Revolutionary Desire In Italian Cinema
Download Revolutionary Desire In Italian Cinema full books in PDF, epub, and Kindle. Read online free Revolutionary Desire In Italian Cinema ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Luana Ciavola |
| Publisher | : Troubador Publishing Ltd |
| Total Pages | : 187 |
| Release | : 2011 |
| Genre | : Performing Arts |
| ISBN | : 1848766807 |
Revolutionary Desire in Italian Cinema is the first book to draw on psychoanalytical concepts and film theories to examine the critical tendency of Italian cinema and the way in which auteur Italian filmmakers have expressed their counter-ideological thought and criticism against Italian society. The book examines how by being committed to Italian social reality, Italian cinema expresses a desire for revolt against the status quo and the dominant ideological order. Taking as case studies Bernardo Bertolucci’s Prima della rivoluzione, Marco Bellocchio’s I pugni in tasca, Pier Paolo Pasolini’s Porcile, Nanni Moretti’s Ecce Bombo and La messa è finita, the book relies on socio-historiographical theories through which Luana Ciavola discusses how plot and characters create a sense of revolt against the both social order and values such as family, religion and bourgeois ethics. The book confirms the central role of Italian cinema in a historical and political context, insofar as it includes a substantial background which highlights aspects of Italian history never considered before in a study on Italian cinema. Revolutionary Desire in Italian Cinema is aimed at academics, researchers, undergraduate and postgraduate students and all lovers of Italian cinema.
| Author | : Ella Shohat |
| Publisher | : Rutgers University Press |
| Total Pages | : 356 |
| Release | : 2003 |
| Genre | : Performing Arts |
| ISBN | : 9780813532356 |
Reflecting academic interests in nation, race, gender, sexuality and other axes of identity, this text gathers these concerns under the same umbrella, contending that these issues must be discussed in relation to each other because communities, societiesand nations do not exist autonomously.
| Author | : Mauro Resmini |
| Publisher | : U of Minnesota Press |
| Total Pages | : 327 |
| Release | : 2023-01-03 |
| Genre | : Performing Arts |
| ISBN | : 1452967865 |
An exploration of how film has made legible the Italian long ’68 as a moment of crisis and transition Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense political and cultural struggles also known as the long ’68. Italian Political Cinema conjures a multifaceted, complex portrayal of Italian society. Centered on emblematic figures in Italian cinema, it maps the currents of antagonism and repression that defined this period in the country’s history. Resmini explores how film imagined the possibilities, obstacles, and pitfalls that characterized the Italian long ’68 as a moment of crisis and transition. From workerism to autonomist Marxism to feminism, this book further expands the debate on political cinema with a critical interpretation of influential texts, some of which are currently only available in Italian. A comprehensive and novel redefinition of political film, Italian Political Cinema introduces its audience to lesser-known directors alongside greats such as Pasolini, Bertolucci, Antonioni, and Bellocchio. Resmini offers access to untranslated work in Italian philosophy, political theory, and film theory, and forcefully advocates for the continued artistic and political relevance of these films in our time.
| Author | : Peter Bondanella |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 753 |
| Release | : 2017-10-19 |
| Genre | : Performing Arts |
| ISBN | : 1501307630 |
The only comprehensive and up-to-date book on the subject of Italian cinema available anywhere, in any language.
| Author | : Joe McElhaney |
| Publisher | : Wayne State University Press |
| Total Pages | : 257 |
| Release | : 2021-02-02 |
| Genre | : Art |
| ISBN | : 0814343090 |
Unveils the metaphoric and theoretical possibilities of fabric in the films of Luchino Visconti. In Luchino Visconti and the Fabric of Cinema, Joe McElhaney situates Visconti's films as privileged and deeply expressive instances of a trope that McElhaney identifies as the "cinema of fabric": a reoccurrence in film in which textiles—clothing, curtains, tablecloths, bedsheets—determine the filming process. An Italian neorealist, Visconti emerges out of a movement immediately following WWII wherein fabric assumes crucial functions, yet Visconti's use of fabric surpasses his colleagues in many ways, including its fluid, multifaceted articulations of space and time. Visconti's homosexuality is central to this theory in that it assumes metaphoric potential in addressing "forbidden" sexual desires that are made visible in the films. Visconti's cinema of fabric gives voice to desires not simply for human bodies draped in fabric but also for entire environments, a world of the senses in which fabric becomes a crucial method for giving form to such desires. McElhaney examines Visconti's neorealist origins in Ossessione, La terra trema, and Rocco and His Brothers, particularly through fabric's function within literary realism and naturalism. Neorealist revisionism through the extravagant drapings of the diva film is examined in Bellissima and Senso whereas White Nights and The Strangerare examined for the theatricalizing through fabric of their literary sources. Visconti's interest in German culture vis-à-vis The Damned, Death in Venice, and Ludwig, is articulated through a complex intertwining of fabric, aesthetics, politics, and transgressive sexual desire. Finally, Visconti's final two films, Conversation Piece and The Innocent, assess through fabric both the origins of Italian fascism and the political tensions contemporaneous with the films' productions. Fabric in Visconti is often tied to the aesthetic impulse itself in a world of visionaries attempting to dominate their surrounding environments and where a single piece of fabric may come to represent the raw material for creation. This book will tantalize any reader with a keen eye and strong interest in film and queer studies.
| Author | : Ana M. López |
| Publisher | : State University of New York Press |
| Total Pages | : 766 |
| Release | : 2023-02-01 |
| Genre | : Performing Arts |
| ISBN | : 1438491107 |
Ana M. López is one of the foremost film and media scholars in the world. Her work has addressed Latin American filmmaking in every historical period, across countries and genres—from early cinema to the present; from Brazil, Cuba, and Mexico to diasporic and Latinx cinemas in the United States; from documentary to melodrama to politically militant film. López's groundbreaking essays have transformed Latin American film studies, opening up new approaches, theoretical frameworks, and lines of investigation while also extending beyond cinema to analyze its connections with television, radio, and broader cultural phenomena. Bringing together twenty-five essays from throughout her career, including three that have been translated into English for this volume, Ana M. López is divided into three sections: the transnational turn in Latin American film studies; analysis of genre and modes; and debates surrounding race, ethnicity, and gender. Expertly curated and edited by Laura Podalsky and Dolores Tierney, the volume includes introductory material throughout to map and situate López's key interventions and to aid students and scholars less familiar with her work.
| Author | : Gino Moliterno |
| Publisher | : Taylor & Francis |
| Total Pages | : 1249 |
| Release | : 2023-06-14 |
| Genre | : History |
| ISBN | : 1000947556 |
This rigorously compiled A-Z volume offers rich, readable coverage of the diverse forms of post-1945 Italian culture. With over 900 entries by international contributors, this volume is genuinely interdisciplinary in character, treating traditional political, economic, and legal concerns, with a particular emphasis on neglected areas of popular culture. Entries range from short definitions, histories or biographies to longer overviews covering themes, movements, institutions and personalities, from advertising to fascism, and Pirelli to Zeffirelli. The Encyclopedia aims to inform and inspire both teachers and students in the following fields: *Italian language and literature *Arts, Humanities and Social Sciences *European Studies *Media and Cultural Studies *Business and Management *Art and Design It is extensively cross-referenced, has a thematic contents list and suggestions for further reading.
| Author | : J. Martin |
| Publisher | : Springer |
| Total Pages | : 212 |
| Release | : 2008-11-24 |
| Genre | : Political Science |
| ISBN | : 0230616860 |
Piero Gobetti was a radical liberal and critic of Italian politics in the years after World War I, he proposed 'revolutionary liberalism', which guided his opposition to Fascism and inspired key figures in the Italian Resistance. Accessible but critical, this volume is offers a balanced assessment of his enduring significance.
| Author | : Peter Bondanella |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 734 |
| Release | : 2019-07-25 |
| Genre | : Foreign Language Study |
| ISBN | : 1839020245 |
THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.
| Author | : Jessica Ka Yee Chan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 293 |
| Release | : 2019-01-21 |
| Genre | : Performing Arts |
| ISBN | : 1786734346 |
Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture.
