Review Of Erhard Bahrs Weimar On The Pacific
Download Review Of Erhard Bahrs Weimar On The Pacific full books in PDF, epub, and Kindle. Read online free Review Of Erhard Bahrs Weimar On The Pacific ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : E. Randol Schoenberg |
| Publisher | : Univ of California Press |
| Total Pages | : 446 |
| Release | : 2018-06-08 |
| Genre | : Music |
| ISBN | : 0520969154 |
Arnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann’s novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters in this essential volume are complemented by diary entries, related articles, and other primary source materials, as well as an introduction by German studies scholar Adrian Daub that contextualizes the impact these two great artists had on twentieth-century thought and culture.
| Author | : Wikipedia contributors |
| Publisher | : e-artnow sro |
| Total Pages | : 883 |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Ehrhard Bahr |
| Publisher | : Univ of California Press |
| Total Pages | : 384 |
| Release | : 2008-08-08 |
| Genre | : Art |
| ISBN | : 0520257952 |
In the 1930s and '40s, LA became a cultural sanctuary for a distinguished group of German artists and intellectuals - including Thomas Mann, Theodor W. Adorno, Bertolt Brecht, Fritz Lang, and Arnold Schoenberg - who were fleeing Nazi Germany. This book is the first to examine their work and lives.
| Author | : Richard Cavell |
| Publisher | : punctum books |
| Total Pages | : 155 |
| Release | : 2020 |
| Genre | : Music |
| ISBN | : 1950192490 |
Speechsong is a work of imaginative musicology that addresses the engimas of Schoenberg and Gould, of singing and speaking, of Moses und Aron, of technology and being. Its point of departure is Gould's last public performance, given at the Wilshire Ebell Theatre in Los Angeles, where a number of Schoenberg's works were performed during his California exile. It is here, after that last performance, that Gould encounters a spectral Schoenberg in a staged conversation that explores Schoenberg's travails in rethinking the fundamentals of Western music. This first part of Speechsong recalls Schoenberg's operatic masterpiece, Moses und Aron, in which the divinely inspired Moses seeks the help of his brother to relate his vision: Moses speaks and Aron sings. Written as a twelve-tone composition, the opera produces an involution of harmonics that was Schoenberg's response to Richard Wagner's diatribes about synagogue noise. For Gould, Schoenberg's is a formalist revolution; Schoenberg's life, however, suggests that it was a search for personal and political freedom.The second half of Speechsong is a critical essay in twelve "moments" that re-articulates the staged conversation as an inquiry into the intersections of music and mediation. Gould's turn to the recording studio emerges as a post-humanist inquiry into recorded music as a repudiation of the virtuoso tradition and a liberation from unitary notions of selfhood. Schoenberg's exodus from musical tradition likewise takes his twelve-tone invention beyond musical performance, where it emerges, along with Gould's soundscapes, as a prototype of acoustic installations by artists such as Stephen Prina and Cory Arcangel. In these works, music abandons the concert hall and the exigencies of harmony for an acoustic space that embraces at once the recordings of Gould and the performances of Schoenberg that have found their home on the internet. Richard Cavell has written extensively on Marshall McLuhan and on media theory generally. He is the co-founder of the Media Studies program at the University of British Columbia and the curator of the website Spectres of McLuhan. Speechsong, his second critical performance piece, was preceded by Marinetti Dines with the High Command (2014).
| Author | : |
| Publisher | : |
| Total Pages | : 356 |
| Release | : 1946 |
| Genre | : Electronic journals |
| ISBN | : |
| Author | : Laurence a Laurence |
| Publisher | : Anti-Oedipus Press |
| Total Pages | : 274 |
| Release | : 2015-03-01 |
| Genre | : Psychopaths in literature |
| ISBN | : 9780989239172 |
In I THINK I AM: PHILIP K. DICK, Laurence A. Rickels investigated the renowned science fiction author's collected work by way of its relationship to the concept and condition of schizophrenia. In GERMANY: A SCIENCE FICTION, he focuses on psychopathy as the undeclared diagnosis implied in flunking the empathy test. The switch from psychosis to psychopathy as an organizing limit opens the prospect of a genealogy of the Cold War era, which Rickels begins by examining Dick's THE SIMULACRA and follows out with readings of SIMULACRON 3, FAHRENHEIT 451, THE DAY OF THE TRIFFIDS, THIS ISLAND EARTH and GRAVITY'S RAINBOW, among many other genealogical stations. Nazi Germany hosted the first season of the realization of science fantasy with the rocket at the top of this arc. After World War II, the genre had to delete the recent past and start again within the new Cold War opposition. Certainly the ancestral prehistory was still intact (in the works of, for instance, Jules Verne and H. G. Wells). At the bulk rate of its generic line of production, however, science fiction would thereafter become a native to the Cold War habitat. This study addresses the syndications of the missing era in the science fiction mainstream, the phantasmagoria of its returns, and the extent of the integration of all the above since some point in the 1980s. Rickels works through the preliminaries of repair that must be met in a world devastated by psychopathic violence before mourning can even be a need. While I THINK I AM was the endopsychic allegory of Dick's corpus, GERMANY takes the corpus as a point of context for the endopsychic genealogy of the post-WWII containment and integration of psychopathy.
| Author | : Hannes Adomeit |
| Publisher | : Nomos Verlag |
| Total Pages | : 756 |
| Release | : 2016-07-11 |
| Genre | : Political Science |
| ISBN | : 3845266112 |
Das Buch ist eine Analyse von Aufstieg und Fall des sowjetischen Herrschaftssystems in dem Gebiet, das zur Zeit des Kalten Krieges "Osteuropa" genannt wurde, und der Rolle, die das Deutschlandproblem dabei gespielt hat. Gestützt auf die Auswertung neuer Quellen aus den Partei- und Staatsarchiven ehemals kommunistischerer Länder rekonstruiert es die folgende Entwicklung: die Teilung Deutschlands und dabei die Rolle der Sowjetunion unter Stalin; das eiserne Festhalten seiner Nachfolger an der Teilung; ihr zunehmendes Bewusstsein der hohen Kosten, welche die Aufrechterhaltung des imperialen Systems in Ostmitteleuropa verursachte; der Fehlschlag ihrer Anstrengungen, die wachsende wirtschaftliche und finanzielle Abhängigkeit der DDR von der Bundesrepublik zu verhindern; und schließlich die Gründe dafür, warum Gorbatschow die Auflösung des sowjetischen Herrschaftsbereichs in Ostmitteleuropa hinnahm und sogar der Mitgliedschaft des wiedervereinigten Deutschlands in der Nato zustimmte."Angesichts der russischen Okkupation der Krim, der anhaltenden Krise in der Ostukraine und der dadurch ausgelösten Gegenreaktionen von NATO und EU scheint sich der Kalte Krieg in Europa zurückgemeldet zu haben. Geeigneter kann der Zeitpunkt für die überarbeitete Neuauflage des sich inzwischen zu einem Standardwerk entwickelten Buches von Hannes Adomeit nicht sein. Seine profunde Kenntnis und Auseinandersetzung mit sowjetischer und russischer Politik seit fünf Jahrzehnten und sein Zugang zu neuem russischen Archivmaterial qualifiziert ihn zu einem der besten und erfahrensten Experten auf internationaler Ebene. Wer die sowjetische Politik nach dem II. Weltkrieg bis zur Wiedervereinigung Deutschlands und ihre Implikationen für die letzten 25 Jahre verstehen will, kommt an Adomeits Buch und seiner analytischen Brillanz nicht vorbei". Prof. Dr. h.c. Horst Teltschik, September 2015 "Of all of the analyses of the fall of the Soviet Union and reunification of Germany, Hannes Adomeit's 1998 classic, "Imperial Overstretch", has stood the test of time. Its re-publication here by Nomos, with some modest updates by the author, will be welcomed by scholars, students, the policy community, and the informed public, as a trenchant interpretation of what happened to the 'Soviet bloc', but also as an introduction to the assertive imperial politics of Vladimir Putin and the Russian Federation." Norman M. Naimark, Stanford University, November 2015
| Author | : Bruni De la Motte |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Communism |
| ISBN | : 9780955822865 |
"Much has been written about how awful the German Democratic Republic supposedly was: a people imprisoned by a wall and subjugated by an omnipresent Stasi security apparatus. Such descriptions are based largely on prejudice, ignorance and wilful animosity. This book is an attempt to provide a more balanced evaluation and to examine GDR-style socialism in terms of what we can learn from it. The authors, while not ignoring the real deficiencies of GDR society, emphasise the many aspects that were positive, and demonstrate that alternative ways of organising society are possible. This volume is an updated and much expanded edition of the authors' booklet first published in 2009. Thee have added more detail on how the GDR came into being as a separate state, about how society functioned and what values determined the every-day life of its citizens. There is also a whole new section on what happened in the aftermath of unification, particularly to the economy. While unification brought East Germans access to a more affluent society, freedom to travel throughout the world and the end to an over-centralised political system, it also brought with it unemployment, social breakdown and loss of hope, particularly in the once thriving rural areas." -- From back cover.
| Author | : Ehrhard Bahr |
| Publisher | : Routledge |
| Total Pages | : 265 |
| Release | : 2016-06-17 |
| Genre | : History |
| ISBN | : 1317203437 |
This book, originally published in 1992, traces the discourse on the French Revolution in Germany and its contributors investigate the processes and results of adopting or rejecting the values of the French Revolution in Germany and reinterprets its documents in terms of their internalization. One of the questions discussed is whether the French Revolution is part of Germany’s progressive tradition, that is, whether it has been repressed or whether it constitutes a viable counter-discourse within the political culture. The first successful revolution in Germany – the ‘Velvet Revolution’ of Autumn 1989 does not fit the definition of ‘classic revolutions, but it ended in a change of power in Germany and in that respect, this book is an anatomy of German political consciousness before 1989.
| Author | : Wolfgang Schivelbusch |
| Publisher | : Univ of California Press |
| Total Pages | : 247 |
| Release | : 2024-07-26 |
| Genre | : History |
| ISBN | : 0520377869 |
Although the three conspicuous cultures of Berlin in the twentieth century—Weimar, Nazi, and Cold War—are well documented, little is known about the years between the fall of the Third Reich and the beginning of the Cold War. In a Cold Crater is the history of this volatile postwar moment, when the capital of the world's recently defeated public enemy assumed great emotional and symbolic meaning. This is a story not of major intellectual and cultural achievements (for there were none in those years), but of enormous hopes and plans that failed. It is the story of members of the once famous volcano-dancing Berlin intelligentsia, torn apart by Nazism and exile, now re-encountering one another. Those who had stayed in Berlin in 1933 crawled out of the rubble, while many of the exiles returned with the Allied armies as members of the various cultural and re-educational units. All of them were eager to rebuild a neo-Weimar republic of letters, arts, and thought. Some were highly qualified and serious. Many were classic opportunists. A few came close to being clowns. After three years of "carnival," recreated by Schivelbusch in all its sound and fury, they were driven from the stage by the Cold War. As Berlin once again becomes the German capital, Schivelbusch's masterful cultural history is certain to captivate historians and general readers alike. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1999.
