Remember Repeat Inhabit
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Author | : Ronojoy Sircar |
Publisher | : Bloomsbury Publishing |
Total Pages | : 200 |
Release | : 2021-12-30 |
Genre | : Philosophy |
ISBN | : 9389812607 |
Remember, Repeat, Inhabit looks at three questions in relation to the idea of the viewer: What happens when one reads someone else's reading of someone else? What happens when something repeats itself in Kieslowski's work? Is there a possibility of an ontology of space? The book attempts to understand the idea of 'viewing' from the inside, not simply as an ontological premise but definitely affected by it. Three differing contexts are looked at-a French madman's notion of the 'self', a Polish filmmaker's notion of the 'everyday' and an Indian performance artist's notion of 'memory'. Through these on-the-surface contrasting artists and texts, a particular idea of a 'viewer' emerges. This viewer is the key to an understanding of something almost elemental in the nature of the idea of 'viewing' in the contemporary context of twenty-first-century Delhi.
Author | : Amy L. Hubbell |
Publisher | : U of Nebraska Press |
Total Pages | : 294 |
Release | : 2015-06-01 |
Genre | : Literary Criticism |
ISBN | : 0803269900 |
Colonized by the French in 1830, Algeria was an important French settler colony that, unlike its neighbors, endured a lengthy and brutal war for independence from 1954 to 1962. The nearly one million Pieds-Noirs (literally “black-feet”) were former French citizens of Algeria who suffered a traumatic departure from their homes and discrimination upon arrival in France. In response, the once heterogeneous group unified as a community as it struggled to maintain an identity and keep the memory of colonial Algeria alive. Remembering French Algeria examines the written and visual re-creation of Algeria by the former French citizens of Algeria from 1962 to the present. By detailing the preservation and transmission of memory prompted by this traumatic experience, Amy L. Hubbell demonstrates how colonial identity is encountered, reworked, and sustained in Pied-Noir literature and film, with the device of repetition functioning in these literary and visual texts to create a unified and nostalgic version of the past. At the same time, however, the Pieds-Noirs’ compulsion to return compromises these efforts. Taking Albert Camus’s Le Mythe de Sisyphe and his subsequent essays on ruins as a metaphor for Pied-Noir identity, this book studies autobiographical accounts by Marie Cardinal, Jacques Derrida, Hélène Cixous, and Leïla Sebbar, as well as lesser-known Algerian-born French citizens, to analyze movement as a destabilizing and productive approach to the past.
Author | : Benjamin Kohlmann |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 313 |
Release | : 2024-01-11 |
Genre | : Literary Criticism |
ISBN | : 1501399314 |
Drawing on a global history of politicized writing, this book explores literature's utility as a mode of activism and aesthetic engagement with the political challenges of the current moment. The question of literature's 'uses' has recently become a key topic of academic and public debate. Paradoxically, however, these conversations often tend to bypass the rich history of engagements with literature's distinctly political uses that form such a powerful current of 20th- and 21st-century artistic production and critical-theoretical reflection. The Political Uses of Literature reopens discussion of literature's political and activist genealogies along several interrelated lines: As a foundational moment, it draws attention to the important body of interwar politicized literature and to debates about literature's ability to intervene in social reality. It then traces the mobilization of related conversations and artistic practices across several historical conjunctures, most notably the committed literature of the 1960s and our own present. In mapping out these geographically and artistically diverse traditions – including case studies from the Americas, Europe, Africa, India and Russia – contributors advance critical discussions in the field, making questions pertaining to politicized art newly compelling to a broader and more diverse readership. Most importantly, this volume insists on the need to think about literature's political uses today – at a time when it has become increasingly difficult to imagine any kind of political efficacy for art, even as the need to do so is growing more and more acute. Literature may not proffer easy answers to our political problems, but as this collection suggests, the writing of the 20th century holds out aesthetic resources for a renewed engagement with the dilemmas that face us now.
Author | : LOUS TRACY |
Publisher | : |
Total Pages | : 368 |
Release | : 1903 |
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Author | : Lindley MURRAY |
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Total Pages | : 358 |
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Author | : Lindley Murray |
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Author | : Lindley Murray |
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Total Pages | : 248 |
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Author | : Lindley Murray |
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Total Pages | : 242 |
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Author | : Lindley Murray |
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Total Pages | : 242 |
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Author | : Lindley Murray |
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Total Pages | : 236 |
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