Renaissance Watercolours
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| Author | : Mark Evans |
| Publisher | : Victoria & Albert Museum |
| Total Pages | : 256 |
| Release | : 2020-07-07 |
| Genre | : Art |
| ISBN | : 9781851779772 |
Many of the most beautiful Renaissance portraits, botanical illustrations and landscape paintings are watercolours. Spanning the period 1450 o1640, this book considers these diverse artworks together, combining 150 paintings by Leonardo da Vinci, Albrecht Du rer, Hans Holbein, Nicholas Hilliard and Anthony Van Dyck, as well as exquisite works by less well-known figures such as Giulio Clovio, Joris Hoefnagel, Jacopo Ligozzi and Jacques le Moyne. It highlights the intellectual breadth and artistic quality of the Renaissance watercolour, a major art form that reached as far afield as the New World and the court of the Mughal emperor.
| Author | : Joy McCullough |
| Publisher | : Penguin |
| Total Pages | : 322 |
| Release | : 2018-03-06 |
| Genre | : Young Adult Fiction |
| ISBN | : 0735232121 |
"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review
| Author | : Jill Dunkerton |
| Publisher | : Yale University Press |
| Total Pages | : 414 |
| Release | : 1991-01-01 |
| Genre | : Art |
| ISBN | : 0300050828 |
"This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.
| Author | : Francis Ames-Lewis |
| Publisher | : Yale University Press |
| Total Pages | : 14 |
| Release | : 2000-01-01 |
| Genre | : Art |
| ISBN | : 9780300079814 |
Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.
| Author | : James H. Beck |
| Publisher | : HarperCollins Publishers |
| Total Pages | : 502 |
| Release | : 1981 |
| Genre | : Art |
| ISBN | : |
"This knowledgeable, useful and up-to-date survey of one of the greatest periods in Western painting, from Masaccio through Titian, covers some fifty artists and their work and includes nearly 400 illustrations integrated with the text. James Beck of Columbia University gives biographical information on each artist and discusses and analyzes his artistic style, achievement and most significant works." /
| Author | : Chris Ridgway |
| Publisher | : Blurb |
| Total Pages | : 124 |
| Release | : 2019-05-22 |
| Genre | : Photography |
| ISBN | : 9780994529718 |
"Renaissance Composition and Painting Techniques by Chris Ridgway" is a book for painters and fine artists who wish to learn the basics of composing and painting pictures in the style of the Renaissance artists. It is extensively illustrated with examples from the Renaissance masters, including Leonardo da Vinci, Albrecht Durer, Andrea Mantegna, and Raphael. Examples are given of the salient points relating to Renaissance composition and the book also provides a guide to Renaissance painting techniques such as grisaille underpainting and painting with glazes. The Appendix also contains information on drawing in perspective, silverpoint drawing, and the author's own thoughts as to what the young Leonardo da Vinci may have looked like. This book is the result of extensive research and practice by the author. He was prompted to produce the book due to a lack of available books that deal with the practical aspects of Renaissance composition for paintings. This book contains over 80 colour and 30 black and white images. It is suitable for the advanced beginner and intermediate artist. This book does not teach you how to draw. A basic ability to draw a representation of what you see in front of you is assumed.
| Author | : Michael W. Cole |
| Publisher | : Princeton University Press |
| Total Pages | : 315 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 0691198322 |
"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--
| Author | : Francis Ames-Lewis |
| Publisher | : Yale University Press |
| Total Pages | : 340 |
| Release | : 2002-01-01 |
| Genre | : Art |
| ISBN | : 9780300092950 |
At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
| Author | : Susan Foister |
| Publisher | : National Gallery London |
| Total Pages | : 304 |
| Release | : 2021-03-23 |
| Genre | : Art |
| ISBN | : 9781857096675 |
Albrecht Durer's (1471-1528) travels across Europe in the early Renaissance led to a fascinating interchange of ideas with his fellow artists, both northern and southern. This book explores Durer's extensive influence on his contemporaries and his sources of inspiration, bringing together paintings, drawings, sculptures, glass, and prints by artists he may have encountered along the way. It also examines the complex development of Durer's own status as an artist entrepreneur and innovator in artistic theory.0 Durer's journal records his pursuit of commissions and details his visits to Italy, Antwerp, Cologne, Brussels, Ghent, and Bruges. During this time he produced a trove of landscapes, portraits, and animal drawings, and studies for larger projects, such as the painting of Saint Jerome that would become his most copied work. Durer's travels informed some of his most exciting and engaging works, and their visual legacy extended far beyond his lifetime and throughout the continent.00Exhibition: The National Gallery, London, UK(06.03.?13.06.2021) / Suermondt-Ludwig Museum, Aachen, Germany (18.07.-24.10.2021).
| Author | : Ana Debenedetti |
| Publisher | : Reaktion Books |
| Total Pages | : 0 |
| Release | : 2024-11-12 |
| Genre | : Art |
| ISBN | : 9781789149289 |
A revealing look at the commercial strategy and diverse output of this canonical Renaissance artist. In this vivid account, Ana Debenedetti reexamines the life and work of Renaissance artist Sandro Botticelli through a novel lens: his business acumen. Focusing on the organization of Botticelli’s workshop and the commercial strategies he devised to make his way in Florence’s very competitive art market, Debenedetti looks with fresh eyes at the remarkable career and output of this pivotal artist within the wider context of Florentine society and culture. Uniquely, Debenedetti evaluates Botticelli’s celebrated works, like The Birth of Venus, alongside less familiar forms such as tapestry and embroidery, showing the breadth of the artist’s oeuvre and his talent as a designer across media.
