Restoration and Eighteenth Century Theatre Research

Restoration and Eighteenth Century Theatre Research
Author: Carl Joseph Stratman
Publisher: Carbondale : Southern Illinois University Press
Total Pages: 840
Release: 1971
Genre: Literary Criticism
ISBN:

This first comprehensive compilation of twentieth-century scholar­ship in Restoration and Eighteenth-Century drama provides a basis for future research and is an invaluable reference work. Items are arranged alphabetically under general headings--e.g., acting, criticism, periodicals, music, theology--as well as alphabetically by surname of actor, actress, dramatist, musician, etc. Copiously indexed.

The Routledge Anthology of Restoration and Eighteenth-Century Drama

The Routledge Anthology of Restoration and Eighteenth-Century Drama
Author: Kristina Straub
Publisher: Routledge
Total Pages: 1547
Release: 2017-04-07
Genre: Drama
ISBN: 1317426525

The Routledge Anthology of Restoration and Eighteenth-Century Drama brings together the work of key playwrights from 1660 to 1800, divided into three main sections: Restoring the Theatre: 1660–1700 Managing Entertainment: 1700–1760 Entertainment in an Age of Revolutions: 1760–1800 Each of the 20 plays featured is accompanied by an extraordinary wealth of print and online supplementary materials, including primary critical sources, commentaries, illustrations, and reviews of productions. Taking in the spectrum of this period’s dramatic landscape—from Restoration tragedy and comedies of manners to ballad opera and gothic spectacle—The Routledge Anthology of Restoration and Eighteenth-Century Drama is an essential resource for students and teachers alike.

The Routledge Anthology of Restoration and Eighteenth-Century Performance

The Routledge Anthology of Restoration and Eighteenth-Century Performance
Author: Daniel O'Quinn
Publisher: Routledge
Total Pages: 1117
Release: 2019-02-14
Genre: Drama
ISBN: 1351723065

The Routledge Anthology of Restoration and Eighteenth-Century Performance brings together a selection of particularly memorable performances, beginning with Nell Gwyn in a 1668 staging of Secret Love, and moving chronologically towards the final performance of John Philip Kemble's controversial adaptation of Thomas Otway's Venice Presever'd in October 1795. This volume contains a wealth of contextual materials, including contemporary reviews, portraits, advertisements, and cast lists. By privileging event over publication, this collection aims to encourage an understanding of performance that emphasizes the immediacy - and changeability - of the theatrical repertoire during the long eighteenth century. Offering an invaluable insight into the performance culture of the time, The Routledge Anthology of Restoration and Eighteenth-Century Performance is a unique, much-needed resource for students of theatre.

Literary Research and the British Eighteenth Century

Literary Research and the British Eighteenth Century
Author: Peggy Keeran
Publisher: Rowman & Littlefield
Total Pages: 329
Release: 2013
Genre: Language Arts & Disciplines
ISBN: 0810887959

The 18th century in Britain was a transition period for literature. Patronage, either by a benefactor or through subscription, lingered even as the publishing and bookselling industries developed. The practice of reviewing books became well established during the second half of the century, with the first periodical founded in 1749. For the literary scholar, these gradual changes mean that different search strategies are required to conduct research into primary and secondary source material across the era. Literary Research and the British Eighteenth Century addresses these unique challenges. It examines how the following all contribute to the richness of literary research for this era: book and periodical publishing; a growing literate society; dissemination of literature through salons, private societies, and coffee houses; the growing importance of book reviews; the explosion of publishing; and the burgeoning of primary source material available through new publishing and digital initiatives in the 21st century. This volume explores primary and secondary resources, including general literary research guides; union library catalogs; print and online bibliographies; scholarly journals; manuscripts and archives; 18th-century books, newspapers, and periodicals; contemporary reception; and electronic texts and journals, as well as Web resources. Each chapter addresses the research methods and tools best used to extract relevant information and compares and evaluates sources, making this book an invaluable guide to any literary scholar and student of the British eighteenth century.

Cultural Readings of Restoration and Eighteenth-Century English Theater

Cultural Readings of Restoration and Eighteenth-Century English Theater
Author: Deborah Payne Fisk
Publisher: University of Georgia Press
Total Pages: 332
Release: 2010-12-01
Genre: Literary Criticism
ISBN: 0820337897

Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.

Popular Plays by Women in the Restoration and Eighteenth Century

Popular Plays by Women in the Restoration and Eighteenth Century
Author: Tanya M. Caldwell
Publisher: Broadview Press
Total Pages: 300
Release: 2011-06-30
Genre: Drama
ISBN: 1770482830

This anthology offers a selection of popular dramatic works by female playwrights from Aphra Behn in the 1670s through Hannah Cowley in the later eighteenth century. These plays were successful as plays of their time, not just as plays by women, together providing evidence that women dramatists often managed better than their male counterparts to please diverse audiences, who were notoriously fickle as well as predisposed to oppose them. Accessible to both graduates and undergraduates, Popular Plays by Women shows how these playwrights captured audiences through wit, social awareness, and dramatic dexterity. As well as including the prologues and epilogues of the four plays presented, this anthology provides additional materials in which female playwrights discuss the prejudices and special difficulties they face.

Tricksters & Estates

Tricksters & Estates
Author: J. Douglas Canfield
Publisher: University Press of Kentucky
Total Pages: 340
Release: 1997-01-01
Genre: Literary Criticism
ISBN: 9780813170039

These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession.

The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition

The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition
Author: J. Douglas Canfield
Publisher: Broadview Press
Total Pages: 1055
Release: 2003-04-17
Genre: Drama
ISBN: 1770483004

The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period's "laughing comedy." Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy. Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.