Renaissance Literature And Its Formal Engagements
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Author | : M. Rasmussen |
Publisher | : Springer |
Total Pages | : 227 |
Release | : 2016-04-30 |
Genre | : Literary Criticism |
ISBN | : 113707177X |
What might a self-conscious turn to formal analysis look like in Renaissance literary studies today, after theory and the new historicism? The essays collected here address this question from a variety of critical perspectives, as part of a renewed willingness within literary and cultural studies to engage questions of form. Essays by Paul Alpers, Douglas Bruster, Stephen Cohen, Heather Dubrow, William Flesch, Joseph Loewenstein, Elizabeth Harris Sagaser, and Mark Womack, together with an introduction of Mark David Rasmussen and an afterword by Richard Strier.
Author | : Elizabeth Scott-Baumann |
Publisher | : OUP Oxford |
Total Pages | : 247 |
Release | : 2013-06-13 |
Genre | : Literary Criticism |
ISBN | : 0191664227 |
What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century? How does their reading affect women's use of particular poetic forms and what can the physical appearance of a poem, in print and manuscript, reveal about how that poem in turn was read? Forms of Engagement shows how the aesthetic qualities of early modern women's poetry emerge from the culture in which they write. It reveals previously unrecognized patterns of influence between women poets Katherine Philips, Lucy Hutchinson, and Margaret Cavendish and their peers and predecessors: how Lucy Hutchinson responded to Ben Jonson and John Milton, how Margaret Cavendish responded to Thomas Hobbes and the scientists of the early Royal Society, and how Katherine Philips re-worked Donne's lyrics and may herself have influenced Abraham Cowley and Andrew Marvell. This book places analysis of form at the centre of an historical study of women writers, arguing that reading for form is reading for influence. Hutchinson, Philips, and Cavendish were immersed in mid-seventeenth century cultural developments, from the birth of experimental philosophy, to the local and state politics of civil war and the rapid expansion of women's print publication. For women poets, reworking poetic forms such as elegy, ode, epic, and couplet was a fundamental engagement with the culture in which they wrote. By focusing on these interactions, rather than statements of exclusion and rejection, a formalist reading of these women can actually provide a more nuanced historical view of their participation in literary culture.
Author | : Allison Deutermann |
Publisher | : Manchester University Press |
Total Pages | : 420 |
Release | : 2016-05-16 |
Genre | : Literary Criticism |
ISBN | : 1526111020 |
How do the formal properties of early modern texts, together with the materials that envelop and shape them, relate to the cultural, political, and social world of their production? Formal matters: Reading the materials of English Renaissance literature answers this question by linking formalist analysis with the insights of book history. It thus represents the new English Renaissance literary historiography tying literary composition to the materials and material practices of writing. The book combines studies of familiar and lesser known texts, from the poems and plays of Shakespeare to jests and printed commonplace books. Its ten studies make important, original contributions to research on the genres of early modern literature, focusing on the involvement of literary forms in the scribal and print cultures of compilation, continuation, translation, and correspondence, as well as in matters of political republicanism and popular piety, among others. Taken together, the collection’s essays exemplify how an attention to form and matter can historicise writing without abandoning a literary focus.
Author | : Stephen P. Thompson |
Publisher | : Greenhaven Press, Incorporated |
Total Pages | : 0 |
Release | : 2001 |
Genre | : European literature |
ISBN | : 9780737704181 |
Nineteen essays examine the Renaissance period of literature, covering Italian Renaissance literature, the northern humanist movement, poetry forms, prose, and English Renaissance drama; also includes a chronology and a bibliography.
Author | : V. Theile |
Publisher | : Springer |
Total Pages | : 288 |
Release | : 2013-04-11 |
Genre | : Literary Criticism |
ISBN | : 1137010495 |
Bringing together scholars who have critically followed New Formalism's journey through time, space, and learning environment, this collection of essays both solidifies and consolidates New Formalism as a burgeoning field of literary criticism and explicates its potential as a varied but viable methodology of contemporary critical theory.
Author | : Mary Arshagouni Papazian |
Publisher | : Associated University Presse |
Total Pages | : 392 |
Release | : 2008 |
Genre | : History |
ISBN | : 9780874130256 |
This collection of 13 original essays addresses how properly to define the intersection between the sacred and profane in early modern English literature. These essays cover a variety of works published in 16th and 17th century England, as well as a variety of genres.
Author | : Michelle M. Dowd |
Publisher | : Springer |
Total Pages | : 269 |
Release | : 2009-04-13 |
Genre | : Literary Criticism |
ISBN | : 0230620396 |
Dowd investigates literature's engagement with the gendered conflicts of early modern England by examining the narratives that seventeenth-century dramatists created to describe the lives of working women.
Author | : David Houston Wood |
Publisher | : Routledge |
Total Pages | : 210 |
Release | : 2016-02-24 |
Genre | : Literary Criticism |
ISBN | : 1317010124 |
Exploiting a link between early modern concepts of the medical and the literary, David Houston Wood suggests that the recent critical attention to the gendered, classed, and raced elements of the embodied early modern subject has been hampered by its failure to acknowledge the role time and temporality play within the scope of these admittedly crucial concerns. Wood examines the ways that depictions of time expressed in early modern medical texts reveal themselves in contemporary literary works, demonstrating that the early modern recognition of the self as a palpably volatile entity, viewed within the tenets of contemporary medical treatises, facilitated the realistic portrayal of literary characters and served as a structuring principle for narrative experimentation. The study centers on four canonical, early modern texts notorious among scholars for their structural- that is, narrative, or temporal- difficulties. Wood displays the cogency of such analysis by working across a range of generic boundaries: from the prose romance of Philip Sidney's Arcadia, to the staged plays of William Shakespeare's Othello and The Winter's Tale, to John Milton's stubborn reliance upon humoral theory in shaping his brief epic (or closet drama), Samson Agonistes. As well as adding a new dimension to the study of authors and texts that remain central to early modern English literary culture, the author proposes a new method for analyzing the conjunction of character emotion and narrative structure that will serve as a model for future scholarship in the areas of historicist, formalist, and critical temporal studies.
Author | : Hugh Grady |
Publisher | : Cambridge University Press |
Total Pages | : 273 |
Release | : 2009-08-13 |
Genre | : Literary Criticism |
ISBN | : 0521514754 |
This book examines Shakespeare's plays and defines specific Shakespearean aesthetic practices in his use of desire, death and mourning.
Author | : Lara Dodds |
Publisher | : U of Nebraska Press |
Total Pages | : 375 |
Release | : 2022-05 |
Genre | : Literary Criticism |
ISBN | : 1496231538 |
This volume examines the relationship between gender and form in early modern women's writing by exploring women's debts to and appropriations of different literary genres and offering practical suggestions for the teaching of women's texts.