Representative Plays Of Florencio Sanchez
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Author | : Willis Knapp Jones |
Publisher | : University of Texas Press |
Total Pages | : 626 |
Release | : 2014-07-24 |
Genre | : Performing Arts |
ISBN | : 1477300163 |
Across a five-hundred-year sweep of history, Willis Knapp Jones surveys the native drama and the Spanish influence upon it in nineteen South American countries, and traces the development of their national theatres to the 1960s. This volume, filled with a fascinating array of information, sparkles with wit while giving the reader a fact-filled course in the history of Spanish American drama that he can get nowhere else. This is the first book in English ever to consider the theatre of all the Spanish American countries. Even in Spanish, the pioneer study that covers the whole field was also written by Jones. Jones sees the history of a nation in the history of its drama. Pre-Columbian Indians, conquistadores, missionary priests, viceroys, dictators, and national heroes form a background of true drama for the main characters here—those who wrote and produced and acted in the make-believe drama of the times. The theatre mirrors the whole life of the community, Jones believes, and thus he offers information about geography, military events, and economics, and follows the politics of state and church through dramatists’ offerings. Examining the plays of a people down the centuries, he shows how the many cultural elements of both Old and New Worlds have been blended into the distinct national characteristics of each of the Spanish American countries. He does full justice to the subject he loves. A lively storyteller, he adds tidbits of spice and laughter, long-buried vignettes of history, tales of politics and drama, stories of high and low life, plots of plays, bits of verse, accounts of dalliance and of hard work, and sad and happy endings of rulers and peons, dramatists, actors, and clowns. A valuable appendix is a selected reading guide, listing the outstanding works of important Spanish American dramatists. A generous bibliography is a useful addition for scholars.
Author | : United States. Congress. House |
Publisher | : |
Total Pages | : 2160 |
Release | : 1962 |
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Author | : United States. Congress. Senate. Committee on Appropriations |
Publisher | : |
Total Pages | : 1574 |
Release | : 1962 |
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Author | : United States. Congress. House. Committee on Appropriations |
Publisher | : |
Total Pages | : 2110 |
Release | : 1962 |
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Author | : United States. Congress. Senate. Appropriations Committee |
Publisher | : |
Total Pages | : 846 |
Release | : 1962 |
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Author | : |
Publisher | : |
Total Pages | : 640 |
Release | : 1971 |
Genre | : Latin American drama |
ISBN | : |
Author | : United States. Congress. House. Committee on Appropriations |
Publisher | : |
Total Pages | : 1360 |
Release | : 1963 |
Genre | : |
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Author | : Foreign Service Institute (U.S.). Center for Area and Country Studies |
Publisher | : |
Total Pages | : 44 |
Release | : 1969 |
Genre | : Latin America |
ISBN | : |
Author | : Christina Civantos |
Publisher | : SUNY Press |
Total Pages | : 285 |
Release | : 2006-06-01 |
Genre | : Literary Criticism |
ISBN | : 0791466027 |
Summary Examines the presence of Arabs and the Arab world in nineteenth- and twentieth-century Argentine literature by juxtaposing works by Argentines of European descent and those written by Arab immigrants in Argentina. Between Argentines and Arabs is a groundbreaking contribution to two growing fields: the study of immigrants and minorities in Latin America and the study of the Arab diaspora. As a literary and cultural study, this book examines the textual dialogue between Argentines of European descent and Arab immigrants to Argentina from the mid-1800s to the mid-1900s. Using methods drawn from literary analysis and cultural studies, Christina Civantos shows that the Arab presence is twofold: the Arab and the Orient are an imagined figure and space within the texts produced by Euro-Argentine intellectuals; and immigrants from the Arab world are an actual community, producing their own texts within the multiethnic Argentine nation. This book is both a literary historyof Argentine Orientalist literature and Arab-Argentine immigrant literatureand a critical analysis of how the formation of identities in these two bodies of work is interconnected.
Author | : Victoria Lynn Garrett |
Publisher | : Springer |
Total Pages | : 232 |
Release | : 2018-09-17 |
Genre | : Social Science |
ISBN | : 3319926977 |
This book examines the prolific and widely-attended popular theater boom of the género chico criollo in the context of Argentina’s modernization. Victoria Lynn Garrett examines how selected plays mediated the impact of economic liberalism, technological changes, new competing and contradictory gender roles, intense labor union activity, and the foreign/nativist dichotomy. Popular theaters served as spaces for cultural agency by portraying conventional and innovative performances of daily life. This dramatic corpus was a critical mass cultural medium that allowed audiences to evaluate the dominant fictions of liberal modernity, to critique Argentina’s purportedly democratic culture, and to imagine alternative performances of everyday life in accordance with their realities. Through a fresh look at the relationship among politics, economics, popular culture, and performance in Argentina’s modernization period, the book uncovers largely overlooked articulations of popular-class identities and desires for greater inclusion that would drive social and political struggles to this day.