Renaissance Faces
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Author | : Lorne Campbell |
Publisher | : National Gallery London |
Total Pages | : 312 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
"This survey traces the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. Both regions developed their own distinct styles and techniques, but each was influenced by the other. Focusing on the relationship between artists of the north and south, renowned specialists analyse the notion of likeness - at that time based not only on accurate reference to posterity, but incorporating all aspects of human life, including propaganda, power, courtship, love, family, ambition and hierarchy. Essays and individual catalogue entries present new research on works by some of the greatest portraitists of the period, including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Durer, Jan van Eyck, Hans Holbein and Titan, all magnificently illustrated."--Jacket.
Author | : Natalie Zemon Davis |
Publisher | : Walters Art Gallery |
Total Pages | : 143 |
Release | : 2012 |
Genre | : Africans in art |
ISBN | : 9780911886788 |
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
Author | : Patricia Lee Rubin |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 434 |
Release | : 2011 |
Genre | : Art, Italian |
ISBN | : 1588394255 |
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.
Author | : Joseph Campana |
Publisher | : |
Total Pages | : 140 |
Release | : 2005-11 |
Genre | : Literary Criticism |
ISBN | : |
In Joseph Campana's debut collection, starring Audrey Hepburn, icons of public consumption speak in the language of private devotion. Encourage emulation. Inspire idolatry. Be a muse, be a nymph, be a sprite, bewitch me. Rise from obscurity. Set trends. Break habits. Make statements. Count blessings. Distribute kindnesses. Arouse devotion. Devote yourself to nobility. Ascend, ascend, ascend. -from "How to Be a Star"
Author | : Adam S. Wilkins |
Publisher | : Harvard University Press |
Total Pages | : 482 |
Release | : 2017-01-02 |
Genre | : Science |
ISBN | : 0674974484 |
Humans possess the most expressive faces in the animal kingdom. Adam Wilkins presents evidence ranging from the fossil record to recent findings of genetics, molecular biology, and developmental biology to reconstruct the fascinating story of how the human face evolved. Beginning with the first vertebrate faces half a billion years ago and continuing to dramatic changes among our recent human ancestors, Making Faces illuminates how the unusual characteristics of the human face came about—both the physical shape of facial features and the critical role facial expression plays in human society. Offering more than an account of morphological changes over time and space, which rely on findings from paleontology and anthropology, Wilkins also draws on comparative studies of living nonhuman species. He examines the genetic foundations of the remarkable diversity in human faces, and also shows how the evolution of the face was intimately connected to the evolution of the brain. Brain structures capable of recognizing different individuals as well as “reading” and reacting to their facial expressions led to complex social exchanges. Furthermore, the neural and muscular mechanisms that created facial expressions also allowed the development of speech, which is unique to humans. In demonstrating how the physical evolution of the human face has been inextricably intertwined with our species’ growing social complexity, Wilkins argues that it was both the product and enabler of human sociality.
Author | : Tony McHugh |
Publisher | : Routledge |
Total Pages | : 206 |
Release | : 2016-04-15 |
Genre | : Social Science |
ISBN | : 1317136934 |
Drawing on studies of surface topography, image editing, and diagnostic and surgical experience, Faces Inside and Outside the Clinic addresses the notion of ’truth’ in what are considered to be ’right’ and ’wrong’ faces, whether in clinical cosmetic procedures or in specific sociocultural contexts outside the clinic. With attention to the manner in which the human face - and often the individual herself or himself as a consequence - is physically defined, conceptually judged, numerically measured and clinically analysed, this book reveals that on closer inspection, supposedly objective and evidential ’truths’ are in fact subjective and prescriptive. Adopting a Foucauldian analysis of the ways in which ’normalising technologies’ and ’techniques’ ultimately preserve and expand upon an increasing array of ’abnormal’ facial configurations, Faces Inside and Outside the Clinic shows that when determining ’right’ and ’wrong’ faces, what happens inside the clinic is inextricably linked to what happens outside the clinic - and vice versa. As such, it will be of interest to scholars and students of social, cultural and political theory, contemporary philosophy and the social scientific study of science, health and technology.
Author | : Susan Walker |
Publisher | : Taylor & Francis |
Total Pages | : 172 |
Release | : 2000 |
Genre | : Egypt |
ISBN | : 9780415927451 |
Published in conjunction with an exhibition at The Metropolitan Museum of Art, NY, February-May 2000, the first major showing in North America of stunning painted mummy portraits that represent a confluence of ancient Egyptian and Roman cultures and the Graeco-Roman painting tradition. The catalog concentrates closely on the paintings, their artistry, and their social context and meaning. Seven contributed essays set the context. The 122 color and 23 bandw illustrations are fully discussed and described by editor Walker, who is affiliated with the British Museum. Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Bosiljka Raditsa |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 225 |
Release | : 2000 |
Genre | : Art, Renaissance |
ISBN | : 0870999532 |
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Author | : A. Riehl |
Publisher | : Springer |
Total Pages | : 262 |
Release | : 2010-05-10 |
Genre | : Social Science |
ISBN | : 0230106749 |
The Face of Queenship investigates the aesthetic, political, and gender-related meanings in representations of Elizabeth I by her contemporaries. By attending to eyewitness reports, poetry, portraiture, and discourses on beauty and cosmetics, this book shows how the portrayals of the queen s face register her contemporaries hopes, fears, hatreds, mockeries, rivalries, and awe. In its application of theories of the meaning of the face and its exploration of the early modern representation and interpretation of faces, this study argues that the face was seen as a rhetorical tool and that Elizabeth was a master of using her face to persuade, threaten, or comfort her subjects.
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.