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| Author | : Eva Shan Chou |
| Publisher | : Cambridge University Press |
| Total Pages | : 252 |
| Release | : 2006-11-02 |
| Genre | : Literary Criticism |
| ISBN | : 0521028280 |
This work studies one of China's greatest poets, Tu Fu, as both cultural icon and literary genius.
| Author | : Eva Shan Chou |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2006-11-02 |
| Genre | : Literary Criticism |
| ISBN | : 9780521028288 |
Tu Fu is, by universal consent, the greatest poet of the Chinese tradition and the epitome of the Chinese moral conscience at its highest. In Reconsidering Tu Fu, Eva Shan Chou examines Tu Fu both as a cultural monument and as a poet. She investigates the evolution of his stature as an icon, and provides translations of many poems, both well known and obscure. Her analyses are both original in their formulation and considerate of the many fine readings of traditional commentators.
| Author | : Jue Chen |
| Publisher | : BRILL |
| Total Pages | : 240 |
| Release | : 2023-07-10 |
| Genre | : Literary Criticism |
| ISBN | : 9004539867 |
Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279). Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
| Author | : Xiaofei Tian |
| Publisher | : Hong Kong University Press |
| Total Pages | : 199 |
| Release | : 2020-06-23 |
| Genre | : Literary Criticism |
| ISBN | : 9888528440 |
This is the first collection of essays in English, contributed by well-known experts of Chinese literature as well as scholars of a younger generation, dedicated to the poetry of Du Fu, commonly regarded as the greatest Chinese poet. These essays are engaged in historically nuanced close reading of Du Fu’s poems, both canonical and less known, from new angles and in various contexts, and discuss a series of critical issues, including the local and the imperial; the body politic and the individual body; poetry and geography; perspectives on the complicated relation of religion and literature; materiality and contemporary reception of Du Fu; poetry and visual art; and tradition and modernity. Many of the poems discussed in this book were written in the backwater town of Kuizhou, far from Du Fu’s earlier residence in the capital city Chang’an, at a time when the Tang dynasty was going through devastating social and political disturbances. The authors contend that Du Fu’s isolation from the elite literary establishments allowed him to become a pioneer who introduced a new order to the Chinese poetic discourse. However, his attention to details in everyday reality, his preoccupation with domestic life and the larger issues embroiled in it, his humor, and his ability to surprise tend to be obscured by the clichéd image of the “poet sage” and “poet historian”—an image this collection of essays successfully complicates. “The scholarship that went into this collection of essays is extremely solid and fills an important gap in the study of China’s greatest poet Du Fu. The convincing and compelling collection of articles from distinguished scholars rereads Du Fu from fresh and different perspectives and informs the reader about the amazing power of intertextuality.” —Kang-I Sun Chang, Yale University “This rich and multilayered collection of essays about Du Fu, all written by major scholars, presents research of the highest quality and originality that succeeds most impressively in enriching and deepening our knowledge and appreciation of this great poet. This volume has the potential to engender a new stage of Du Fu studies.” —Antje Richter, University of Colorado, Boulder
| Author | : Wilt Idema |
| Publisher | : University of Michigan Press |
| Total Pages | : 393 |
| Release | : 1997 |
| Genre | : Social Science |
| ISBN | : 0892641231 |
Selected for Choice's list of Outstanding Academic Books for 1997. A comprehensive overview of China's 3,000 years of literary history, from its beginnings to the present day. After an introductory section discussing the concept of literature and other features of traditional Chinese society crucial to understanding its writings, the second part is broken into five major time periods (earliest times to 100 c.e.; 100-1000; 1000-1875; 1875-1915; and 1915 to the present) corresponding to changes in book production. The development of the major literary genres is traced in each of these periods. The reference section in the cloth edition includes an annotated bibliography of more than 120 pages; the paper edition has a shorter bibliography and is intended for classroom use.
| Author | : Xiaoshan Yang |
| Publisher | : BRILL |
| Total Pages | : 360 |
| Release | : 2022-03-07 |
| Genre | : Literary Criticism |
| ISBN | : 1684176514 |
A poetic culture consists of a body of shared values and conventions that shape the composition and interpretation of poetry in a given historical period. This book on Wang Anshi (1021–1086) and Song poetic culture—the first of its kind in any Western language—brings into focus a cluster of issues that are central to the understanding of both the poet and his cultural milieu. These issues include the motivations and consequences of poetic contrarianism and the pursuit of novelty, the relationship between anthology compilation and canon formation, the entanglement of poetry with partisan politics, Buddhist orientations in poetic language, and the development of the notion of late style. Though diverse in nature and scope, the issues all bear the stamp of the period as well as Wang Anshi’s distinct personality. Conceived of largely as a series of case studies, the book’s individual chapters may be read independently of each other, but together they form a varied, if only partial, mosaic of Wang Anshi’s work and its critical reception in the larger context of Song poetic culture.
| Author | : Du Fu |
| Publisher | : Knopf |
| Total Pages | : 257 |
| Release | : 2013-08-21 |
| Genre | : Poetry |
| ISBN | : 0307804429 |
Du Fu (712–770) is one of the undisputed geniuses of Chinese poetry—still universally admired and read thirteen centuries after his death. Now David Young, author of Black Lab, and well known as a translator of Chinese poets, gives us a sparkling new translation of Du Fu’s verse, arranged to give us a tour of the life, each “chapter” of poems preceded by an introductory paragraph that situates us in place, time, and circumstance. What emerges is a portrait of a modest yet great artist, an ordinary man moving and adjusting as he must in troubled times, while creating a startling, timeless body of work. Du Fu wrote poems that engaged his contemporaries and widened the path of the lyric poet. As his society—one of the world’s great civilizations—slipped from a golden age into chaos, he wrote of the uncertain course of empire, the misfortunes and pleasures of his own family, the hard lives of ordinary people, the changing seasons, and the lives of creatures who shared his environment. As the poet chases chickens around the yard, observes tear streaks on his wife’s cheek, or receives a gift of some shallots from a neighbor, Young’s rendering brings Du Fu’s voice naturally and elegantly to life. I sing what comes to me in ways both old and modern my only audience right now— nearby bushes and trees elegant houses stand in an elegant row, too many if my heart turns to ashes then that’s all right with me . . . from “Meandering River”
| Author | : Susan Stanford Friedman |
| Publisher | : Columbia University Press |
| Total Pages | : 466 |
| Release | : 2015-08-18 |
| Genre | : Literary Criticism |
| ISBN | : 0231539479 |
Drawing on a vast archive of world history, anthropology, geography, cultural theory, postcolonial studies, gender studies, literature, and art, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon producing multiple aesthetic innovations across millennia. Considering cosmopolitan as well as nomadic and oceanic worlds, she radically revises the scope of modernist critique and opens the practice to more integrated study. Friedman moves from large-scale instances of pre-1500 modernities, such as Tang Dynasty China and the Mongol Empire, to small-scale instances of modernisms, including the poetry of Du Fu and Kabir and Abbasid ceramic art. She maps the interconnected modernisms of the long twentieth century, pairing Joseph Conrad with Tayeb Salih, E. M. Forster with Arundhati Roy, Virginia Woolf with the Tagores, and Aimé Césaire with Theresa Hak Kyung Cha. She reads postcolonial works from Sudan and India and engages with the idea of Négritude. Rejecting the modernist concepts of marginality, othering, and major/minor, Friedman instead favors rupture, mobility, speed, networks, and divergence, elevating the agencies and creative capacities of all cultures not only in the past and present but also in the century to come.
| Author | : Alfreda Murck |
| Publisher | : BRILL |
| Total Pages | : 433 |
| Release | : 2020-10-26 |
| Genre | : History |
| ISBN | : 1684170338 |
Throughout the history of imperial China, the educated elite used various means to criticize government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting’s systems of reference to allow scholars to express dissent with impunity contributed to the art’s vitality and longevity.
| Author | : David Hinton |
| Publisher | : Macmillan + ORM |
| Total Pages | : 597 |
| Release | : 2014-06-10 |
| Genre | : Poetry |
| ISBN | : 1466873221 |
“A magisterial book” of nearly five hundred poems from some of history’s greatest Chinese poets, translated and edited by a renowned poet and scholar (New Republic). The Chinese poetic tradition is the largest and longest continuous tradition in world literature. This rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton’s book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet’s work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poets. “David Hinton has . . . lured into English a new manner of hearing the great poets of that long glory of China’s classical age. His achievement is another echo of the original, and a gift to our language.” —W. S. Merwin
