Delphi Complete Works of Pierre-Auguste Renoir (Illustrated)
Author | : Pierre-Auguste Renoir |
Publisher | : Delphi Classics |
Total Pages | : 1682 |
Release | : 2015-01-28 |
Genre | : Art |
ISBN | : 1910630748 |
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Author | : Pierre-Auguste Renoir |
Publisher | : Delphi Classics |
Total Pages | : 1682 |
Release | : 2015-01-28 |
Genre | : Art |
ISBN | : 1910630748 |
Author | : Barnes Foundation |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Painting |
ISBN | : 9780300151008 |
A spectacular survey of the world's most comprehensive collection of works by the Impressionist master Renoir The Barnes Foundation is home to the world's largest collection of paintings by Pierre-Auguste Renoir (1841-1919). Dr. Albert C. Barnes, a Philadelphia scientist who made his fortune in pharmaceuticals, established the Foundation in 1922 in Merion, Pennsylvania, as an educational institution devoted to the appreciation of the fine arts. A passionate supporter of European modernism, Barnes built a collection that was virtually unrivaled, with massive holdings by Paul Cézanne, Henri Matisse, and Pablo Picasso. But it was Renoir that Barnes admired above all other artists; he thought of him as a god and collected his work tenaciously, amassing 181 works by the painter between 1912 and 1942. All of these Renoirs are included in this lavishly illustrated book. Renoir in the Barnes Foundation tells the fascinating story of Barnes's obsession with the Impressionist master's late works, while offering illuminating new scholarship on the works themselves. Authors Martha Lucy and John House look closely at the key paintings in the collection, placing them in the wider contexts of contemporary artistic, aesthetic, and theoretical debates. The first volume to publish the entirety of Barnes's astonishing Renoir collection, Renoir in the Barnes Foundation is also an engaging study of the artist's critical--and often contested--role in the development of modern art. Published in association with the Barnes Foundation
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 256 |
Release | : 1985 |
Genre | : Impressionism (Art) |
ISBN | : 0870993178 |
Author | : Götz Adriani |
Publisher | : Yale University Press |
Total Pages | : 328 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780300074871 |
In an exhibition shown from 20 January to 27 May 1996, the Kunsthalle Tubingen presented a thoughtfully prepared selection of many of Renoir's most important paintings from his more than five decades of creative life. The first comprehensive, scholarly retrospective ever devoted to the artist in Germany and presented only in Tubingen, the exhibition offered a view of a significant cross-section of the painter's complete oeuvre. Each of the works exhibited is illustrated in this volume in a full-page plate. Paintings representing the full spectrum of Renoir's themes and including some of the most noteworthy works in major international collections and museums in such cities as Washington, D.C., New York, Philadelphia, Sao Paulo, Stockholm, Madrid, London, Paris, St. Petersburg, Zurich, Tokyo, Hiroshima and Berlin - all were provided on loan for the exhibition - provide enlightening insights into the work of this artistic genius.
Author | : The J. Paul Getty Museum |
Publisher | : Getty Publications |
Total Pages | : 129 |
Release | : 1996-03-14 |
Genre | : Art |
ISBN | : 0892363398 |
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Decorative Arts, Drawings, Manuscripts, Paintings, Photographs, and Sculpture and Works of Art. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 23 of the J. Paul Getty Museum Journal includes articles by John Walsh, Alison Stones, Kathleen Adler, and Jennifer Helvey.
Author | : Barbara Ehrlich White |
Publisher | : Thames & Hudson |
Total Pages | : 444 |
Release | : 2017-11-07 |
Genre | : Art |
ISBN | : 050077403X |
A major new biography of this enduringly popular artist by the world’s foremost scholar of his life and work Expertly researched and beautifully written by the world’s leading authority on Auguste Renoir’s life and work, Renoir fully reveals this most intriguing of Impressionist artists. The narrative is interspersed with more than 1,100 extracts from letters by, to, and about Renoir, 452 of which come from unpublished letters. Renoir became hugely popular despite great obstacles: thirty years of poverty followed by thirty years of progressive paralysis of his fingers. Despite these hardships, much of his work is optimistic, even joyful. Close friends who contributed money, contacts, and companionship enabled him to overcome these challenges to create more than 4,000 paintings. Renoir had intimate relationships with fellow artists (Caillebotte, Cézanne, Monet, and Morisot), with his dealers (Durand-Ruel, Bernheim, and Vollard) and with his models (Lise, Aline, Gabrielle, and Dédée). Barbara Ehrlich White’s lifetime of research informs this fascinating biography that challenges common misconceptions surrounding Renoir’s reputation. Since 1961 White has studied more than 3,000 letters relating to Renoir and gained unique insight into his personality and character. Renoir provides an unparalleled and intimate portrait of this complex artist through images of his own iconic paintings, his own words, and the words of his contemporaries. “Barbara White is a biographer of courage, seriousness and unrelenting honesty. She has read and dissected about 3,000 letters about Renoir written by him, his friends, his family, as well as the newspapers of the day. Practically every member of the Renoir family has entrusted their personal documents to her – a pledge of trust totally deserved. Whenever I am asked a question about Auguste, I write to Barbara to ask her opinion or call on her knowledge, since she has become an indisputable reference for me. She is always careful and verifies facts and contexts by every route possible. The Renoir family, and Auguste himself, are very lucky that Barbara is so passionate about her subject, and I feel personally lucky to know her. I thank her from the bottom of my heart for this work of a lifetime – a magnificent success. I am very pleased that her book has been edited by the quality editors at Thames & Hudson, as it will remain a point of reference for many generations to come.” – Sophie Renoir (great-granddaughter of Auguste Renoir, granddaughter of his eldest son Pierre, and daughter of Renoir’s grandson Claude Renoir, Jr.), June 7, 2017
Author | : Michael Bird |
Publisher | : White Lion Publishing |
Total Pages | : 227 |
Release | : 2019-10-22 |
Genre | : Art |
ISBN | : 0711241287 |
Artists’ Letters is a treasure trove of carefully selected letters written by great artists, providing the reader with a unique insight into their characters and a glimpse into their lives. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Correspondence, some of which includes sketches and drawings, is reproduced with the transcript and some background and contextual information alongside. The book brings together a collection of treasures found in letters, which in our digital age are an increasingly lost art.
Author | : André Dombrowski |
Publisher | : John Wiley & Sons |
Total Pages | : 644 |
Release | : 2021-09-14 |
Genre | : Art |
ISBN | : 1119373891 |
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Author | : Smith College. Museum of Art |
Publisher | : Hudson Hills |
Total Pages | : 344 |
Release | : 2000 |
Genre | : Architecture |
ISBN | : 9781555951832 |
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.