Recueil Factice Darticles De Presse Sur Le Theatre Doc En 1933
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The Development Of Large Technical Systems
Author | : Renate Mayntz |
Publisher | : Routledge |
Total Pages | : 238 |
Release | : 2019-07-11 |
Genre | : Social Science |
ISBN | : 1000315878 |
This book is an outcome of the conference on the development of large technical systems held in Berlin in 1986. It focuses on the comparative analysis of the development of large technical systems, particularly electrical power, railroad, air traffic, telephone, and other forms of telecommunication.
International Exchange in the Early Modern Book World
Author | : Matthew McLean |
Publisher | : Library of the Written Word |
Total Pages | : 383 |
Release | : 2016 |
Genre | : History |
ISBN | : 9789004316447 |
International Exchange in the Early Modern Book World presents new research on the movement and exchange of books between countries, languages and confessions. It explores commercial networks and business strategies, and the translation and circulation of literature, music and drama.
Bonaventura Vulcanius, Works and Networks
Author | : Hélène Cazes |
Publisher | : BRILL |
Total Pages | : 505 |
Release | : 2010-11-19 |
Genre | : Biography & Autobiography |
ISBN | : 9004192093 |
This volume gathers studies and documentation on Bonaventura Vulcanius, a versatile philologist and writer who in 1581 settled in Leiden as a Professor of Greek and Latin. It includes many unpublished texts pertaining to this mysterious figure Dutch Humanism.
The Religion of the Samek
Author | : Sigfrid Rafael KARSTEN |
Publisher | : Brill Archive |
Total Pages | : 148 |
Release | : 1955 |
Genre | : Sami (European people) |
ISBN | : |
Immersion in the Visual Arts and Media
Author | : |
Publisher | : BRILL |
Total Pages | : 401 |
Release | : 2015-10-27 |
Genre | : Language Arts & Disciplines |
ISBN | : 9004308237 |
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.