Recueil Documentation Sur Robert Schneider
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| Author | : Roger Ebert |
| Publisher | : Andrews McMeel Publishing |
| Total Pages | : 364 |
| Release | : 2007-03-01 |
| Genre | : Performing Arts |
| ISBN | : 0740792156 |
A collection of some of the Pulitzer Prize–winning film critic’s most scathing reviews, from Alex & Emma to the remake of Yours, Mine, and Ours. From Roger’s review of Deuce Bigalow: European Gigolo (0 stars): “The movie created a spot of controversy in February 2005. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the Los Angeles Times listed this year's Best Picture nominees and wrote that they were 'ignored, unloved, and turned down flat by most of the same studios that . . . bankroll hundreds of sequels, including a follow-up to Deuce Bigalow: Male Gigolo, a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic.' Schneider retaliated by attacking Goldstein in full-page ads in Daily Variety and the Hollywood Reporter. In an open letter to Goldstein, Schneider wrote: “Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind . . . . Maybe you didn’t win a Pulitzer Prize because they haven’t invented a category for Best Third-Rate, Unfunny Pompous Reporter Who’s Never Been Acknowledged by His Peers . . . .” Schneider was nominated for a 2000 Razzie Award for Worst Supporting Actor but lost to Jar-Jar Binks. But Schneider is correct, and Patrick Goldstein has not yet won a Pulitzer Prize. Therefore, Goldstein is not qualified to complain that Columbia financed Deuce Bigalow: European Gigolo while passing on the opportunity to participate in Million Dollar Baby, Ray, The Aviator, Sideways, and Finding Neverland. As chance would have it, I have won the Pulitzer Prize, and so I am qualified. Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks.” Roger Ebert’s I Hated Hated Hated This Movie, which gathered some of his most scathing reviews, was a bestseller. This collection continues the tradition, reviewing not only movies that were at the bottom of the barrel, but also movies that he found underneath the barrel.
| Author | : Judith Chandler Pugh Meyer |
| Publisher | : Librairie Droz |
| Total Pages | : 188 |
| Release | : 1996 |
| Genre | : Church and state |
| ISBN | : 9782600001151 |
| Author | : Andrew Talle |
| Publisher | : University of Illinois Press |
| Total Pages | : 339 |
| Release | : 2017-04-07 |
| Genre | : Music |
| ISBN | : 0252099346 |
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.
| Author | : |
| Publisher | : |
| Total Pages | : 156 |
| Release | : 2010 |
| Genre | : French literature |
| ISBN | : |
| Author | : Robert Somerville |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 160 |
| Release | : 2011-10-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 0199258597 |
Pope Urban II's Council of Piacenza covers an important period of medieval history: the so-called "Gregorian Reform" (roughly between 1050-1130), and one of the most important popes of the Middle Ages, Urban II (1088-99).
| Author | : Gijsbert Rutten |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 324 |
| Release | : 2019-02-21 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027262764 |
The decades around 1800 constitute the seminal period of European nationalism. The linguistic corollary of this was the rise of standard language ideology, from Finland to Spain, and from Iceland to the Habsburg Empire. Amidst these international events, the case of Dutch in the Netherlands offers a unique example. After the rise of the ideology from the 1750s onwards, the new discourse of one language–one nation was swiftly transformed into concrete top-down policies aimed at the dissemination of the newly devised standard language across the entire population of the newly established Dutch nation-state. Thus, the Dutch case offers an exciting perspective on the concomitant rise of cultural nationalism, national language planning and standard language ideology. This study offers a comprehensive yet detailed analysis of these phenomena by focussing on the ideology underpinning the new language policy, the institutionalisation of this ideology in metalinguistic discourse, the implementation of the policy in education, and the effects of the policy on actual language use.
| Author | : |
| Publisher | : |
| Total Pages | : 2116 |
| Release | : 1988-11 |
| Genre | : Canada |
| ISBN | : |
| Author | : Samuel Kline COHN |
| Publisher | : Harvard University Press |
| Total Pages | : 385 |
| Release | : 2009-06-30 |
| Genre | : History |
| ISBN | : 0674029674 |
Lust for Liberty challenges long-standing views of popular medieval revolts. Comparing rebellions in northern and southern Europe over two centuries, Samuel Cohn analyzes their causes and forms, their leadership, the role of women, and the suppression or success of these revolts. Popular revolts were remarkably common--not the last resort of desperate people. Leaders were largely workers, artisans, and peasants. Over 90 percent of the uprisings pitted ordinary people against the state and were fought over political rights--regarding citizenship, governmental offices, the barriers of ancient hierarchies--rather than rents, food prices, or working conditions. After the Black Death, the connection of the word liberty with revolts increased fivefold, and its meaning became more closely tied with notions of equality instead of privilege. The book offers a new interpretation of the Black Death and the increase of and change in popular revolt from the mid-1350s to the early fifteenth century. Instead of structural explanations based on economic, demographic, and political models, this book turns to the actors themselves--peasants, artisans, and bourgeois--finding that the plagues wrought a new urgency for social and political change and a new self- and class-confidence in the efficacy of collective action.
| Author | : Ronan Deazley |
| Publisher | : Open Book Publishers |
| Total Pages | : 438 |
| Release | : 2010 |
| Genre | : Law |
| ISBN | : 190692418X |
What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.
| Author | : Claudia Glunz |
| Publisher | : V&R unipress GmbH |
| Total Pages | : 248 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 3847103415 |
Biographische Informationen Claudia Glunz ist Mitarbeiterin des Erich Maria Remarque-Friedenszentrums an der Universität Osnabrück. Dr. Thomas F. Schneider leitet das Erich Maria Remarque-Friedenszentrums und lehrt Neuere Deutsche Literatur an der Universität Osnabrück. Reihe Krieg und Literatur / War and Literature International Yearbook on War and Anti-War Literature - Vol. XX.
