Rembrandt/not Rembrandt in the Metropolitan Museum of Art
Author | : Rembrandt Harmenszoon van Rijn |
Publisher | : |
Total Pages | : 164 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
Download Rembrandt Not Rembrandt In The Metropolitan Museum Of Art full books in PDF, epub, and Kindle. Read online free Rembrandt Not Rembrandt In The Metropolitan Museum Of Art ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Rembrandt Harmenszoon van Rijn |
Publisher | : |
Total Pages | : 164 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
Author | : Rembrandt Harmenszoon van Rijn |
Publisher | : Waanders Publishers |
Total Pages | : 216 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
Rembrandt - Caravaggio highlights the two geniuses of baroque painting: Rembrandt, the pre-eminent artist of the Dutch Golden Age, and his Italian counterpart Michelangelo Merisi (also known as Il Caravaggio). Both artists are considered revolutionary innovators in Northern and Southern European art, respectively. With their origins in different painting traditions, each developed an original and striking visual language. The juxtaposition in pairs of paintings by the two artists intensifies the comparison of their work. Although they never met - Caravaggio (1571-1610) died four years after the birth of Rembrandt van Rijn (1606-1669) - many parallels can be drawn between the two master painters and their oeuvres. This is the first publication to comprehensively compare the works of Rembrandt with those of Caravaggio. Exploring the use of contrasting colors and chiaroscuro, both artists achieved unexpected realistic detail. Unsettling to their contemporaries, the realism of the works of Rembrandt and Caravaggio remains exceptionally compelling to this day. Both painters scrutinized humanity in their own way, amplifying the power and enigmatic qualities of major human themes, such as love, religion, sexuality and violence. Rembrandt and Caravaggio changed not only the course of painting, but also our perception of the world.
Author | : George S. Keyes |
Publisher | : Skira |
Total Pages | : 224 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9780847836857 |
"Published on the occasion of the exhibition Rembrandt in America, 30 October 2011-22 January 2012 at the North Carolina Museum of Art, 19 February-28 May 2012 at the Cleveland Museum of Art, and 24 June-16 September 2012 at the Minneapolis Institute of Arts"--T.p. verso.
Author | : Kathryn Calley Galitz |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 546 |
Release | : 2016-09-20 |
Genre | : Art |
ISBN | : 0847846598 |
This monumental new book is the first to celebrate the greatest and most iconic paintings from the encyclopedic collections of The Metropolitan Museum of Art, New York, one of the largest, most important, and most beloved museums in the world. This impressive volume's broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. More than 1,000 lavish color illustrations and details of 500 masterpiece paintings, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa and the Americas, and and the greatest European and North American masters. The Metropolitan Museum of Art includes and introduction and illuminating texts about each artwork written specially for this volume by Kathryn Calley Galitz, whose experience as both curator and educator at the Met makes her uniquely qualified. European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renior, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, Jasper Johns, and Warhol. The artworks are arranged in rough chronological order, without regard to geography or culture, offering a visual timeline of the history of painting, from the earliest examples on pottery jars made over five thousand years ago to canvases on which the paint has barely dried. Freed from the constraints imposed by the physical layout of the Museum, the paintings resonate anew; and this chronological framework reveals unexpected visual affinities among the works. For those wishing to experience the unparalleled breadth and depth of the Met's collection, or study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.
Author | : Stephanie Schrader |
Publisher | : Getty Publications |
Total Pages | : 162 |
Release | : 2018-03-20 |
Genre | : Art |
ISBN | : 1606065521 |
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author | : Roland E. Fleischer |
Publisher | : Penn State Press |
Total Pages | : 252 |
Release | : 1988-01-01 |
Genre | : Art |
ISBN | : 9780915773022 |
This is a study of seventeenth-century Dutch painting.
Author | : A. Hyatt Mayor |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : |
ISBN | : 9780300201246 |
Rembrandt was one of the few Dutch artists of the seventeenth century to depict scenes from the Bible. While his contemporaries painted city views, landscapes, portraits, and opulent still lifes Rembrandt deviated from his countrymen and produced a breathtaking series of paintings, drawings, and etchings of Biblical events. In these works he was more concerned with the people in the Bible and their relationships with one another than with their actions as such. He portrayed with unique intimacy those scenes that tended to explore the human condition. He was drawn to situations in which ordinary persons are transformed through contact with the divine presence, and returned time and again to the apocryphal Book of Tobit and to episodes in the life of Christ. This book was originally published in 1979 and has gone out of print. This edition is a print-on-demand version of the original book.
Author | : Hubertus von Sonnenburg |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 435 |
Release | : 1995 |
Genre | : Art |
ISBN | : 0870997548 |
Author | : Simon Schama |
Publisher | : |
Total Pages | : 750 |
Release | : 1999 |
Genre | : Artists |
ISBN | : 9780713993844 |
For Rembrandt, as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing, the wardrobe and face-paint, the full repertoire and gesture and gimace, the flutter of hands and the roll of the eyes, the belly-laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle and to console; to strike a pose or preach a sermon, to shake a fist or uncover a breast; and how to sin and how to atone. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.
Author | : Esmée Quodbach |
Publisher | : Penn State University Press |
Total Pages | : 272 |
Release | : 2014 |
Genre | : Antiques & Collectibles |
ISBN | : |
Essays by American and Dutch scholars and museum curators explore the collecting and reception of seventeenth-century Dutch painting in America, from the colonial era through the Gilded Age to today.