Recent Discoveries And New Studies 1938 1960 On The World Map In Chinese Of Father Matteo Ricci Sj
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| Author | : Qiong Zhang |
| Publisher | : BRILL |
| Total Pages | : 455 |
| Release | : 2015-05-26 |
| Genre | : History |
| ISBN | : 9004284389 |
In Making the New World Their Own, Qiong Zhang offers a systematic study of how Chinese scholars in the late Ming and early Qing came to understand that the earth is shaped as a globe. This notion arose from their encounters with Matteo Ricci, Giulio Aleni and other Jesuits. These encounters formed a fascinating chapter in the early modern global integration of space. It unfolded as a series of mutually constitutive and competing scholarly discourses that reverberated in fields from cosmology, cartography and world geography to classical studies. Zhang demonstrates how scholars such as Xiong Mingyu, Fang Yizhi, Jie Xuan, Gu Yanwu, and Hu Wei appropriated Jesuit ideas to rediscover China’s place in the world and reconstitute their classical tradition. Winner of the Chinese Historians in the United States (CHUS) "2015 Academic Excellence Award"
| Author | : D. Max Moerman |
| Publisher | : University of Hawaii Press |
| Total Pages | : 369 |
| Release | : 2021-12-31 |
| Genre | : Religion |
| ISBN | : 0824890051 |
From the fourteenth through the nineteenth centuries Japanese monks created hundreds of maps to construct and locate their place in a Buddhist world. This expansively illustrated volume is the first to explore the largely unknown archive of Japanese Buddhist world maps and analyze their production, reproduction, and reception. In examining these fascinating sources of visual and material culture, author D. Max Moerman argues for an alternative history of Japanese Buddhism—one that compels us to recognize the role of the Buddhist geographic imaginary in a culture that encompassed multiple cartographic and cosmological world views. The contents and contexts of Japanese Buddhist world maps reveal the ambivalent and shifting position of Japan in the Buddhist world, its encounter and negotiation with foreign ideas and technologies, and the possibilities for a global history of Buddhism and science. Moerman’s visual and intellectual history traces the multiple trajectories of Japanese Buddhist world maps, beginning with the earliest extant Japanese map of the world: a painting by a fourteenth-century Japanese monk charting the cosmology and geography of India and Central Asia based on an account written by a seventh-century Chinese pilgrim-monk. He goes on to discuss the cartographic inclusion and marginal position of Japan, the culture of the copy and the power of replication in Japanese Buddhism, and the transcultural processes of engagement and response to new visions of the world produced by Iberian Christians, Chinese Buddhists, and the Japanese maritime trade. Later chapters explore the transformations in the media and messages of Buddhist cartography in the age of print culture and in intellectual debates during the eighteenth and nineteenth centuries over cosmology and epistemology and the polemics of Buddhist science. The Japanese Buddhist World Map offers a wholly innovative picture of Japanese Buddhism that acknowledges the possibility of multiple and heterogeneous modernities and alternative visions of Japan and the world.
| Author | : |
| Publisher | : Cambridge University Press |
| Total Pages | : 758 |
| Release | : 1986 |
| Genre | : |
| ISBN | : 9780521087315 |
| Author | : Angela Schottenhammer |
| Publisher | : Otto Harrassowitz Verlag |
| Total Pages | : 240 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 9783447053402 |
The present collection of essays has originally been prepared for an international conference entitled "Maritime Space in Traditional Chinese Sources" which has been convened by the editors at Munich University in February 2005. The contributions included here introduce various aspects related to East Asian seas - from the Japanese Sea to the South China Sea, with the Yellow and East China Seas constituting the core regions of the entire area - and some of its "adjacent" areas. Although Braudelian categories are inherently present in the discussion and directly addressed in one or two papers, the focus lies on a set of more "basic" variables, which are intimately linked to the idea of contact zones, or alternatively, the parallel (and apparently older) notion that the sea should be seen as a protective belt around the mainland. This volume is consequently primarily concerned with the perception of maritime space in traditional Chinese sources, the division of this space into oceans and seas, the existence, usage and management of trade routes, and, above all, of China's coastal waters, or maritime periphery. For this purpose, in addition to textual sources, maps will be examined as well. As the perception, division and management of maritime space cannot be completely disassociated from other themes - such as trade and travel, diplomacy and military controls, or even daily life during a sea voyage - these aspects were also touched upon in the discussion. But they are of secondary importance and subordinated to the general issue of "geography". With this in mind, following an introductory essay by Angela Schottenhammer, the contributions are divided into three sections: (1) Maritime Space: Trade and Defence; (2) Maritime Space: Coasts, Routes, Oceans; (3) Maritime Space and Maps. The articles by Chang Pin-tsun, Jane Kate Leonard and Jung Byung-chul fall into the first category. Those by Chen Bo / Liu Yingsheng, Sally K. Church, Christine Moll-Murata, Li Tana and Mathieu Torck belong to the second group, while the last section is comprised by the papers of Li Xiaocong, Claudine Salmon and Roderich Ptak.There are many "cross connections" between these essays. Geographically, some of them pertain to the northern spheres, especially the Liaodong-Korea region, others look at the South China Sea, or even at areas far beyond these two. Some are case studies, others deal with general dimensions. The military element, usually in the form of coastal defence, is not only present in the first section, but also in the "cartographic" segment, and in one or two contributions which appear in part two. Furthermore, readers will find that the idea of contact zones, associated with a good degree of open-mindedness towards the "outer world", is present in some texts, just as they will discover that in other cases, the sea still appears as a kind of barrier.
| Author | : Suoqiao QIAN |
| Publisher | : BRILL |
| Total Pages | : 375 |
| Release | : 2015-02-04 |
| Genre | : Literary Criticism |
| ISBN | : 9004284958 |
Cross-cultural Studies: China and the World, A Festschrift in Honor of Professor Zhang Longxi collects twelve essays by eminent scholars across several disciplines in Chinese and cross-cultural studies to celebrate Zhang Longxi’s scholarly achievements. As a leading scholar from post-Cultural Revolution China, Zhang Longxi’s academic career has set a milestone in cross-cultural studies between China and the world. With an introduction by Qian Suoqiao, and a prologue by Zhang Longxi himself, the volume features masterly essays by Ronald Egan, Torbjörn Lodén, Haun Saussy, Lothar von Falkenhausen, and Hwa Yol Jung among others, which will make significant contributions to Sinological and cross-cultural studies of themselves on the one hand, and demonstrate Zhang Longxi’s friendships and scholarly impact on the other.
| Author | : Mario Cams |
| Publisher | : University of Hawaii Press |
| Total Pages | : 329 |
| Release | : 2024-02-29 |
| Genre | : History |
| ISBN | : 0824895053 |
When European missionaries arrived in East Asia in the sixteenth century, they entered ongoing conversations about cosmology and world geography. Soon after, intellectuals in Ming China, Edo Japan, and Joseon Korea selectively encompassed elements of the late Renaissance worldview, leading to the creation of new artifacts that mitigated old and new knowledge in creative ways. Simultaneously, missionaries and their collaborators transcribed, replicated, and recombined from East Asian artifacts and informed European audiences about the newly discovered lands known as the “Far East.” All these new artifacts enjoyed long afterlives that ensured the continuous remapping of the world in the following decades and centuries. Focusing on artifacts, this expansively illustrated volume tells the story of a meeting of worldviews. Tracing the connections emanating from each artifact, the authors illuminate how every map, globe, or book was shaped by the intellectual, social, and material cultures of East Asia, while connecting multiple global centers of learning and print culture. Crossing both historical and historiographical boundaries reveals how this series of artifacts embody a continuous and globally connected process of mapping the world, rather than a grand encounter between East and West. As such, this book rewrites the narrative surrounding the so-called “Ricci Maps,” which assumes that one Jesuit missionary brought scientific cartography to East Asia by translating and adapting a Renaissance world map. It argues for a revision of that narrative by emphasizing process and connectivity, displacing the European missionary and “his map” as central actors that supposedly bridged a formidable civilizational divide between Europe and China. Rather than a single map authored by a European missionary, a series of materially different artifacts were created as a result of discussions between the Jesuit Matteo Ricci and his Chinese contacts during the last decades of Ming rule. Each of these gave rise to the production of new artifacts that embodied broader intellectual conversations. By presenting eleven original chapters by Asian, European, and American scholars, this work covers an extensive range of artifacts and crosses boundaries between China, Japan, Korea, and the global pathways that connected them to the other end of the Eurasian landmass.
| Author | : Christine Göttler |
| Publisher | : BRILL |
| Total Pages | : 649 |
| Release | : 2017-11-06 |
| Genre | : History |
| ISBN | : 9004354506 |
At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
| Author | : Laura Hostetler |
| Publisher | : BRILL |
| Total Pages | : 429 |
| Release | : 2024-02-06 |
| Genre | : History |
| ISBN | : 9004684786 |
How did Asia come to be represented on European World maps? When and how did Asian Countries adopt a continental system for understanding the world? How did countries with disparate mapping traditions come to share a basic understanding and vision of the globe? This series of essays organized into sections on Jesuit Circuits of Communication and Publication; Jesuit World Maps in Chinese; Reverberations of Matteo Ricci's Maps in East Asia; and Reflections on the Curation of Cartographic Knowledge, go a long way toward answering these questions about the shaping of our modern understandings of the world.
| Author | : Xin Liu |
| Publisher | : Taylor & Francis |
| Total Pages | : 354 |
| Release | : 2022-08-12 |
| Genre | : History |
| ISBN | : 1000637565 |
Anglo-Chinese Encounters Before the Opium War: A Tale of Two Empires Over Two Centuries studies the fascinating encounters between the two historic empires from Queen Elizabeth I’s first letter to the Ming Emperor Wanli in 1583, to Lord Palmerston’s letter to the Minister of China in 1840. Starting with Queen Elizabeth I’s letter to the Chinese Emperor and ending with the letter from Lord Palmerston to the Minister of China just before the Opium War, this book explores the long journey in between from cultural diplomacy to gunboat diplomacy. It interweaves the most known diplomatic efforts at the official level with the much unknown intellectual interactions at the people-to-people level, from missionaries to scholars, from merchants to travelers and from artists to scientists. This book adopts a novel "mirror" approach by pairing and comparing people, texts, commodities, artworks, architecture, ideologies, operating systems and world views of the two empires. Using letters, gifts and traded goods as fulcrums, and by adopting these unique lenses, it puts China into the world history narratives to contextualise Anglo-Chinese relations, thus providing a fresh analysis of the surviving evidence. Xin Liu casts a new light on understanding the Sino-centric and Anglo-centric world views in driving the complex relations between the two empires, and the reversals of power shifts that are still unfolding today. The book is not intended for specialists in history, but a general audience wishing to learn more about China’s historical engagement with the world.
| Author | : Haun Saussy |
| Publisher | : Oxford University Press |
| Total Pages | : 212 |
| Release | : 2017-11-17 |
| Genre | : Literary Criticism |
| ISBN | : 0192540637 |
This volume examines translation from many different angles: it explores how translations change the languages in which they occur, how works introduced from other languages become part of the consciousness of native speakers, and what strategies translators must use to secure acceptance for foreign works. Haun Saussy argues that translation doesn't amount to the composition, in one language, of statements equivalent to statements previously made in another language. Rather, translation works with elements of the language and culture in which it arrives, often reconfiguring them irreversibly: it creates, with a fine disregard for precedent, loan-words, calques, forced metaphors, forged pasts, imaginary relationships, and dialogues of the dead. Creativity, in this form of writing, usually considered merely reproductive, is the subject of this book. The volume takes the history of translation in China, from around 150 CE to the modern period, as its source of case studies. When the first proponents of Buddhism arrived in China, creativity was forced upon them: a vocabulary adequate to their purpose had yet to be invented. A Chinese Buddhist textual corpus took shape over centuries despite the near-absence of bilingual speakers. One basis of this translating activity was the rewriting of existing Chinese philosophical texts, and especially the most exorbitant of all these, the collection of dialogues, fables, and paradoxes known as the Zhuangzi. The Zhuangzi also furnished a linguistic basis for Chinese Christianity when the Jesuit missionary Matteo Ricci arrived in the later part of the Ming dynasty and allowed his friends and associates to frame his teachings in the language of early Daoism. It would function as well when Xu Zhimo translated from The Flowers of Evil in the 1920s. The chance but overdetermined encounter of Zhuangzi and Baudelaire yielded a 'strange music' that retroactively echoes through two millennia of Chinese translation, outlining a new understanding of the translator's craft that cuts across the dividing lines of current theories and critiques of translation.
