Red Guard Factionalism And The Cultural Revolution In Guangzhou Canton
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Author | : Stanley Rosen |
Publisher | : Routledge |
Total Pages | : 263 |
Release | : 2019-06-04 |
Genre | : Political Science |
ISBN | : 1000309231 |
When the Chinese Great Proletarian Cultural Revolution (GPCR) of the middle and late 1960s burst forth, the initial response both in China and the West seemed primarily to be one of mystification. The spectacle of severe splits among leaders long thought to be compatible, of armed struggles between factional units whose uniform pledges to Chairman Mao and the Party Center appeared to make their similarities greater than their differences, and of destructive Red Guards who were bent on "tearing down the old world to build a new one" was at first difficult to explain.
Author | : Guobin Yang |
Publisher | : Columbia University Press |
Total Pages | : 283 |
Release | : 2016-05-17 |
Genre | : History |
ISBN | : 0231520484 |
Raised to be "flowers of the nation," the first generation born after the founding of the People's Republic of China was united in its political outlook and at first embraced the Cultural Revolution of 1966, but then split into warring factions. Investigating the causes of this fracture, Guobin Yang argues that Chinese youth engaged in an imaginary revolution from 1966 to 1968, enacting a political mythology that encouraged violence as a way to prove one's revolutionary credentials. This same competitive dynamic would later turn the Red Guard against the communist government. Throughout the 1970s, the majority of Red Guard youth were sent to work in rural villages, where they developed an appreciation for the values of ordinary life. From this experience, an underground cultural movement was born. Rejecting idolatry, these relocated revolutionaries developed a new form of resistance that signaled a new era of enlightenment, culminating in the Democracy Wall movement of the late 1970s and the Tiananmen protest of 1989. Yang's final chapter on the politics of history and memory argues that contemporary memories of the Cultural Revolution are factionalized along these lines of political division, formed fifty years before.
Author | : Felix Wemheuer |
Publisher | : Cambridge University Press |
Total Pages | : 349 |
Release | : 2019-03-28 |
Genre | : History |
ISBN | : 1107123704 |
This new social history of Maoist China provides an accessible view of the complex and tumultuous period when China came under Communist rule.
Author | : Ji Fengyuan |
Publisher | : University of Hawaii Press |
Total Pages | : 360 |
Release | : 2003-11-30 |
Genre | : Language Arts & Disciplines |
ISBN | : 0824844688 |
When Mao and the Chinese Communist Party won power in 1949, they were determined to create new, revolutionary human beings. Their most precise instrument of ideological transformation was a massive program of linguistic engineering. They taught everyone a new political vocabulary, gave old words new meanings, converted traditional terms to revolutionary purposes, suppressed words that expressed "incorrect" thought, and required the whole population to recite slogans, stock phrases, and scripts that gave "correct" linguistic form to "correct" thought. They assumed that constant repetition would cause the revolutionary formulae to penetrate people's minds, engendering revolutionary beliefs and values. In an introductory chapter, Dr. Ji assesses the potential of linguistic engineering by examining research on the relationship between language and thought. In subsequent chapters, she traces the origins of linguistic engineering in China, describes its development during the early years of communist rule, then explores in detail the unprecedented manipulation of language during the Cultural Revolution of 1966–1976. Along the way, she analyzes the forms of linguistic engineering associated with land reform, class struggle, personal relationships, the Great Leap Forward, Mao-worship, Red Guard activism, revolutionary violence, Public Criticism Meetings, the model revolutionary operas, and foreign language teaching. She also reinterprets Mao’s strategy during the early stages of the Cultural Revolution, showing how he manipulated exegetical principles and contexts of judgment to "frame" his alleged opponents. The work concludes with an assessment of the successes and failures of linguistic engineering and an account of how the Chinese Communist Party relaxed its control of language after Mao's death.
Author | : Hans Granqvist |
Publisher | : |
Total Pages | : 184 |
Release | : 1967 |
Genre | : China |
ISBN | : |
Author | : Lowell Dittmer |
Publisher | : Univ of California Press |
Total Pages | : 348 |
Release | : 1989-01-01 |
Genre | : History |
ISBN | : 9780520065994 |
Author | : Jackie Sheehan |
Publisher | : Routledge |
Total Pages | : 352 |
Release | : 2002-09-11 |
Genre | : Social Science |
ISBN | : 1134693109 |
Jackie Sheehan traces the background and development of workers clashes with the Chinese Communist Party through mass campaigns such as the 1956-7 Hundred Flowers movement, the Cultural Revolution, the April Fifth Movement of 1976, Democracy Wall and the 1989 Democracy Movement. The author provides the most detailed and complete picture of workers protest in China to date and locates their position within the context of Chinese political history. Chinese Workers demonstrates that the image of Chinese workers as politically conformist and reliable supporters of the Communist Party does not match the realities of industrial life in China. Recent outbreaks of protest by workers are less of a departure from the past than is generally realized.
Author | : Roderick MACFARQUHAR |
Publisher | : Harvard University Press |
Total Pages | : 742 |
Release | : 2009-06-30 |
Genre | : History |
ISBN | : 0674040414 |
Explains why Mao launched the Cultural Revolution, and shows his Machiavellian role in masterminding it. This book documents the Hobbesian state that ensued. Power struggles raged among Lin Biao, Zhou Enlai, Deng Xiaoping, and Jiang Qing - Mao's wife and leader of the Gang of Four - while Mao often played one against the other.
Author | : Yiching Wu |
Publisher | : Harvard University Press |
Total Pages | : 360 |
Release | : 2014-06-09 |
Genre | : History |
ISBN | : 0674419863 |
Mao Zedong envisioned a great struggle to "wreak havoc under the heaven" when he launched the Cultural Revolution in 1966. But as radicalized Chinese youth rose up against Party officials, events quickly slipped from the government's grasp, and rebellion took on a life of its own. Turmoil became a reality in a way the Great Leader had not foreseen. The Cultural Revolution at the Margins recaptures these formative moments from the perspective of the disenfranchised and disobedient rebels Mao unleashed and later betrayed. The Cultural Revolution began as a "revolution from above," and Mao had only a tenuous relationship with the Red Guard students and workers who responded to his call. Yet it was these young rebels at the grassroots who advanced the Cultural Revolution's more radical possibilities, Yiching Wu argues, and who not only acted for themselves but also transgressed Maoism by critically reflecting on broader issues concerning Chinese socialism. As China's state machinery broke down and the institutional foundations of the PRC were threatened, Mao resolved to suppress the crisis. Leaving out in the cold the very activists who had taken its transformative promise seriously, the Cultural Revolution devoured its children and exhausted its political energy. The mass demobilizations of 1968-69, Wu shows, were the starting point of a series of crisis-coping maneuvers to contain and neutralize dissent, producing immense changes in Chinese society a decade later.
Author | : Chang-tai Hung |
Publisher | : Univ of California Press |
Total Pages | : 468 |
Release | : 2023-12-22 |
Genre | : History |
ISBN | : 0520354869 |
This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.