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Cinema, Colonialism, Postcolonialism
Author | : Dina Sherzer |
Publisher | : University of Texas Press |
Total Pages | : 278 |
Release | : 1996 |
Genre | : Performing Arts |
ISBN | : 9780292777033 |
In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation’s past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France’s colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic. The authors expound upon the role French and Francophone films are currently playing in reconstructing and imagining France’s colonial past. Not only do the essays examine how French cinema has represented the encounter of French citizens with individuals from former colonies during the colonial era; they examine how French cinema has portrayed and has come to terms with the cohabitation of former colonial subjects with the French in France. In addition, the book features another postcolonial facet by analyzing films of directors from the former colonies who give their own representation of colonialism and presentation of their culture. This study is a major contribution to postcolonial research. Race, gender, and geography are central themes throughout this book that presents innovative material that contributes to the history of French cinema and emphasizes how cinema participates in and is a part of national culture.
Cracking Gilles Deleuze's Crystal
Author | : Barry Nevin |
Publisher | : |
Total Pages | : 0 |
Release | : 2020-05-31 |
Genre | : Motion pictures |
ISBN | : 9781474426329 |
Reassessing the unique qualities of Renoir's influential visual style by interpreting his films through Gilles Deleuze's film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir's oeuvre.
The Classic French Cinema, 1930-1960
Author | : C. G. Crisp |
Publisher | : Indiana University Press |
Total Pages | : 522 |
Release | : 1993 |
Genre | : Motion pictures |
ISBN | : 9780253315502 |
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
The Taste for Beauty
Author | : Eric Rohmer |
Publisher | : Cambridge University Press |
Total Pages | : 238 |
Release | : 1989 |
Genre | : Performing Arts |
ISBN | : 9780521385923 |
A collection of essays by the film-maker and critic Eric Rohmer written between 1948-1979.
The French Cinema Book
Author | : Michael Temple |
Publisher | : Bloomsbury Publishing |
Total Pages | : 743 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838718869 |
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
French Cinema
Author | : Richard Abel |
Publisher | : |
Total Pages | : 672 |
Release | : 1987 |
Genre | : Business & Economics |
ISBN | : 9780691008134 |
The Description for this book, French Cinema: The First Wave, 1915-1929, will be forthcoming.
Genre, Myth, and Convention in the French Cinema, 1929-1939
Author | : C. G. Crisp |
Publisher | : Indiana University Press |
Total Pages | : 492 |
Release | : 2002 |
Genre | : Film Genres |
ISBN | : 9780253215161 |
This work identifies patterns in the fields of character, narrative, and setting in the French cinema of the early sound period.
Child of Paradise
Author | : Edward Baron Turk |
Publisher | : Harvard University Press |
Total Pages | : 518 |
Release | : 1989 |
Genre | : Biography & Autobiography |
ISBN | : 9780674114609 |
Traces the career of the influential French director and uses psychoanalytical concepts to analyze his major films.
Cinema of Paradox
Author | : Evelyn Ehrlich |
Publisher | : |
Total Pages | : 235 |
Release | : 1985-01 |
Genre | : Computers |
ISBN | : 9780231059268 |
From 1940 to 1944 the French cinema thrived both economically and artistically under the Nazi occupation. Despite the harsh and grim conditions of defeat, the French film industry produced many good films and a few enduring classics, including Carne's Children of Paradise, one of the most beloved of all French films. Cinema of Paradox reveals, for the first time in English, the difficult course of French filmmaking from the declaration of war in 1939 through four years of misery to France's liberation in 1944. Evelyn Ehrlich examines the conditions of filmmaking as they reflected the larger political, cultural, and social context within occupied France. And, using previously unexamined German documents, she also looks at the French film business from the occupier's perspective, showing how the Nazis actually encouraged the French to maintain their high cinematic standards to achieve German economic and propaganda goals. Cinema of Paradox goes beyond the old cliches about resistance films versus collaborationist films and in doing so is very much in line with new sophisticated methods of viewing the French experience in World War II. The book is filled with the famous names of the French cinema: performers such as Jean-Louis Barrault, Simone Signoret, and Harry Baur; directors including Bresson, Carne, and Clouzot; and the films themselves, including Les Dames du Bois de Boulogne and Le Corbeau. Based on interviews with French filmmakers of the period and on considerable research into French and German sources, Cinema of Paradox will be of interest not only to film historians but to those interested in the history of modern French and Jewish studies as well.