Recollections Of Gustav Mahler
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Author | : Natalie Bauer-Lechner |
Publisher | : Faber & Faber |
Total Pages | : 225 |
Release | : 2013-06-18 |
Genre | : Biography & Autobiography |
ISBN | : 0571305210 |
First published in English in 1980, this important early memoir of Gustav Mahler is by Natalie Bauer-Lechner (1858-1921), a viola player and close and devoted friend of Mahler until his marriage to Alma Schindler in 1902. She visited him in Hamburg and frequented his circle in Vienna, also accompanying him and his family on a number of the summer vacations during which the Second, Third and Fourth Symphonies came into being, together with many of the Wunderhorn songs. Compiled from Bauer-Lechner's private journal, these Recollections are a vital, invaluable record of Mahler's personal, professional and creative life during the last decade of the nineteenth century. A large part of the book recounts, at first hand, conversations with Mahler concerning his works and his ideas about performance (both in the opera-house and on the concert platform.)
Author | : Natalie Bauer-Lechner |
Publisher | : |
Total Pages | : 250 |
Release | : 1980 |
Genre | : Composers |
ISBN | : 9788047010657 |
Author | : Norman Lebrecht |
Publisher | : Faber & Faber |
Total Pages | : 324 |
Release | : 2010-08-19 |
Genre | : Biography & Autobiography |
ISBN | : 0571272835 |
Gustav Mahler is the most influential symphonist of the twentieth century. In this pioneering study, Norman Lebrecht reveals the man and musician through the words of his contemporaries. Using many previously unpublished documents, he constructs a profile of Mahler even more complex and compelling than that familiar from his letters and the often unreliable memoirs of his widow, Alma. Compassionate or callous, idealistic or pragmatic, Mahler aroused violently contrasting impressions and emotions in those who lived and worked with him. Accounts of the composer include the artist Alfred Roller's description of Mahler's naked body, a Nazi-era reappraisal by one of his closest relatives, Natalie Bauer-Lechner's unpublished jottings of Mahler's childhood, and Stefan Zweig's report of his final voyage. Together, they form a remarkable and deeply illuminating image of a formidable personality. 'The effect is cumulative, sometimes contradictory and vivid - like a written version of a radio or film portrait.' Classical Music 'Norman Lebrecht's Mahler Remembered is quite breathtakingly interesting.' Birmingham Post
Author | : Bruno Walter |
Publisher | : Courier Corporation |
Total Pages | : 260 |
Release | : 2014-01-15 |
Genre | : Music |
ISBN | : 0486492176 |
Recollections of Mahler written in 1936 by the composer's assistant conductor in Hamburg and at the Vienna Opera, plus Ernst Krenek's biographical sketch of Mahler and a new Introduction.
Author | : Edward R. Reilly |
Publisher | : Cambridge University Press |
Total Pages | : 184 |
Release | : 1982-04-08 |
Genre | : Biography & Autobiography |
ISBN | : 9780521235921 |
In this book Edward Reilly provides the essential documents connected with the friendship between the eminent Viennese music-historian Guido Adler and the composer Gustav Mahler. The nature and extent of that friendship has been the source of a number of questions for some years. Although Adler was the author of one of the important early studies of Mahler, he was reticent about speaking of his personal connection with the composer, and for many years the single available published letter from Mahler to Adler was one that was sharply critical in tone. A few somewhat disparaging references in Alma Mahler's recollections also raised questions about the degree of friendship between the two men.
Author | : Richard Newman |
Publisher | : Hal Leonard Corporation |
Total Pages | : 436 |
Release | : 2003 |
Genre | : Performing Arts |
ISBN | : 9781574670851 |
Presents the story of a woman who saved the lives of many Jews who were members in her orchestra in Auschwitz.
Author | : James Parsons |
Publisher | : Cambridge University Press |
Total Pages | : 446 |
Release | : 2004-07 |
Genre | : Music |
ISBN | : 9780521804714 |
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Author | : Natalie Bauer-Lechner |
Publisher | : |
Total Pages | : 250 |
Release | : 1980-01-01 |
Genre | : Music |
ISBN | : 9780521235723 |
Author | : Alma Maria Mahler-Werfel |
Publisher | : |
Total Pages | : 0 |
Release | : 1946 |
Genre | : |
ISBN | : |
Author | : Alfred Mathis-Rosenzweig |
Publisher | : Routledge |
Total Pages | : 294 |
Release | : 2018-05-08 |
Genre | : Music |
ISBN | : 1351217887 |
Alfred Mathis-Rosenzweig (1897-1948) was a Viennese musicologist and critic who studied at the universities of Budapest and Vienna. From 1933 he embarked on producing a large-scale study of Mahler but at the time of his death the manuscript was left unfinished. Although it was presumed lost until 1997, the unfinished typescript, written in German, had been deposited in the library of the Guildhall School of Music & Drama. In 2003, the School‘s Research Centre commissioned Jeremy Barham to prepare the first published edition of this important work, and his annotations and commentary add invaluable material to his translation of this historic document. Biographical material is used as a loose framework and platform for Mathis-Rosenzweig‘s profound examination of the environment within which Mahler‘s earlier music was embedded. This is an environment in which Wagner, Bruckner and Wolf feature prominently, and in which Mahler‘s music is viewed from the wider perspective of nineteenth-century German cultural domination and the subsequent rise of political extremism in the form of Hitlerite fascism.