Reconstructing The Middle Ages
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| Author | : Isabel DiVanna |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 218 |
| Release | : 2008 |
| Genre | : History |
| ISBN | : |
Reconstructing the Middle Ages looks at nineteenth-century medievalism in France using as a case study Gaston Paris, philologist, literary critic and professor of medieval studies. Gaston Paris's method, traditionally seen as a combination of romanticism and positivism, exemplifies several elements of nineteenth-century medievalism in the Parisian academia in late nineteenth-century France. The text investigates Gaston Paris's theories about three medieval literary genres (epic, fabliaux, and Arthurian tales) to understand how Paris's view of medieval literature and history cross-related with nationalism at a time when France was particularly vulnerable, and at which French academics were especially eager to make a long-lasting contribution. Examining the work of Gaston Paris and his interaction with other scholars in the Parisian milieu, Reconstructing the Middle Ages offers a look at academic medievalism and the history philology, linguistics and literary and textual criticism in late nineteenth-century France. In particular, the book shows that when it comes to the self-image of France, medievalism was a topic that reached far beyond the walls of academia as it was related to national pride, memory and identity.
| Author | : Janet Coleman |
| Publisher | : Cambridge University Press |
| Total Pages | : 670 |
| Release | : 1992-01-30 |
| Genre | : History |
| ISBN | : 0521411440 |
This book is an analysis of thinking, remembering and reminiscing according to ancient authors, and their medieval readers. The author argues that behind the various medieval methods in interpreting texts of the past lie two apparently incompatible theories of human knowledge and remembering, as well as two differing attitudes to matter and intellect. The book comprises a series of studies which take ancient texts as evidence of the past, and show how medieval readers and writers understood them. The studies confirm that medieval and renaissance interpretations and uses of the past differ greatly from modern interpretation and yet betray many startling continuities between modern and ancient and medieval theories.
| Author | : Carolina Armenteros |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 210 |
| Release | : 2009-05-27 |
| Genre | : History |
| ISBN | : 1443811696 |
Reconstructing the Middle Ages looks at nineteenth-century medievalism in France using as a case study Gaston Paris, philologist, literary critic and professor of medieval studies. Gaston Paris's method, traditionally seen as a combination of romanticism and positivism, exemplifies several elements of nineteenth-century medievalism in the Parisian academia in late nineteenth-century France. The text investigates Gaston Paris's theories about three medieval literary genres (epic, fabliaux, and Arthurian tales) to understand how Paris's view of medieval literature and history cross-related with nationalism at a time when France was particularly vulnerable, and at which French academics were especially eager to make a long-lasting contribution. Examining the work of Gaston Paris and his interaction with other scholars in the Parisian milieu, Reconstructing the Middle Ages offers a look at academic medievalism and the history philology, linguistics and literary and textual criticism in late nineteenth-century France. In particular, the book shows that when it comes to the self-image of France, medievalism was a topic that reached far beyond the walls of academia as it was related to national pride, memory and identity.
| Author | : Åslaug Ommundsen |
| Publisher | : Routledge |
| Total Pages | : 347 |
| Release | : 2017-07-14 |
| Genre | : History |
| ISBN | : 1317086732 |
Much of what is known about the past often rests upon the chance survival of objects and texts. Nowhere is this better illustrated than in the fragments of medieval manuscripts re-used as bookbindings in the sixteenth and seventeenth centuries. Such fragments provide a tantalizing, yet often problematic glimpse into the manuscript culture of the Middle Ages. Exploring the opportunities and difficulties such documents provide, this volume concentrates on the c. 50,000 fragments of medieval Latin manuscripts stored in archives across the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden. This large collection of fragments (mostly from liturgical works) provides rich evidence about European Latin book culture, both in general and in specific relation to the far north of Europe, one of the last areas of Europe to be converted to Christianity. As the essays in this volume reveal, individual and groups of fragments can play a key role in increasing and advancing knowledge about the acquisition and production of medieval books, and in helping to distinguish locally made books from imported ones. Taking an imaginative approach to the source material, the volume goes beyond a strictly medieval context to integrate early modern perspectives that help illuminate the pattern of survival and loss of Latin manuscripts through post-Reformation practices concerning reuse of parchment. In so doing it demonstrates how the use of what might at first appear to be unpromising source material can offer unexpected and rewarding insights into diverse areas of European history and the history of the medieval book.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 635 |
| Release | : 2021-04-26 |
| Genre | : History |
| ISBN | : 9004395768 |
This volume provides a multidisciplinary view on the complexity of an emerging city, offering, for the first time in English, an overview of the current state of research on Vienna in the Middle Ages.
| Author | : Nora Berend |
| Publisher | : Cambridge University Press |
| Total Pages | : 549 |
| Release | : 2013-12-19 |
| Genre | : History |
| ISBN | : 0521781566 |
A groundbreaking comparative history of the formation of Bohemia, Hungary and Poland, from their origins in the eleventh century.
| Author | : O. B. Hardison Jr. |
| Publisher | : JHU Press |
| Total Pages | : 255 |
| Release | : 2019-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 1421430878 |
Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
| Author | : Clare A. Lees |
| Publisher | : U of Minnesota Press |
| Total Pages | : 228 |
| Release | : 1994 |
| Genre | : Social Science |
| ISBN | : 9780816624263 |
Since the mid-1970s men's studies, and gender studies has earned its place in scholarship. What's often missing from such studies, however, is the insight that the concept of gender in general, and that of masculinity in particular, can be understood only in relation to individual societies, examined at specific historical and cultural moments. An application of this insight, "Medieval Masculinities" is the first full-length collection to explore the issues of men's studies and contemporary theories of gender within the context of the Middle Ages. Interdisciplinary and multicultural, the essays range from matrimony in medieval Italy to bachelorhood in "Renaissance Venice", from friars and saints to the male animal in the fables of Marie de France, from manhood in "Sir Gawain and the Green Knight", "Beowulf" and the "Roman d'Eneas" to men as "other", whether Muslim or Jew, in medieval Castilian Epic and Ballad. The authors are especially concerned with cultural manifestations of masculinity that transcend this particular historical period - idealized gender roles, political and economic factors in structuring social institutions, and the impact of masculinist ideology in fostering and maintaining power. Together, these essays constitute an important reassessment of traditional assumptions within medieval studies, as well as a major contribution to the evolving study of gender.
| Author | : Stefan G. Holz |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 441 |
| Release | : 2019-12-16 |
| Genre | : Literary Collections |
| ISBN | : 3110645203 |
In the Middle Ages, rolls were ubiquitous as a writing support. While scholars have long examined the texts and images on rolls, they have rarely taken the manuscripts themselves into account. This volume readdresses this imbalance by focusing on the materiality and various usages of rolls in late medieval England and France. Researchers from England, France, Germany and Singapore demonstrate in 11 contributions how this approach can increase our understanding of the rolls and their contents, as well as the contexts in which they were produced and used.
| Author | : Richard J. Utz |
| Publisher | : Brepols Publishers |
| Total Pages | : 480 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : |
The twenty-six essays in this volume examine the process of creating the Middle Ages. In doing so, they honour Leslie Workman, who has led the revival of the study of medievalism in the past two generations, and leads this sub-discipline towards the comprehensiveness that Lord Acton as early as 1859 had promised: 'Two great principles divide the world, and contend for the mastery: antiquity and the Middle Ages. These are the two civilizations that have preceded us, the two elements of which ours is composed. All political as well as religious questions reduce themselves practically to this. This is the great dualism that runs through our society.` While using differnt approaches and discussing topics in a variety of specialised fields, the contributions clearly centre on negotiating the reception of medieval culture in the Early Modern, Modern and Contemporary periods, thus presenting a broad and representative picture of current research in medievalism. Contributors include: Tabula Gratulatoria (Leslie Workman); Richard Utz and Tom Shippey, 'Medievalism in the Modern World: Introductory Perspectives'; Theresa Ann Sears, 'The Anxiety of Authority and Medievalizing the New World'; Richard Osberg, 'Humanist Allusions and Medieval Themes: The Receyving of Queen Anne, London, 1533'; John Simons, 'Christopher Middleton and Elizabethan Medievalism'; Bernard Rosenthal, 'Medievalism and the Salem Witch Trials'; Clare Simmons, 'Absent Presence: The Romantic-Era Magna Charta and the English Constitution'; R.J. Smith, 'The Swanscombe Legend and the Historiography of Kentish Gavelkind'; David Barclay, 'Representing the Middle Ages: Court Festivals in Nineteenth-Century Prussia'; Ulrich Muller, 'Deutschland, Deutschland, Uber Alles? Walther von der Vogelweide, Hoffman von Fallersleben and the Song of the Germans: Medievalism, Nationalism and/or Racism'; Roger Simpson, 'St. George and the Pendragon'; Tom Shippey, 'The Death-Song of Ragnar Lodbrok: A Study in Sensibilities'; Alice Chandler, 'Carlyle and the Medievalism of the North'; Werner Wunderlich, 'Medieval Images: Joseph Viktor von Scheffel's Ekkehard and St. Gall'; Felicia Bonaparte, 'The (Fai)Lure of the Aesthetic Ideal and the (Re)Formation of Art: The Medieval Paradigm that Frames The Picture of Dorian Gray'; William Calin, 'Dante on the Edwardian Stage: Stephen Phillips' Paolo and Francesca; Kathleen Verduin, 'Medievalism, Classicism, and the Fiction of E.M. Forster; William D. Paden, 'Reconstructing the Middle Ages: The Monk's Sermon in The Seventh Seal; Rosemary Welsh, 'Theorizing Medievalism: The Case of Gone with the Wind; Gwendolyn Morgan, 'Gnosticism, the Middle Ages, and the Search for Responsibility: Im
