Researched Synthesis Of Critical Sources About The Movie Scream
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Author | : Florian Schumacher |
Publisher | : GRIN Verlag |
Total Pages | : 11 |
Release | : 2008-08-12 |
Genre | : Literary Collections |
ISBN | : 3640135717 |
Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 1,0, University of Wisconsin - La Crosse - USA (University of Wisconsin - La Crosse - USA, Anglistik), course: Films and Literature, language: English, abstract: In this research paper, I am going to analyze several critical sources that all deal with the movie Scream, directed by Wes Craven. This paper will show why Scream was a huge success and why it was totally different from any older slasher-movie. Even though this movie is scary and horrific, it is also a parody on older slasher-movies, it is extremely self-referential, and its characters are extremely knowledgeable about the horror-genre, which makes this movie funny and ironic and lets the audience experience a completely new kind of slasher-film. In the following, I will now summarize the critical articles that deal with Scream, after which I will discuss the relationships between these articles. The first source I analyzed was a chapter about the movie Scream in John Kenneth Muir’s book Wes Craven – The Art of Horror. Muir starts this chapter with a quote from the Los Angeles Times, saying that Scream risks going way over the top, deliberately generating considerable laughter in the process, and that it ends up as terrific entertainment that also explores the relationship between movies and their audiences (from Kevin Thomas in The Los Angeles Times). Muir states that Scream is undeniably a horror masterpiece and that Craven achieved something extraordinary in a genre that is known neither for its intelligence nor for its wit. He thinks that Scream is exceptional because it is so intelligent, so witty, and most importantly scary. In Muir’s opinion, Scream is the ultimate tale of America’s VCR generation, which is extremely cynical and knows everything about the latest technologies (cell-phones, pagers, etc.). But it is also very referential, because the characters refer to movies or shows all the time, e.g. when two cheerleaders make up the theory that Sidney is the Woodsboro murderer – based on psychological arguments from “The Ricky Lake Show.” Muir thinks that because of the intense exposure to television and movies, today’s teens are not only callous and cynical, they are also unbelievably smart as part of a defence mechanism to understand the modern world with all its technology.
Author | : Jia Tolentino |
Publisher | : Random House |
Total Pages | : 322 |
Release | : 2019-08-06 |
Genre | : Literary Collections |
ISBN | : 0525510559 |
NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino could be the Joan Didion of our time.”—Vulture FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE’S JOHN LEONARD PRIZE FOR BEST FIRST BOOK • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY AND HARVARD CRIMSON AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Chicago Tribune • The Washington Post • NPR • Variety • Esquire • Vox • Elle • Glamour • GQ • Good Housekeeping • The Paris Review • Paste • Town & Country • BookPage • Kirkus Reviews • BookRiot • Shelf Awareness Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity. Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY
Author | : Sergei Eisenstein |
Publisher | : HMH |
Total Pages | : 303 |
Release | : 2014-06-17 |
Genre | : Performing Arts |
ISBN | : 0547539479 |
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
Author | : Maria Pramaggiore |
Publisher | : Pearson College Division |
Total Pages | : 448 |
Release | : 2008-07-31 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780205645626 |
"Film: A Critical Introduction "provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.
Author | : Nancy Newton Verrier |
Publisher | : British Association for Adoption and Fostering (Ba |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Adopted children |
ISBN | : 9781905664764 |
Originally published in 1993, this classic piece of literature on adoption has revolutionised the way people think about adopted children. Nancy Verrier examines the life-long consequences of the 'primal wound' - the wound that is caused when a child is separated from its mother - for adopted people. Her argument is supported by thorough research in pre- and perinatal psychology, attachment, bonding and the effects of loss.
Author | : Jim Powell |
Publisher | : Red Wheel/Weiser |
Total Pages | : 314 |
Release | : 2007-08-21 |
Genre | : Philosophy |
ISBN | : 1939994195 |
If you are like most people, you’re not sure what Postmodernism is. And if this were like most books on the subject, it probably wouldn’t tell you. Besides what a few grumpy critics claim, Postmodernism is not a bunch of meaningless intellectual mind games. On the contrary, it is a reaction to the most profound spiritual and philosophical crisis of our time – the failure of the Enlightenment. Jim Powell takes the position that Postmodernism is a series of “maps” that help people find their way through a changing world. Postmodernism For Beginners features the thoughts of Foucault on power and knowledge, Jameson on mapping the postmodern, Baudrillard on the media, Harvey on time-space compression, Derrida on deconstruction and Deleuze and Guattari on rhizomes. The book also discusses postmodern artifacts such as Madonna, cyberpunk, Buddhist ecology, and teledildonics.
Author | : Danah Boyd |
Publisher | : Yale University Press |
Total Pages | : 296 |
Release | : 2014-02-25 |
Genre | : Social Science |
ISBN | : 0300166311 |
Surveys the online social habits of American teens and analyzes the role technology and social media plays in their lives, examining common misconceptions about such topics as identity, privacy, danger, and bullying.
Author | : Albert Hofmann |
Publisher | : Multidisciplinary Association for Psychedelic Studies |
Total Pages | : 224 |
Release | : 2017-09-27 |
Genre | : Body, Mind & Spirit |
ISBN | : 9780979862229 |
This is the story of LSD told by a concerned yet hopeful father, organic chemist Albert Hofmann, Ph.D. He traces LSD's path from a promising psychiatric research medicine to a recreational drug sparking hysteria and prohibition. In LSD: My Problem Child, we follow Dr. Hofmann's trek across Mexico to discover sacred plants related to LSD, and listen in as he corresponds with other notable figures about his remarkable discovery. Underlying it all is Dr. Hofmann's powerful conclusion that mystical experiences may be our planet's best hope for survival. Whether induced by LSD, meditation, or arising spontaneously, such experiences help us to comprehend "the wonder, the mystery of the divine, in the microcosm of the atom, in the macrocosm of the spiral nebula, in the seeds of plants, in the body and soul of people." More than sixty years after the birth of Albert Hofmann's problem child, his vision of its true potential is more relevant, and more needed, than ever.
Author | : Laurie Grobman |
Publisher | : University of Pennsylvania Press |
Total Pages | : 264 |
Release | : 2020-03-13 |
Genre | : Education |
ISBN | : 0812251989 |
A practical how-to guide for students and a powerful reminder of the value of a humanities education In recent decades, the humanities have struggled to justify themselves in the American university. The costs of attending a four-year college have exploded, resulting in intense pressure on students to major in STEM (science, technology, engineering, and mathematics), business, and other pre-professional or "practical" majors that supposedly transmit more marketable skills than can be acquired from the humanities. But, as Laurie Grobman and E. Michele Ramsey argue, this vision of humanities majors idly pondering the meaning of life for four years is inaccurate. Major Decisions demonstrates how choosing a major in the humanities is a worthwhile investment in a global economy that is shifting in the direction of college graduates who think broadly, critically, and ethically. Indeed, the core skills and knowledge imparted by an education in the humanities—including facility with written and verbal communication, collaboration, problem-solving, technological literacy, ethics, leadership, and an understanding of the human impacts of globalization—are immensely useful to employers across a variety of sectors. Major Decisions serves as a deeply informative guide to students and parents—and provides a powerful reminder to employers and university administrators of the true value of an education in the humanities.
Author | : Jostein Gaarder |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 599 |
Release | : 2007-03-20 |
Genre | : Fiction |
ISBN | : 1466804270 |
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.