Researching The Fragments
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| Author | : Eirik Lang Harris |
| Publisher | : Translations from the Asian Classics |
| Total Pages | : 173 |
| Release | : 2016 |
| Genre | : |
| ISBN | : 9780231177665 |
The Shenzi Fragments is the first complete translation in any Western language of the extant work of Shen Dao (350-275 B.C.E.). Though his writings have been recounted and interpreted in many texts, particularly in the work of Xunzi and Han Fei, very few Western scholars have encountered the political philosopher's original, influential formulations. This volume contains both a translation and an analysis of the Shenzi Fragments. It explains their distillation of the potent political theories circulating in China during the Warring States period, along with their seminal relationship to the Taoist and Legalist traditions and the philosophies of the Lüshi Chunqiu and the Huainanzi. These fragments outline a rudimentary theory of political order modeled on the natural world that recognizes the role of human self-interest in maintaining stable rule. Casting the natural world as an independent, amoral system, Shen Dao situates the source of moral judgment firmly within the human sphere, prompting political philosophy to develop in realistic directions. Harris's sophisticated translation is paired with commentary that clarifies difficult passages and obscure references. For sections open to multiple interpretations, he offers resources for further research and encourages readers to follow their own path to meaning, much as Shen Dao intended. The Shenzi Fragments offers English-language readers a chance to grasp the full significance of Shen Dao's work among the pantheon of Chinese intellectuals.
| Author | : Elizabeth A. Johnson |
| Publisher | : Columbia University Press |
| Total Pages | : 399 |
| Release | : 2005-10-05 |
| Genre | : Nature |
| ISBN | : 0231502060 |
This new collection focuses on the impact of sprawl on biodiversity and the measures that can be taken to alleviate it. Leading biological and social scientists, conservationists, and land-use professionals examine how sprawl affects species and alters natural communities, ecosystems, and natural processes. The contributors integrate biodiversity issues, concerns, and needs into the growing number of anti-sprawl initiatives, including the "smart growth" and "new urbanist" movements.
| Author | : William Tronzo |
| Publisher | : Getty Publications |
| Total Pages | : 234 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 0892369264 |
The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.
| Author | : Noel Lobley |
| Publisher | : Wesleyan University Press |
| Total Pages | : 345 |
| Release | : 2022-04-19 |
| Genre | : Music |
| ISBN | : 0819580783 |
Winner of IASPM Book Prize, given by IASPM, 2023 This book is an ethnographic study of sound archives and the processes of creative decolonization that form alternative modes of archiving and curating in the 21st century. It explores the histories and afterlives of sound collections and practices at the International Library of African Music. Sound Fragments follows what happens when a colonial sound archive is repurposed and reimagined by local artists in post-apartheid South Africa. The narrative speaks to larger issues in sound studies, curatorial practices, and the reciprocity and ethics of listening to and reclaiming culture. Sound Fragments interrogates how Xhosa arts activism contributes to an expanding notion of what a sound or cultural archive could be, and where it may resonate now and in future.
| Author | : Emanuel Tov |
| Publisher | : BRILL |
| Total Pages | : 258 |
| Release | : 2016-08-15 |
| Genre | : Religion |
| ISBN | : 9004322868 |
Under the auspices of the Museum of the Bible Scholars Initiative, teams of scholar-mentors and students working collaboratively present the thirteen fragments of Dead Sea Scrolls in this volume. The fragments are part of the Museum of the Bible Collection in Oklahoma City.
| Author | : Philip Taylor |
| Publisher | : University of Hawaii Press |
| Total Pages | : 264 |
| Release | : 2001-01-01 |
| Genre | : Social Science |
| ISBN | : 9780824824174 |
This book explores in anthropological terms the cultural identity of the people of the Vietnamese South since the Vietnam War ended. The author describes southern Vietnam's postwar history, the impact of political and economic changes, policies towards music and popular culture, shifts in state ideology, and the contrasting fortunes of urban and rural communities. Philip Taylor spent a considerable time in a Mekong delta village undertaking ethnographic research into rural cultural identity. He describes the villagers' view of history and their sense of present decline, contrasting this with state and urban interpretations of the southern region's "modernity" over the same period.
| Author | : Suzanne Keene |
| Publisher | : Routledge |
| Total Pages | : 214 |
| Release | : 2006-08-11 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1136402349 |
During the past decade a number of individual museums have found imaginative ways of using their collections and of making them accessible. However, museum collections as a whole are enormous in size and quantity and the question of how can they can be put to best use is ever present. When conventional exhibitions can only ever utilise a tiny proportion of them, what other uses of the collections are possible? Will their exploitation and use now destroy their value for future generations? Should they simply be kept safely and as economically as possible as a resource for the future? Fragments of the World examines these questions, first reviewing the history of collecting and of collections, then discussing the ways in which the collections themselves are being used today. Case studies of leading examples from around the world illustrate the discussion. Bringing together the thinking about museum collections with case studies of the ways in which different types of collection are used, the book provides a roadmap for museums to make better use of this wonderful resource.
| Author | : Javier Fernández-Sánchez |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 226 |
| Release | : 2020-02-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027261695 |
In recent years, a number of authors (De Vries 2009, Truckenbrodt 2015, Ott and de Vries 2016, inter alia) have defended that right dislocations (RD) should be treated as bisentential structures, where the “dislocated” constituent is actually a remnant of a clausal ellipsis operation licensed under identity with an antecedent clause. Although Romance RD is a fertile area of research, the consequences of the biclausal analysis remain unexplored in these languages. This monograph intends to fill this gap. Adopting this approach not only solves some issues that have always been at the core of dislocation structures in general; it also allows us to uncover novel sets of data and to provide straightforward explanations for well-known generalizations. Further, it brings RD along with a set of phenomena which are structurally very similar, like afterthoughts or split questions, which have been independently argued to display a bisentential structure. Under alternative, monoclausal approaches to RD, the striking similarities between these phenomena must be rendered anecdotal.
| Author | : Arthur Bahr |
| Publisher | : University of Chicago Press |
| Total Pages | : 296 |
| Release | : 2013-03-04 |
| Genre | : History |
| ISBN | : 0226924912 |
In Fragments and Assemblages, Arthur Bahr expands the ways in which we interpret medieval manuscripts, examining the formal characteristics of both physical manuscripts and literary works. Specifically, Bahr argues that manuscript compilations from fourteenth-century London reward interpretation as both assemblages and fragments: as meaningfully constructed objects whose forms and textual contents shed light on the city’s literary, social, and political cultures, but also as artifacts whose physical fragmentation invites forms of literary criticism that were unintended by their medieval makers. Such compilations are not simply repositories of data to be used for the reconstruction of the distant past; their physical forms reward literary and aesthetic analysis in their own right. The compilations analyzed reflect the full vibrancy of fourteenth-century London’s literary cultures: the multilingual codices of Edwardian civil servant Andrew Horn and Ricardian poet John Gower, the famous Auchinleck manuscript of texts in Middle English, and Chaucer’s Canterbury Tales. By reading these compilations as both formal shapes and historical occurrences, Bahr uncovers neglected literary histories specific to the time and place of their production. The book offers a less empiricist way of interpreting the relationship between textual and physical form that will be of interest to a wide range of literary critics and manuscript scholars.
| Author | : Rebecca Varley-Winter |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019-09 |
| Genre | : Literary Criticism |
| ISBN | : 9781845199609 |
As a critical term, 'fragment' is more of a starting-point than a definition. 'Fragment' and 'fragmentation' have been used to describe damaged manuscripts; drafts; notes; subverted grammatical structures; the emergence of vers libre from formal verse; texts without linear plots; translations; quotations; and works titled 'Fragment' regardless of how formally complete they might appear. This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter connects fragments to experiences of physical and emotional ambiguity. The author introduces fragmentation as an aspect of what Julia Kristeva and Helene Cixous term 'ecriture feminine', and offers new readings of the texts that Stephane Mallarme struggled to finish.
