Regarding Thomas Rowlandson 1757 1827
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Author | : Matthew Payne |
Publisher | : Paul Holberton Publishing |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9780955406355 |
This story of one of the great graphic satirists and watercolour artists of the British School is based upon a mass of new research. Rowlandson kept no diary, wrote few letters, and occurs only infrequently in the memoirs of others. Source material is not abundant. But in more than a decade's research, using church and official records, newspaper reports, contemporary accounts, sales catalogues and consideration of his pictures, the authors shed new light on Rowlandson's family background, his education and art training in London and Paris, his personal and professional associations, his travels in Britain and abroad, and the work itself. Fully illustrated, this contribution to scholarship will appeal to the general reader and specialist alike and is destined to become the standard work on this benchmark British artist.
Author | : Kate Heard |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Caricature |
ISBN | : 9781905686766 |
The absurdities of fashion, the perils of love, political machinations and royal intrigue were the daily subject matter of Thomas Rowlandson, one of the leading caricaturists of Georgian England. Rowlandson was working at a time when English satirical prints were prized by collectors across Europe. A number of the works in the exhibition were purchased by George, Prince of Wales, later Prince Regent and King George IV. Ironically the Prince was often the butt of caricaturists' jokes and sometimes tried to prevent the publication of images that he felt were particularly offensive. Through Rowlandson's drawings and prints, the exhibition examines life at the turn of the 19th century. 0Exhibition: The Queen's Gallery, Palace of Holyroodhouse, Edinburgh, UK (11.2013).
Author | : Joseph Grego |
Publisher | : |
Total Pages | : 408 |
Release | : 1880 |
Genre | : Humor |
ISBN | : |
Author | : William Combe |
Publisher | : |
Total Pages | : 400 |
Release | : 1815 |
Genre | : Artists' illustrated books |
ISBN | : |
Author | : Rudolph Ackermann |
Publisher | : |
Total Pages | : 320 |
Release | : 1904 |
Genre | : London (England) |
ISBN | : |
Author | : Jane Collier |
Publisher | : |
Total Pages | : 246 |
Release | : 1753 |
Genre | : Conduct of life |
ISBN | : |
Author | : Grolier Club |
Publisher | : |
Total Pages | : 176 |
Release | : 1916 |
Genre | : Illustrated books |
ISBN | : |
Author | : Lewis Engelbach |
Publisher | : |
Total Pages | : 472 |
Release | : 1815 |
Genre | : Campania (Italy) |
ISBN | : |
Author | : William Combe |
Publisher | : |
Total Pages | : 358 |
Release | : 1823 |
Genre | : |
ISBN | : |
Author | : EdwardH. Wouk |
Publisher | : Routledge |
Total Pages | : 297 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351553216 |
Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original 'meanings' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna's 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.