Renaissance Drama By Women Texts And Documents
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Author | : S. P. Cerasano |
Publisher | : Psychology Press |
Total Pages | : 237 |
Release | : 1996 |
Genre | : Performing Arts |
ISBN | : 9780415098069 |
Renaissance Drama By Women is a unique volume of plays and documents. For the first time, it demonstrates the wide range of theatrical activity in which women were involved during the Renaissance period. It includes full-length plays, a translated fragment by Queen Elizabeth I, a masque, and a substantial number of historical documents. With full and up-to-date accompanying critical material, this collection of texts is an exciting and invaluable resource for use in both the classroom and research. Special features introduced by the editors include: * introductory material to each play * modernized spellings * extensive notes and annotations * biographical essays on each playwright * a complete bibliography Methodically and authoritatively edited by S.P. Cerasano and Marion Wynne-Davies, Renaissance Drama by Women is a true breakthrough for the study of women's literature and performance.
Author | : S.P. Cerasano |
Publisher | : Routledge |
Total Pages | : 463 |
Release | : 2006-11-22 |
Genre | : Literary Criticism |
ISBN | : 1134962045 |
Renaissance Drama By Women is a unique volume of plays and documents. For the first time, it demonstrates the wide range of theatrical activity in which women were involved during the Renaissance period. It includes full-length plays, a translated fragment by Queen Elizabeth I, a masque, and a substantial number of historical documents. With full and up-to-date accompanying critical material, this collection of texts is an exciting and invaluable resource for use in both the classroom and research. Special features introduced by the editors include: * introductory material to each play * modernized spellings * extensive notes and annotations * biographical essays on each playwright * a complete bibliography Methodically and authoritatively edited by S.P. Cerasano and Marion Wynne-Davies, Renaissance Drama by Women is a true breakthrough for the study of women's literature and performance.
Author | : S. P. Cerasano |
Publisher | : Routledge |
Total Pages | : 457 |
Release | : 2002-01-31 |
Genre | : Literary Criticism |
ISBN | : 1134711867 |
Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.
Author | : Simon Barker |
Publisher | : Routledge |
Total Pages | : 468 |
Release | : 2003-09-02 |
Genre | : Drama |
ISBN | : 1134661894 |
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346
Author | : Sidney L. Sondergard |
Publisher | : Susquehanna University Press |
Total Pages | : 189 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : 1575910594 |
Sharpening Her Pen demonstrates how six early modern authors exploit, or evade, a rhetorical discourse founded upon images, tropes, and dialectics of violence to secure authorization for their work as writers and empowerment for the personal agendas unique to each of them. Rhetorical violence functions both as a literary phenomenon, facilitating the polemics of each author, and as an analytical methodology enabling scholars to derive meaning from a particular organic facet of a writer's intellectual structure. The subjects of the study represent a balance between writers who have received considerable scholarly attention (Elizabeth I, Aemilia Lanyer, and Lady Mary Wroth) and those who have received relatively little (Anne Askew, Anne Dorwiche, and Lade Anne Southwell). Exercising rhetorical strategies that reflect their idiosyncrasies as intellectuals, they share a canny awareness of the persuasive power, of violence in their age as physical reality and as metaphor.
Author | : Catherine Burroughs |
Publisher | : Taylor & Francis |
Total Pages | : 745 |
Release | : 2023-09-29 |
Genre | : Performing Arts |
ISBN | : 1000815986 |
The Routledge Anthology of Women's Theatre Theory and Dramatic Criticism is the first wide-ranging anthology of theatre theory and dramatic criticism by women writers. Reproducing key primary documents contextualized by short essays, the collection situates women’s writing within, and also reframes the field’s male-defined and male-dominated traditions. Its collection of documents demonstrates women’s consistent and wide-ranging engagement with writing about theatre and performance and offers a more expansive understanding of the forms and locations of such theoretical and critical writing, dealing with materials that often lie outside established production and publication venues. This alternative tradition of theatre writing that emerges allows contemporary readers to form new ways of conceptualizing the field, bringing to the fore a long-neglected, vibrant, intelligent, deeply informed, and expanded canon that generates a new era of scholarship, learning, and artistry. The Routledge Anthology of Women's Theatrical Theory and Dramatic Criticism is an important intervention into the fields of Theatre and Performance Studies, Literary Studies, and Cultural History, while adding new dimensions to Feminist, Gender and Sexuality Studies.
Author | : Karen Raber |
Publisher | : Routledge |
Total Pages | : 536 |
Release | : 2017-05-15 |
Genre | : History |
ISBN | : 1351964909 |
Elizabeth Cary's Tragedy of Mariam, the first original drama written in English by a woman, has been a touchstone for feminist scholarship in the period for several decades and is now one of the most anthologized works by a Renaissance woman writer. Her History of ... Edward II has provided fertile ground for questions about authorship and historical form. The essays included in this volume highlight the many evolving debates about Cary's works, from their complicated generic characteristics, to the social and political contexts they reflect, to the ways in which Cary's writing enters into dialogue with texts by male writers of her time. In its critical introduction, the volume offers a thorough analysis of where Cary criticism has been and where it might venture in the future.
Author | : Arthur F. Kinney |
Publisher | : John Wiley & Sons |
Total Pages | : 648 |
Release | : 2008-04-15 |
Genre | : Literary Criticism |
ISBN | : 0470998911 |
This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.
Author | : M. Suzuki |
Publisher | : Springer |
Total Pages | : 232 |
Release | : 2011-01-19 |
Genre | : Literary Criticism |
ISBN | : 0230305504 |
During the seventeenth century, in response to political and social upheavals such as the English Civil Wars, women produced writings in both manuscript and print. This volume represents recent scholarship that has uncovered new texts as well as introduced new paradigms to further our understanding of women's literary history during this period.
Author | : Jill L Levenson |
Publisher | : Routledge |
Total Pages | : 779 |
Release | : 2017-03-27 |
Genre | : Literary Criticism |
ISBN | : 1317696182 |
The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.