Renaissance Poetry and Drama in Context

Renaissance Poetry and Drama in Context
Author: Andrew Lynch
Publisher: Cambridge Scholars Publishing
Total Pages: 365
Release: 2009-03-26
Genre: Literary Criticism
ISBN: 1443808407

Renaissance Poetry and Drama in Context is a stimulating refereed collection of new work dedicated to Emeritus Professor Christopher Wortham of The University of Western Australia. The essays provide a rich context for the interdisciplinary study of the English Renaissance, from its medieval antecedents to its modern afterlife on stage and screen. Their up-to-date engagement with many scholarly fields - art and iconography, cartography, cultural and social history, literature, politics, theatre, and film - will ensure that this book makes a valuable contribution to contemporary Renaissance studies, with a special interest for those researching and teaching English literature and drama. The nineteen contributors include distinguished Renaissance scholars such as Ann Blake, Graham Bradshaw, Alan Brissenden, Conal Condren, Joost Daalder, Heather Dubrow, Philippa Kelly, Anthony Miller, Kay Gililand Stevenson, Robert White, and Lawrence Wright. Work on Shakespeare forms the core of this coherent collection. There are also significant essays on Magnificence, Donne, Marlowe, A Yorkshire Tragedy, Jonson, Marvell, the Ferrars of Little Gidding, and female conduct literature. hardbound with dust jacket; xii+353 pp; 18 b/w illustrations.

Renaissance Literature

Renaissance Literature
Author: Michael Payne
Publisher: Wiley-Blackwell
Total Pages: 1184
Release: 2003-02-14
Genre: Literary Criticism
ISBN: 9780631198987

Responding to the broadening of the canon in recent years, this accessible anthology balances a generous selection of familiar Renaissance figures with important texts by women writers. Includes important texts by women writers alongside more familiar Renaissance masters. Offers many key works of the period in their entirety. Introductions and annotations to the texts reflect the developments in critical and cultural theory as well as the current state of Renaissance scholarship. One of the first anthologies to include cross-references to materials available on the Internet.

A Companion to Renaissance Poetry

A Companion to Renaissance Poetry
Author: Catherine Bates
Publisher: John Wiley & Sons
Total Pages: 671
Release: 2018-02-20
Genre: Literary Criticism
ISBN: 1118585194

The most comprehensive collection of essays on Renaissance poetry on the market Covering the period 1520–1680, A Companion to Renaissance Poetry offers 46 essays which present an in-depth account of the context, production, and interpretation of early modern British poetry. It provides students with a deep appreciation for, and sensitivity toward, the ways in which poets of the period understood and fashioned a distinctly vernacular voice, while engaging them with some of the debates and departures that are currently animating the discipline. A Companion to Renaissance Poetry analyzes the historical, cultural, political, and religious background of the time, addressing issues such as education, translation, the Reformation, theorizations of poetry, and more. The book immerses readers in non-dramatic poetry from Wyatt to Milton, focusing on the key poetic genres—epic, lyric, complaint, elegy, epistle, pastoral, satire, and religious poetry. It also offers an inclusive account of the poetic production of the period by canonical and less canonical writers, female and male. Finally, it offers examples of current developments in the interpretation of Renaissance poetry, including economic, ecological, scientific, materialist, and formalist approaches. • Covers a wide selection of authors and texts • Features contributions from notable authors, scholars, and critics across the globe • Offers a substantial section on recent and developing approaches to reading Renaissance poetry A Companion to Renaissance Poetry is an ideal resource for all students and scholars of the literature and culture of the Renaissance period.

English Renaissance Drama

English Renaissance Drama
Author: Peter Womack
Publisher: John Wiley & Sons
Total Pages: 336
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 0470779845

The book considers the London theatrical culture which took shape in the 1570s and came to an end in 1642. Places emphasis on those plays that are readily available in modern editions and can sometimes to be seen in modern productions, including Shakespeare. Provides students with the historical, literary and theatrical contexts they need to make sense of Renaissance drama. Includes a series of short biographies of playwrights during this period. Features close analyses of more than 20 plays, each of which draws attention to what makes a particular play interesting and identifies relevant critical questions. Examines early modern drama in terms of its characteristic actions, such as cuckolding, flattering, swaggering, going mad, and rising from the dead.

Error in Shakespeare

Error in Shakespeare
Author: Alice Leonard
Publisher: Springer Nature
Total Pages: 209
Release: 2020-01-27
Genre: Literary Criticism
ISBN: 3030351807

The traditional view of Shakespeare’s mastery of the English language is alive and well today. This is an effect of the eighteenth-century canonisation of his works, and subsequently Shakespeare has come to be perceived as the owner of the vernacular. These entrenched attitudes prevent us from seeing the actual substance of the text, and the various types of error that it contains and even constitute it. This book argues that we need to attend to error to interpret Shakespeare’s disputed material text, political-dramatic interventions and famous literariness. The consequences of ignoring error are especially significant in the study of Shakespeare, as he mobilises the rebellious, marginal, and digressive potential of error in the creation of literary drama.

Shakespeare and the Italian Renaissance

Shakespeare and the Italian Renaissance
Author: Michele Marrapodi
Publisher: Routledge
Total Pages: 388
Release: 2016-04-01
Genre: Literary Criticism
ISBN: 1317056442

Shakespeare and the Italian Renaissance investigates the works of Shakespeare and his fellow dramatists from within the context of the European Renaissance and, more specifically, from within the context of Italian cultural, dramatic, and literary traditions, with reference to the impact and influence of classical, coeval, and contemporary culture. In contrast to previous studies, the critical perspectives pursued in this volume’s tripartite organization take into account a wider European intertextual dimension and, above all, an ideological interpretation of the 'aesthetics' or 'politics' of intertextuality. Contributors perceive the presence of the Italian world in early modern England not as a traditional treasure trove of influence and imitation, but as a potential cultural force, consonant with complex processes of appropriation, transformation, and ideological opposition through a continuous dialectical interchange of compliance and subversion.

Language in Colonization, Renaissance Poetry and Shakespeare

Language in Colonization, Renaissance Poetry and Shakespeare
Author: Jonathan Locke Hart
Publisher: Taylor & Francis
Total Pages: 206
Release: 2024-09-30
Genre: Literary Criticism
ISBN: 1040152090

Language is the central concern of this book. Colonization, poetry and Shakespeare – and the Renaissance itself – provide the examples. I concentrate on text in context, close reading, interpretation, interpoetics and translation with particular instances and works, examining matters of interpoetics in Renaissance poetry and prose, including epic, and the Hugo translation of Shakespeare in France and trying to bring together analysis that shows how important language is in the age of European expansion and in the Renaissance. I provide close analysis of aspects of colonization, front matter (paratext) in poetry and prose, and Shakespeare that deserve more attention. The main themes and objectives of this book are an exploration of language in European colonial texts of the “New World,” paratexts or front matter, Renaissance poetry and Shakespeare through close reading, including interpoetics (liminality), translation and key words.

Crafting Poetry Anthologies in Renaissance England

Crafting Poetry Anthologies in Renaissance England
Author: Michelle O'Callaghan
Publisher: Cambridge University Press
Total Pages: 263
Release: 2020-12-10
Genre: Language Arts & Disciplines
ISBN: 110849109X

Renaissance poetry anthologies were crafted within the book trade and re-crafted through performance, transforming Early Modern cultures of recreation.

The Alchemist: A Critical Reader

The Alchemist: A Critical Reader
Author:
Publisher: A&C Black
Total Pages: 273
Release: 2013-03-28
Genre: Literary Criticism
ISBN: 1441180591

The eponymous alchemist of Ben Jonson's quick-fire comedy is a fraud: he cannot make gold, but he does make brilliant theatre. The Alchemist is a masterpiece of wit and form about the self-delusions of greed and the theatricality of deception. This guide will be useful to a diverse assembly of students and scholars, offering fresh new ways into this challenging and fascinating play.

Guilty Creatures : Renaissance Poetry and the Ethics of Authorship

Guilty Creatures : Renaissance Poetry and the Ethics of Authorship
Author: Dennis Kezar Assistant Professor of English Vanderbilt University
Publisher: Oxford University Press, USA
Total Pages: 282
Release: 2001-04-05
Genre: Literary Criticism
ISBN: 0195349520

In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes.