Recueil Factice Darticles De Presse Concernant Drean
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The Political Writings of Jean-Jacques Rousseau
Author | : Jean-Jacques Rousseau |
Publisher | : |
Total Pages | : 1094 |
Release | : 1915 |
Genre | : Political science |
ISBN | : |
Cinema's Conversion to Sound
Author | : Charles O’Brien |
Publisher | : Indiana University Press |
Total Pages | : 222 |
Release | : 2005-01-18 |
Genre | : Music |
ISBN | : 9780253217202 |
A groundbreaking look at the transition to sound in the French Cinema.
French National Cinema
Author | : Susan Hayward |
Publisher | : Psychology Press |
Total Pages | : 417 |
Release | : 2005 |
Genre | : Motion pictures |
ISBN | : 0415307821 |
This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.
The Classic French Cinema, 1930-1960
Author | : C. G. Crisp |
Publisher | : Indiana University Press |
Total Pages | : 522 |
Release | : 1993 |
Genre | : Motion pictures |
ISBN | : 9780253315502 |
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
Cinema, Colonialism, Postcolonialism
Author | : Dina Sherzer |
Publisher | : University of Texas Press |
Total Pages | : 278 |
Release | : 1996 |
Genre | : Performing Arts |
ISBN | : 9780292777033 |
In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation’s past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France’s colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic. The authors expound upon the role French and Francophone films are currently playing in reconstructing and imagining France’s colonial past. Not only do the essays examine how French cinema has represented the encounter of French citizens with individuals from former colonies during the colonial era; they examine how French cinema has portrayed and has come to terms with the cohabitation of former colonial subjects with the French in France. In addition, the book features another postcolonial facet by analyzing films of directors from the former colonies who give their own representation of colonialism and presentation of their culture. This study is a major contribution to postcolonial research. Race, gender, and geography are central themes throughout this book that presents innovative material that contributes to the history of French cinema and emphasizes how cinema participates in and is a part of national culture.
Grand Design
Author | : Tino Balio |
Publisher | : Univ of California Press |
Total Pages | : 500 |
Release | : 1995 |
Genre | : Business & Economics |
ISBN | : 9780520203341 |
The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.