
Release | : 2009-12-18 |
Genre | : History |
ISBN | : 0804772932 |
Men and the Making of Modern British Feminism calls fresh attention to the forgotten but foundational contributions of men to the creation of modern British feminism. Focusing on the revolutionary 1790s, the book introduces several dozen male reformers who insisted that women's emancipation would be key to the establishment of a truly just and rational society. These men proposed educational reforms, assisted women writers into print, and used their training in religion, medicine, history, and the law to challenge common assumptions about women's legal and political entitlements. This book uses men's engagement with women's rights as a platform to reconsider understandings of gender in eighteenth-century Britain, the meaning and legacy of feminism, and feminism's relationship more generally to traditions of radical reform and enlightenment.
Author | : Susan Broomhall |
Publisher | : Routledge |
Total Pages | : 257 |
Release | : 2015-03-05 |
Genre | : History |
ISBN | : 1317554108 |
Spaces for Feeling explores how English and Scottish people experienced sociabilities and socialities from 1650 to 1850, and investigates their operation through emotional practices and particular spaces. The collection highlights the forms, practices, and memberships of these varied spaces for feeling in this two hundred year period and charts the shifting conceptualisations of emotions that underpinned them. The authors employ historical, literary, and visual history approaches to analyse a series of literary and art works, emerging forms of print media such as pamphlet propaganda, newspapers, and periodicals, and familial and personal sources such as letters, in order to tease out how particular communities were shaped and cohered through distinct emotional practices in specific spaces of feeling. This collection studies the function of emotions in group formations in Britain during a period that has attracted widespread scholarly interest in the creation and meaning of sociabilities in particular. From clubs and societies to families and households, essays here examine how emotional practices could sustain particular associations, create new social communities and disrupt the capacity of a specific cohort to operate successfully. This timely collection will be essential reading for students and scholars of the history of emotions.