Representation Heterodoxy And Aesthetics
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| Author | : Ashley Marshall |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 281 |
| Release | : 2014-12-23 |
| Genre | : Literary Criticism |
| ISBN | : 1611495350 |
The chapters constituting this book are different in subject and method, striking testimony to the range of Paulson’s interests and the versatility of his critical powers. In his prolific career he has produced extensive analysis of art, poetry, fiction, and aesthetics produced in England between 1650 and 1830. Paulson’s unique contribution has to do with his understanding of “seeing” and “reading” as closely related enterprises, and “popular” forms in art and literature as intimately connected—connections illustrated by literary critics and art historians here. Every essay shares some of the concerns and methods that characterize Paulson’s wonderfully idiosyncratic thought—except for the final essay, an attempt systematically to analyze Paulson’s critical principles and methods. Recurrent themes are a concern with satire in the eighteenth century; a connection between verbal and visual reading; an insistence on the importance of individual artistic choices to the history of culture; an attention to the aims and motives of individual makers of art; and a sensitivity to the crucial links between high and low art. This volume offers rich explorations of a range of subjects: Swift’s relationship to Congreve; Zoffany’s condemnation of Gillray and Hogarth, and broader implications for the role of art in public discourse; the presentation of mourning in the work of the Welsh artist and writer Edward Pugh; G. M. Woodward’s “Coffee-House Characters,” representing a turn from satire on morals towards satire on manners; Adam Smith’s evolving aesthetic program; Samuel Richardson’s notions of social reading. The discussions represent a variety of exemplifications of the Paulsonesque, showing a concern with satiric representation in mixed media, with different forms of heterodoxy and iconoclasm, and with the values of producers of popular and polite culture in this period.
| Author | : Clive D. Field |
| Publisher | : Oxford University Press |
| Total Pages | : 329 |
| Release | : 2019-10-31 |
| Genre | : Social Science |
| ISBN | : 0192588567 |
Moving beyond the (now somewhat tired) debates about secularization as paradigm, theory, or master narrative, Periodizing Secularization focuses upon the empirical evidence for secularization, viewed in its descriptive sense as the waning social influence of religion, in Britain. Particular emphasis is attached to the two key performance indicators of religious allegiance and churchgoing, each subsuming several sub-indicators, between 1880 and 1945, including the first substantive account of secularization during the fin de siècle. A wide range of primary sources is deployed, many of them relatively or entirely unknown, and with due regard to their methodological and interpretative challenges. On the back of them, a cross-cutting statistical measure of 'active church adherence' is devised, which clearly shows how secularization has been a reality and a gradual, not revolutionary, process. The most likely causes of secularization were an incremental demise of a Sabbatarian culture (coupled with the associated emergence of new leisure opportunities and transport links) and of religious socialization (in the church, at home, and in the school). The analysis is also extended backwards, to include a summary of developments during the eighteenth and early nineteenth centuries; and laterally, to incorporate a preliminary evaluation of a six-dimensional model of 'diffusive religion', demonstrating that these alternative performance indicators have hitherto failed to prove that secularization has not occurred. The book is designed as a prequel to the author's previous volumes on the chronology of British secularization - Britain's Last Religious Revival? (2015) and Secularization in the Long 1960s (2017). Together, they offer a holistic picture of religious transformation in Britain during the key secularizing century of 1880-1980.
| Author | : James Bryant Reeves |
| Publisher | : Cambridge University Press |
| Total Pages | : 297 |
| Release | : 2020-07-09 |
| Genre | : Literary Criticism |
| ISBN | : 1108835902 |
Documents eighteenth-century literary representations of atheism, arguing that opposition to atheism generated unique forms of religious belief.
| Author | : James Walters |
| Publisher | : Boydell & Brewer |
| Total Pages | : 233 |
| Release | : 2022 |
| Genre | : History |
| ISBN | : 1783276045 |
Examines how the form and function of the Covenants were shorn of religious implications and repurposed, serving a pluralistic vision of the role of religion in politics and public life. Until now, scholarship on the Covenants has mainly focussed on their role in the conflicts of the 1640s, with discussion of the Covenants after 1660 mostly limited to the context of violent Scottish radicalism. This book moves beyond a rigid focus on Scotland to explore the legacy of the Covenants in England. It examines the discourse surrounding key events in the Restoration period and traces the influence of the Covenants in the context of radical Presbyterianism, and in mainstream debates around politics, church government, and the constitution of the British kingdoms. The Covenants continued to have relevance in two primary respects. Firstly, the Covenants were used as reference points for discussing the competing legacies of the English and Scottish Reformations and the confused issues of church and state that defined the Restoration period. Furthermore, the form of the Covenants as solemn individual subscriptions to a constitutional and religious model, and the political ideas that underpinned them, were emulated by those seeking to resist royal authority during the Exclusion Crisis of 1679-81, and during the events surrounding the Revolution of 1688. Thus, this book holds particular interest for students of constitutionalism, legal pluralism or civil religion in seventeenth-century Britain, and for those seeking to deepen their understanding of the intellectual origins of the Wars of the Three Kingdoms and the Revolution of 1688-9.
| Author | : Jason J. Gulya |
| Publisher | : Springer Nature |
| Total Pages | : 107 |
| Release | : 2022-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 303119036X |
This Palgrave Pivot argues for the significance of allegory in Enlightenment writing. While eighteenth-century allegory has often been dismissed as an inadequate form, both in its time and in later scholarship, this short book reveals how Enlightenment writers adapted allegory to the cultural changes of the time. It examines how these writers analyzed earlier allegories with scientific precision and broke up allegory into parts to combine it with other genres. These experimentations in allegory reflected the effects of empiricism, secularization and a modern aesthetic that were transforming Enlightenment culture. Using a broad range of examples – including classics of the genre, eighteenth-century texts and periodicals – this book argues that the eighteenth century helped make allegory the flexible, protean literary form it is today.
| Author | : Noël Carroll |
| Publisher | : John Wiley & Sons |
| Total Pages | : 432 |
| Release | : 2009-02-09 |
| Genre | : Philosophy |
| ISBN | : 140515201X |
Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout
| Author | : Martin Greve |
| Publisher | : Ergon Verlag |
| Total Pages | : 222 |
| Release | : 2020-04-30 |
| Genre | : Social Science |
| ISBN | : 3956506413 |
In diesem Band werden die ästhetischen und performativen Dimensionen des alevitischen Kulturerbes in Vergangenheit und Gegenwart in einem interdisziplinären Rahmen untersucht. Die Beiträge analysieren traditionelle wie gegenwärtige Entwicklungen im alevitischen Kulturleben, lokale wie transnationale Praktiken und berücksichtigen dabei Textquellen, moderne Adaptionen wie auch Materialität. Die Herangehensweisen der in unterschiedlichen Fachbereichen tätigen AutorInnen – darunter Robert Langer, Nicolas Elias, Sinibaldo De Rosa, Jérôme Cler, Judith Haug und Janina Karolewski – belegen die Komplexität der sozio-historischen und sozio-kulturellen Dynamiken. Der vorliegende Band soll Zugang gewähren zu einer komplexen Thematik, die zweifellos weitere Forschungen und Analysen verdient.
| Author | : Edward H. Huijbens |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 265 |
| Release | : 2021-02-19 |
| Genre | : Social Science |
| ISBN | : 1527566439 |
The book SENSI/ABLE SPACES focuses on the ways in which space, art and the environment interlace and interact, dealing with the perception and conception of spaces in the built as well as natural environment. The book brings together a wide range of academics, from the physical sciences, social sciences and humanities, as well as artists who have an interest in the way space is sensed, understood and reconfigured. Spaces today are continually being reconstituted and reformulated in various ways, often relying on notions of what is sensible, narrowly defined by groups with an ideological agenda of some kind or vested economic interests. These sensible factors often obscure and ignore notions of the sensable-that which people perceive through the senses while being-in spaces. Space is a topic equally of various academic fields, such as geography, philosophy, sociology, anthropology, physics, bilology, and many more. But space is also the subject of - or a frame for - any artist, whose work is neither academic, in any standard sense of the term, and yet heavily theoretical or speculative.
| Author | : James O. Young |
| Publisher | : McGraw Hill Professional |
| Total Pages | : 400 |
| Release | : 2005 |
| Genre | : Philosophy |
| ISBN | : 9780415338943 |
This collection brings together classic and contemporary writings on the philosophy of art. All of the various artistic genres are addressed, with sections on film, dance and architecture as well as music, literature and the visual arts.
| Author | : Simon Parker |
| Publisher | : Routledge |
| Total Pages | : 241 |
| Release | : 2010-11-02 |
| Genre | : Political Science |
| ISBN | : 1134214308 |
Traditionally, the study of ‘power in the city’ was confined to the institutions of urban government and the actors involved in contesting and making political decisions in and for metropolitan societies. Increasingly, however, attention has turned to the function of the city not only as a centre of urban governance but as a major economic, social, cultural and strategic force in its own right. Cities, Politics and Power combines this traditional concern with how the cities in which we live are organized and run with a broader focus on cities and urban regions as multiple sites and agents of power. This book is divided into five sections, with a short introduction outlining the argument and organisation of the text. Part two charts the development of the urban polity and considers the ways in which coercion and force continue to be used to segregate, oppress and annihilate urban populations. Part three critically examines the key collective actors and processes that compete for and organise political power within cities, and how urban governance operates and interacts with lesser and greater scales of government and networks of power. Part four then explores the ways in which ‘the political’ is constituted by urban inhabitants, and how social identity, information and communication networks, and the natural and built environment all comprise intersecting fields of urban power. The conclusion calls for a broader theoretical and thematic approach to the study of urban politics. This book makes extensive use of comparative and historical case studies, providing broad coverage of politics and urban movements in both the Global North and the Global South, with a particular focus on the UK, USA, Canada, Latin America and China. It is written in an accessible and lucid style and provides suggestions for further reading at the end each chapter.
