Bellevue Cemetery Records

Bellevue Cemetery Records
Author: Bellevue Cemetery (Lawrence, Mass.)
Publisher:
Total Pages:
Release: 1854
Genre: Cemeteries
ISBN:

Index cards (1 box) containing alphabetized cards with separator cards denoting each letter, some cards including names of one family whereas others list all the last names beginning with one or more letters; legal size ms. box and magazine box vols. containing names of owners of lots, single graves, numbers and names, lots sold (1885), and other information; maps, plans, and blueprints of St. Mary's and Immaculate Conception Cemeteries; deeds and plans for the proposed cemetery in Den Rock; and plans (some hand drawn), deeds, designs, and other materials, relating to Bellevue Cemetery.

Descendants of Joseph & Prudence Parks Corey

Descendants of Joseph & Prudence Parks Corey
Author:
Publisher:
Total Pages: 733
Release: 2019
Genre: New England
ISBN: 0359622135

"'Descendants of Joseph & Prudence Parks Corey' is a book compiled & researched by their 4th great grandson, Chuck L. Rhodes. This family history beings around the year of Joseph's birth in 1762, at Rhode Island, and continues through ten generations up to 2019."--Back cover.

Eastland Families in America

Eastland Families in America
Author: Catherine Lutes Gowdy
Publisher:
Total Pages: 340
Release: 1998
Genre:
ISBN:

Joseph Eastland was born around 1620 in Wales or England. He acquired land in 1677/78 in Long Island, New York. His will lists sons Joseph, Thomas, William, John and daughter Mary. His wife had died previously. Joseph Eastland move to New Jersey and married Ann Hunt Reeve, a widow. Their son was, Joseph. Two older sons of a previous marriage were named Charles and Mark. Includes a section explaining records associated with Eastlands of African-American descent. .

Ebenezer Cemetery Company Records

Ebenezer Cemetery Company Records
Author: Ebenezer Cemetery Company (Bloomfield, Va.)
Publisher:
Total Pages:
Release: 1888
Genre: Baptists
ISBN:

Official records of Ebenezer Cemetery Company, including meetings and minutes from the years 1967-1993; treasurer's reports from the years 1965-1993; official and personal correspondence between board members and others; documents relating to programs held at the church; and a list of the Company's directors and officers from the years 1936-1992. Also included are over 400 records of grave markers and Confederate grave markers. The Ebenezer Cemetery record ledger contains documents showing a change in the lot number system, an index of grave plots (1888-1967), and a list of endowments made to the cemetery. The collection also includes oversized sketches of the New Cemetery dated 1978 and 1979, and six ledgers. The ledgers, which cover the years 1923-1966, comprise a variety of records including: lot records, receipts, disbursements, endowments, donations, bonds, expenses and dues, meeting minutes, and a caretaker's book from the years of 1923-1966. A scrapbook contains newspaper articles and images from the years 1890-1985. Some of the images found in the scrapbook include photographs of renowned painter and Airmont, Va., native, Lucien Powell (1846-1930), church events (1984), restoration of the churches (1979), and more. Separate from the scrapbook's collection of images are photographs of Baptist pastors, Dr. J.L. Dagg (1794-1884) and Dr. Isaac Lake (1837-1922). The collection also includes documentation relating to the project which earned Ebenezer Cemetery Company the Loudoun Preservation Society Award and the awarded certificate.

Grave Landscapes

Grave Landscapes
Author: James R. Cothran
Publisher: Univ of South Carolina Press
Total Pages: 391
Release: 2018-01-31
Genre: Gardening
ISBN: 1611177995

Growing urban populations prompted major changes in graveyard location, design, and use During the Industrial Revolution people flocked to American cities. Overcrowding in these areas led to packed urban graveyards that were not only unsightly, but were also a source of public health fears. The solution was a revolutionary new type of American burial ground located in the countryside just beyond the city. This rural cemetery movement, which featured beautifully landscaped grounds and sculptural monuments, is documented by James R. Cothran and Erica Danylchak in Grave Landscapes: The Nineteenth-Century Rural Cemetery Movement. The movement began in Boston, where a group of reformers that included members of the Massachusetts Horticultural Society were grappling with the city's mounting burial crisis. Inspired by the naturalistic garden style and melancholy-infused commemorative landscapes that had emerged in Europe, the group established a burial ground outside of Boston on an expansive tract of undulating, wooded land and added meandering roadways, picturesque ponds, ornamental trees and shrubs, and consoling memorials. They named it Mount Auburn and officially dedicated it as a rural cemetery. This groundbreaking endeavor set a powerful precedent that prompted the creation of similarly landscaped rural cemeteries outside of growing cities first in the Northeast, then in the Midwest and South, and later in the West. These burial landscapes became a cultural phenomenon attracting not only mourners seeking solace, but also urbanites seeking relief from the frenetic confines of the city. Rural cemeteries predated America's public parks, and their popularity as picturesque retreats helped propel America's public parks movement. This beautifully illustrated volume features more than 150 historic photographs, stereographs, postcards, engravings, maps, and contemporary images that illuminate the inspiration for rural cemeteries, their physical evolution, and the nature of the landscapes they inspired. Extended profiles of twenty-four rural cemeteries reveal the cursive design features of this distinctive landscape type prior to the American Civil War and its evolution afterward. Grave Landscapes details rural cemetery design characteristics to facilitate their identification and preservation and places rural cemeteries into the broader context of American landscape design to encourage appreciation of their broader influence on the design of public spaces.