Rereading The New Criticism
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| Author | : Patricia Meyer Spacks |
| Publisher | : Harvard University Press |
| Total Pages | : 294 |
| Release | : 2013-11-18 |
| Genre | : Literary Criticism |
| ISBN | : 0674267478 |
After retiring from a lifetime of teaching literature, Patricia Meyer Spacks embarked on a year-long project of rereading dozens of novels: childhood favorites, fiction first encountered in young adulthood and never before revisited, books frequently reread, canonical works of literature she was supposed to have liked but didn’t, guilty pleasures (books she oughtn’t to have liked but did), and stories reread for fun vs. those read for the classroom. On Rereading records the sometimes surprising, always fascinating, results of her personal experiment. Spacks addresses a number of intriguing questions raised by the purposeful act of rereading: Why do we reread novels when, in many instances, we can remember the plot? Why, for example, do some lovers of Jane Austen’s fiction reread her novels every year (or oftener)? Why do young children love to hear the same story read aloud every night at bedtime? And why, as adults, do we return to childhood favorites such as The Hobbit, Alice in Wonderland, and the Harry Potter novels? What pleasures does rereading bring? What psychological needs does it answer? What guilt does it induce when life is short and there are so many other things to do (and so many other books to read)? Rereading, Spacks discovers, helps us to make sense of ourselves. It brings us sharply in contact with how we, like the books we reread, have both changed and remained the same.
| Author | : Miranda B. Hickman |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 9780814252369 |
Addressing the work of New Critics such as Ransom, Cleanth Brooks, and Robert Penn Warren and reevaluates the New Critical corpus, tracing its legacy, and exploring resources it might offer for the future of theory, criticism, and pedagogy.
| Author | : Kevin J. H. Dettmar |
| Publisher | : University of Michigan Press |
| Total Pages | : 406 |
| Release | : 1992 |
| Genre | : Literary Collections |
| ISBN | : 9780472102907 |
Leading scholars speculate on the postmodern aspects of modernist literature
| Author | : Lisa Rado |
| Publisher | : Routledge |
| Total Pages | : 387 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 0415524121 |
Until about 1986, feminists generally considered modernism a reactionary, misogynist, and hegemonic mire not worth investigating. Since then enough studies of modernism have appeared that 17 feminist critics can now review and debate their treatment of the period. They evaluate the progress and goals of the new era of modernist scholarship. As the authors in this volume suggest, instead of condemning writers for not practicing or portraying an acceptable politics of gender, we ought instead to show how their assumptions about the nature of the sexes inform their texts, both in their creation and in their reception. This also allows examination of the complex and changing relationship between human subjectivity and aesthetics. This volume is a highly reflective dialogue, introspective and evaluative, at a moment of crisis within modernist studies and feminist studies. The analysis of critical work on early-twentieth-century literature not only helps reread and redefine a definition of modernism; it also intends to redirect and reintegrate feminist theory.
| Author | : John Crowe Ransom |
| Publisher | : Praeger |
| Total Pages | : 339 |
| Release | : 1979 |
| Genre | : Literary Criticism |
| ISBN | : 9780837190792 |
| Author | : Vivian Gornick |
| Publisher | : Macmillan + ORM |
| Total Pages | : 136 |
| Release | : 2020-02-04 |
| Genre | : Literary Criticism |
| ISBN | : 0374716609 |
A New York Times Book Review Editors' Choice. One of Library Journal's Best Books of 2020. One of our most beloved writers reassess the electrifying works of literature that have shaped her life I sometimes think I was born reading . . . I can’t remember the time when I didn’t have a book in my hands, my head lost to the world around me. Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick’s celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading—and re-reading—as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence’s Sons and Lovers, assesses womanhood in Colette’s The Vagabond and The Shackle, and considers the veracity of memory in Marguerite Duras’s The Lover. She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen’s prose, and soaks in Natalia Ginzburg, “a writer whose work has often made me love life more.” After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing’s Particularly Cats. Guided by Gornick’s trademark verve and insight, Unfinished Business is a masterful appreciation of literature’s power to illuminate our lives from a peerless writer and thinker who “still read[s] to feel the power of Life with a capital L.”
| Author | : Leonard Cassuto |
| Publisher | : Stanford University Press |
| Total Pages | : 316 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780804735162 |
Jack London has long been recognized as one of the most colorful figures in American literature. He is Americas most widely translated author (into more than eighty languages), and although his works have been neglected until recently by academic critics in the United States, he is finally winning recognition as a major figure in American literary history. The breadth and depth of new critical study of Londons work in recent decades attest to his newfound respectability. London criticism has moved beyond a traditional concerns of realism and naturalism as well as beyond the timeworn biographical focus to engage such theoretical approaches as race, gender, class, post-structuralism, and new historicism. The range and intellectual energy of the essays collected here give the reader a new sense of Londons richness and variety, especially his treatment of diverse cultures. Having in the past focused more on Londons personal "world, we are now afforded an opportunity to look more closely at his art and the numerous worlds it uncovers.
| Author | : Jo Walton |
| Publisher | : Macmillan + ORM |
| Total Pages | : 488 |
| Release | : 2014-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 1466844094 |
“A remarkable guided tour through the field—a kind of nonfiction companion to Among Others. It’s very good. It’s great.” —Cory Doctorow, Boing Boing As any reader of Jo Walton’s Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic re-reader of books. In 2008, then-new science-fiction mega-site Tor.com asked Walton to blog regularly about her re-reading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor.com. Now this volumes presents a selection of the best of them, ranging from short essays to long reassessments of some of the field’s most ambitious series. Among Walton’s many subjects here are the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by “mainstream”; the underappreciated SF adventures of C. J. Cherryh; the field’s many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie’s Midnight’s Children; the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read. Over 130 essays in all, What Makes This Book So Great is an immensely readable, engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers. “For readers unschooled in the history of SF/F, this book is a treasure trove.” —Publishers Weekly (starred review)
| Author | : Ellen Greene |
| Publisher | : Univ of California Press |
| Total Pages | : 276 |
| Release | : 1996 |
| Genre | : Fiction |
| ISBN | : 9780520206038 |
The essays in this volume review the seemingly endless permutations wrought on Sappho through centuries of readings and re-writings.
| Author | : David Kurnick |
| Publisher | : Columbia University Press |
| Total Pages | : 151 |
| Release | : 2022-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 0231550650 |
The Savage Detectives elicits mixed feelings. An instant classic in the Spanish-speaking world upon its 1998 publication, a critical and commercial smash on its 2007 translation into English, Roberto Bolaño’s novel has also been called an exercise in 1970s nostalgia, an escapist fantasy of a romanticized Latin America, and a publicity event propped up by the myth of the bad-boy artist. David Kurnick argues that the controversies surrounding Bolaño’s life and work have obscured his achievements—and that The Savage Detectives is still underappreciated for the subtlety and vitality of its portrait of collective life. Kurnick explores The Savage Detectives as an epic of social structure and its decomposition, a novel that restlessly moves between the big configurations—of states, continents, and generations—and the everyday stuff—parties, jobs, moods, sex, conversation—of which they’re made. For Kurnick, Bolaño’s book is a necromantic invocation of life in history, one that demands surrender as much as analysis. Kurnick alternates literary-critical arguments with explorations of the novel’s microclimates and neighborhoods—the little atmospheric zones where some of Bolaño’s most interesting rethinking of sexuality, politics, and literature takes place. He also claims that The Savage Detectives holds particular interest for U.S. readers: not because it panders to them but because it heralds the exhilarating prospect of a world in which American culture has lost its presumptive centrality.
