Gustave Courbet

Gustave Courbet
Author: Georges Riat
Publisher: Parkstone Press
Total Pages: 266
Release: 2008
Genre: Art
ISBN:

Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.

Queenship in Europe 1660-1815

Queenship in Europe 1660-1815
Author: Clarissa Campbell Orr
Publisher: Cambridge University Press
Total Pages: 456
Release: 2004-08-12
Genre: Biography & Autobiography
ISBN: 9780521814225

Publisher Description

Graphic History

Graphic History
Author: Philip Benedict
Publisher: Librairie Droz
Total Pages: 454
Release: 2007
Genre: Art
ISBN: 9782600004404

The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.

The Judgment of Palaemon

The Judgment of Palaemon
Author: Philip Ford
Publisher: BRILL
Total Pages: 287
Release: 2013
Genre: History
ISBN: 9004245391

In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.