Excerpt from Reminiscences of Abraham Lincoln, Vol. 2: By Distinguished Men of His Time Upon the ground, whittling sticks, and heard me, throughout, with marked attention. Hurrying on to my appointments, I saw him then no more. I never shall forget his long, ungainly person, and plain, but even then sad and thoughtful features. He was but little known to the world, but his being the husband of my old friend of earlier days caused me to look with interest upon him. I flatter myself that I sowed good seed in good ground, which, in the providence of God, produced in time good fruit. Joshua and James Speed, now famous for their associations with Lincoln, Kentuckians and natives of Jefferson County, Kentucky, were my schoolmates, and relatives of John Speed Smith, who married my eldest sister Eliza. A few years ago Joshua was in vited to deliver a lecture at Berea College, inomy county, upon Lincoln. This college, of which I and John G. Fee were the founders, is about fourteen miles from Richmond by the old buggy road. I heard Speed's lecture with great interest, and taking him in my carriage, drove him to my sister Smith's residence, about twelve miles north-east from Berea. On the route we naturally talked much of Lincoln, of which conversation I will give some account. Joshua Speed, the son of a wealthy farmer, quit Kentucky and set up a miscellaneous store in the capital of Illinois, then a'mere backwoods village. One day an awkward green stranger of great stature. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.