Rethinking Art Between The Wars
Download Rethinking Art Between The Wars full books in PDF, epub, and Kindle. Read online free Rethinking Art Between The Wars ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Hans Dam Christensen |
Publisher | : Museum Tusculanum Press |
Total Pages | : 160 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9788772895239 |
In the interwar period art revealed itself as part of the social and ideological order. The work of art became a point of intersection for the modern, unstable and ambiguous world. Works of art produced in these decades reflect a range of discourses on power and subjectivity. They contribute to the foundation of the post-war development of aesthetic pluralism and point out the socially conditioned framings of the Fine Arts. During the last decades, research in the field of interwar art has reworked and reconceptualised existing notions on the period. This book offers four new approaches which also contribute to reflections on methodological questions regarding the changes in the disciple of Art History since the early 1970s. The articles discuss topics such as Le Corbusier's connection with the French fascist movement, the position of women in the avant garde movement, Giorgio de Chirico's play with kitsch and avant garde practices, and the semiotics of the surrealist image.
Author | : Stacy I. Morgan |
Publisher | : University of Georgia Press |
Total Pages | : 374 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9780820325798 |
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
Author | : Alan Ingram |
Publisher | : John Wiley & Sons |
Total Pages | : 234 |
Release | : 2019-08-19 |
Genre | : Science |
ISBN | : 1119426057 |
An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art. Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first century Advances an original perspective on Britain’s role in the 2003 invasion and subsequent occupation of Iraq Maps out new ways of thinking about geopolitical events through art Examines the work of artists, curators and activists in light of Britain’s role as a colonial power in Iraq and the importance of oil Reflects on the significance, limits and dilemmas of art as a form of critical intervention Questions the implications of art in colonialism and modernity
Author | : Howard Zinn |
Publisher | : Seven Stories Press |
Total Pages | : 63 |
Release | : 2011-01-04 |
Genre | : History |
ISBN | : 1609801679 |
"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.
Author | : Uroš Cvoro |
Publisher | : Bloomsbury Publishing |
Total Pages | : 246 |
Release | : 2021-08-12 |
Genre | : Art |
ISBN | : 1350227358 |
In Images of War in Contemporary Art, Uroš Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojša Šeric Šoba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).
Author | : Ghalya Saadawi |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : |
ISBN | : |
Author | : Anthony D. Mclvor |
Publisher | : US Naval Institute Press |
Total Pages | : 0 |
Release | : 2012-12-30 |
Genre | : Military art and science |
ISBN | : 9781591144823 |
This work features the fresh thinking of twenty-eight leading authors from a variety of military and national security disciplines. Following an introduction by Lt. Gen. James Dubik, Commander I Corps, U.S. Army, the anthology first considers the general question of whether there is a distinctly American way of war. Dr. Colin Gray's opening essay "The American Way of War: Critique and Implications" provides a state of the question perspective. Sections on operational art, with writers addressing the issues in both conventional and small wars; stability and reconstruction; and intelligence complete the volume. Among the well-known contributors are Robert Scales, Mary Kaldor, Ralph Peters, Jon Sumida, Grant Hammond, Milan Vego, and T.X. Hammes. The anthology is part of a larger Rethinking the Principles project, sponsored by the Office of Force Transformation and the U.S. Navy to examine approaches to the future of warfare. Footnotes, index, and a bibliographic essay make the work a useful tool for students of war and general readers alike.
Author | : Jens Bjering |
Publisher | : MIT Press |
Total Pages | : 335 |
Release | : 2024-06-18 |
Genre | : Political Science |
ISBN | : 0262377632 |
A provocative edited collection that takes an original approach toward the black box of military technology, surveillance, and AI—and reveals the aesthetic dimension of warfare. War and Aesthetics gathers leading artists, political scientists, and scholars to outline the aesthetic dimension of warfare and offer a novel perspective on its contemporary character and the construction of its potential futures. Edited by a team of four scholars, Jens Bjering, Anders Engberg-Pedersen, Solveig Gade, and Christine Strandmose Toft, this timely volume examines warfare through the lens of aesthetics, arguing that the aesthetic configurations of perception, technology, and time are central to the artistic engagement with warfare, just as they are key to military AI, weaponry, and satellite surveillance. People mostly think of war as the violent manifestation of a political rationality. But when war is viewed through the lens of aesthesis—meaning perception and sensibility—military technology becomes an applied science of sensory cognition. An outgrowth of three war seminars that took place in Copenhagen between 2018 and 2021, War and Aesthetics engages in three main areas of inquiry—the rethinking of aesthetics in the field of art and in the military sphere; the exploration of techno-aesthetics and the wider political and theoretical implications of war technology; and finally, the analysis of future temporalities that these technologies produce. The editors gather various traditions and perspectives ranging from literature to media studies to international relations, creating a unique historical and scientific approach that broadly traces the entanglement of war and aesthetics across the arts, social sciences, and humanities from ancient times to the present. As international conflict looms between superpowers, War and Aesthetics presents new and illuminating ways to think about future conflict in a world where violence is only ever a few steps away. Contributors Louise Amoore, Ryan Bishop, Jens Bjering, James Der Derian, Anthony Downey, Anders Engberg-Pedersen, Solveig Gade, Mark B. Hansen, Caroline Holmqvist, Vivienne Jabri, Caren Kaplan, Phil Klay, Kate McLoughlin, Elaine Scarry, Christine Strandmose Toft, Joseph Vogl, Arkadi Zaides
Author | : Anthony D McIvor |
Publisher | : Naval Institute Press |
Total Pages | : 536 |
Release | : 2013-01-15 |
Genre | : History |
ISBN | : 1612512585 |
This work features the fresh thinking of twenty-eight leading authors from a variety of military and national security disciplines. Following an introduction by Lt. Gen. James Dubik, Commander I Corps, U.S. Army, the anthology first considers the general question of whether there is a distinctly American way of war. Dr. Colin Gray's opening essay "The American Way of War: Critique and Implications" provides a state of the question perspective. Sections on operational art, with writers addressing the issues in both conventional and small wars; stability and reconstruction; and intelligence complete the volume. Among the well-known contributors are Robert Scales, Mary Kaldor, Ralph Peters, Jon Sumida, Grant Hammond, Milan Vego, and T.X. Hammes. The anthology is part of a larger Rethinking the Principles project, sponsored by the Office of Force Transformation and the U.S. Navy to examine approaches to the future of warfare. Footnotes, index, and a bibliographic essay make the work a useful tool for students of war and general readers alike.
Author | : Amy Bryzgel |
Publisher | : Rethinking Art's Histories |
Total Pages | : 366 |
Release | : 2017 |
Genre | : Gender identity in art |
ISBN | : 9781784994211 |
This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and Southeastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists to the genre. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique. As the first comprehensive history of the subject, this text is essential for those in the field of performance studies, or those researching contemporary Eastern European art. It will also be of interest to those in Slavic studies, art history and visual culture.