Reimagining Dinosaurs In Late Victorian And Edwardian Literature
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Author | : Richard Fallon |
Publisher | : Cambridge University Press |
Total Pages | : 305 |
Release | : 2021-11-04 |
Genre | : Literary Criticism |
ISBN | : 1108834000 |
Reimagining Dinosaurs argues that transatlantic popular literature was critical for transforming the dinosaur into a cultural icon between 1880 and 1920
Author | : Michael Taylor |
Publisher | : Liveright Publishing |
Total Pages | : 538 |
Release | : 2024-07-16 |
Genre | : History |
ISBN | : 1324093935 |
“Vivid with a Mesozoic bestiary” (Tom Holland), this on-the-ground, page-turning narrative weaves together the chance discovery of dinosaurs and the rise of the secular age. When the twelve-year-old daughter of a British carpenter pulled some strange-looking bones from the country’s southern shoreline in 1811, few people dared to question that the Bible told the accurate history of the world. But Mary Anning had in fact discovered the “first” ichthyosaur, and over the next seventy-five years—as the science of paleontology developed, as Charles Darwin posited radical new theories of evolutionary biology, and as scholars began to identify the internal inconsistencies of the Scriptures—everything changed. Beginning with the archbishop who dated the creation of the world to 6 p.m. on October 22, 4004 BC, and told through the lives of the nineteenth-century men and women who found and argued about these seemingly impossible, history-rewriting fossils, Impossible Monsters reveals the central role of dinosaurs and their discovery in toppling traditional religious authority, and in changing perceptions about the Bible, history, and mankind’s place in the world.
Author | : Sarah Green |
Publisher | : Cambridge University Press |
Total Pages | : 283 |
Release | : 2023-03-31 |
Genre | : Juvenile Nonfiction |
ISBN | : 1108831516 |
Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.
Author | : Dennis Denisoff |
Publisher | : Cambridge University Press |
Total Pages | : 279 |
Release | : 2021-12-16 |
Genre | : Literary Criticism |
ISBN | : 1108998348 |
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
Author | : Matthew Rowlinson |
Publisher | : Cambridge University Press |
Total Pages | : 265 |
Release | : 2024-02 |
Genre | : Literary Criticism |
ISBN | : 1009409956 |
Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.
Author | : Fraser Riddell |
Publisher | : Cambridge University Press |
Total Pages | : 297 |
Release | : 2022-04-14 |
Genre | : Literary Criticism |
ISBN | : 1108996337 |
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
Author | : Linda Hughes |
Publisher | : Cambridge University Press |
Total Pages | : 305 |
Release | : 2022-06-09 |
Genre | : Literary Criticism |
ISBN | : 1316512843 |
A vivid account of the alternative, emancipatory Germany that progressive British women writers discovered and wrote about, 1833-1910.
Author | : Alistair Robinson |
Publisher | : Cambridge University Press |
Total Pages | : 277 |
Release | : 2021-10-14 |
Genre | : Literary Criticism |
ISBN | : 1009022393 |
Vagrants were everywhere in Victorian culture. They wandered through novels and newspapers, photographs, poems and periodicals, oil paintings and illustrations. They appeared in a variety of forms in a variety of places: Gypsies and hawkers tramped the country, casual paupers and loafers lingered in the city, and vagabonds and beachcombers roved the colonial frontiers. Uncovering the rich Victorian taxonomy of nineteenth-century vagrancy for the first time, this interdisciplinary study examines how assumptions about class, gender, race and environment shaped a series of distinct vagrant types. At the same time it broaches new ground by demonstrating that rural and urban conceptions of vagrancy were repurposed in colonial contexts. Representational strategies circulated globally as well as locally, and were used to articulate shifting fantasies and anxieties about mobility, poverty and homelessness. These are traced through an extensive corpus of canonical, ephemeral and popular texts as well as a variety of visual forms.
Author | : Francesca Mackenney |
Publisher | : Cambridge University Press |
Total Pages | : 255 |
Release | : 2022-09-22 |
Genre | : Literary Criticism |
ISBN | : 1009084089 |
In the long nineteenth century, scientists discovered striking similarities between how birds learn to sing and how children learn to speak. Tracing the 'science of birdsong' as it developed from the 'ingenious' experiments of Daines Barrington to the evolutionary arguments of Charles Darwin, Francesca Mackenney reveals a legacy of thought which informs, and consequently affords fresh insights into, a canonical group of poems about birdsong in the Romantic and Victorian periods. With a particular focus on the writings of Samuel Taylor Coleridge, the Wordsworth siblings, John Clare and Thomas Hardy, her book explores how poets responded to an analogy which challenged definitions of language and therefore of what it means to be human. Drawing together responses to birdsong in science, music and poetry, her distinctive interdisciplinary approach challenges many of the long-standing cultural assumptions which have shaped (and continue to shape) how we respond to other creatures in the Anthropocene.
Author | : Lauren Gillingham |
Publisher | : Cambridge University Press |
Total Pages | : 327 |
Release | : 2023-05-31 |
Genre | : Design |
ISBN | : 1009296566 |
Lauren Gillingham reveals how a modern notion of fashion helped to transform the novel in nineteenth-century Britain.