Recasting Iranian Modernity
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Author | : Kamran Matin |
Publisher | : Routledge |
Total Pages | : 209 |
Release | : 2013-11-07 |
Genre | : History |
ISBN | : 1134446691 |
Critically deploying the idea of uneven and combined development this book provides a novel non-Eurocentric account of Iran’s experience of modernity and revolution. Recasting Iranian Modernity presents the argument that Eurocentrism can be decisively overcome through a social theory that has international relations at its ontological core. This will enable a conception of history in which there is an intrinsic international dimension to social change that prevents historical repetition. This hitherto under-theorized international dimension is, the book argues, manifest in combined patterns of development, which incorporate both foreign and native forms. It is the tension-prone and unstable nature of these hybrid developmental patterns that mark Iranian modernity, and fuelled the socio-political dynamics of the 1979 revolution and the rise of political Islam. Challenging solely comparative approaches to the Iranian Revolution that explain it away as either a deviation from, or a reaction to, modernity on the grounds of its religious form, this book will be valuable to those interested in an alternative theoretical approach to the Iranian Revolution, modern Iran and political Islam, working in the fields of International Relations, Middle East and Islamic Studies, History, Political Science, Political Sociology, Postcolonialism, and Comparative Politics.
Author | : Ahmad Karimi-Hakkak |
Publisher | : Oneworld Publications |
Total Pages | : 0 |
Release | : 2012-11-30 |
Genre | : Literary Criticism |
ISBN | : 9781780742496 |
Using a semiotic model of poetic change, Recasting Persian Poetry presents a critical history of the evolution of Persian poetry in modern Iran. Iran's contact with Europe in the nineteenth century produced largely imaginary ideas about European culture and literature. In a series of textual manoeuvres and cultural contestations, successive generations of Iranian intellectuals sought to recast the classical tradition in a mold at once modern and relevant to their concerns. In particular, Karimi proposes a revision of the view that sets the Modernist poet Nima Yushij as the single-handed inventor of 'New Poetry'. This view, he argues, has resulted in an exaggerated sense of the aesthetic gulf between the modernist poetry of Iran and classical Persian poetry. Through a number of close readings of works by Nima's predecessors, Karimi makes visible a century-old Persian poetic tradition with Nima as its culmination.
Author | : Ahmad Karimi-Hakkak |
Publisher | : |
Total Pages | : 358 |
Release | : 1995 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Afshin Matin-Asgari |
Publisher | : Cambridge University Press |
Total Pages | : 373 |
Release | : 2018-08-16 |
Genre | : History |
ISBN | : 1108428533 |
Studying intellectual trends in Iran in a global historical context, this new intellectual history challenges many dominant paradigms in Iranian historiography and offers a new revisionist interpretation of Iranian modernity.
Author | : Ali Mirsepassi |
Publisher | : Cambridge University Press |
Total Pages | : 250 |
Release | : 2000-10-12 |
Genre | : History |
ISBN | : 9780521659970 |
In this thought-provoking study, Ali Mirsepassi explores the concept of modernity, exposing the Eurocentric prejudices and hostility to non-Western culture that have characterized its development. Focusing on the Iranian experience of modernity, he charts its political and intellectual history and develops a new interpretation of Islamic Fundamentalism through the detailed analysis of the ideas of key Islamic intellectuals. The author argues that the Iranian Revolution was not a simple clash between modernity and tradition but an attempt to accommodate modernity within a sense of authentic Islamic identity, culture and historical experience. He concludes by assessing the future of secularism and democracy in the Middle East in general, and in Iran in particular. A significant contribution to the literature on modernity, social change and Islamic Studies, this book will be essential reading for scholars and students of social theory and change, Middle Eastern Studies, Cultural Studies and many related areas.
Author | : Abbas Milani |
Publisher | : Mage Publishers |
Total Pages | : 172 |
Release | : 2014-09-11 |
Genre | : History |
ISBN | : 9781933823744 |
In the essays collected here, Abbas Milani uses an impressive array of cross-disciplinary Western and Iranian theories and texts to investigate the crucial question of modernity in Iran today. He offers a wealth of new insights into the thousand-year-old conflict in Iran between the search for modernity and the forces of religious obscurantism. The essays trace the roots of Shiite Islamic fundamentalism and offer illuminating accounts of the work of Iranian intellectuals-both men and women-and their artistic movements as they struggle to find a new path toward a genuine modernity in Iran that is congruent with Iran's rich cultural heritage. Lost Wisdom: Rethinking Modernity in Iran challenges the hitherto accepted theory that modernity and its related concepts of democracy and freedom are Western in essence. It also demonstrates that Iran and the West have more that brings them together than separates them in their search for such modern ideals as rationalism, the rule of law, and democracy. These essays will reward the scholar and the general reader alike, and will go far toward explaining the enigma that is Iran today.
Author | : Kamran Scot Aghaie |
Publisher | : University of Texas Press |
Total Pages | : 494 |
Release | : 2014-07-01 |
Genre | : History |
ISBN | : 0292757514 |
While recent books have explored Arab and Turkish nationalism, the nuances of Iran have received scant book-length study—until now. Capturing the significant changes in approach that have shaped this specialization, Rethinking Iranian Nationalism and Modernity shares innovative research and charts new areas of analysis from an array of scholars in the field. Delving into a wide range of theoretical and conceptual perspectives, the essays—all previously unpublished—encompass social history, literary theory, postcolonial studies, and comparative analysis to address such topics as: Ethnicity in the Islamic Republic of Iran Political Islam and religious nationalism The evolution of U.S.-Iranian relations before and after the Cold War Comparing Islamic and secular nationalism(s) in Egypt and Iran The German counterrevolution and its influence on Iranian political alliances The effects of Israel’s image as a Euro-American space Sufism Geocultural concepts in Azar’s Atashkadeh Interdisciplinary in essence, the essays also draw from sociology, gender studies, and art and architecture. Posing compelling questions while challenging the conventional historiographical traditions, the authors (many of whom represent a new generation of Iranian studies scholars) give voice to a research approach that embraces the modern era’s complexity while emphasizing Iranian nationalism’s contested, multifaceted, and continuously transformative possibilities.
Author | : Kamran Talattof |
Publisher | : Syracuse University Press |
Total Pages | : 333 |
Release | : 2011-06-01 |
Genre | : History |
ISBN | : 0815651392 |
In Iran, since the mid–nineteenth century, one issue has been a common concern: how should Iran become modern? More than a century of struggle for or against modernity has constituted much of the social, political, and cultural history of the country. In the decades since the 1979 Revolution, the question has become even more critical. In Modernity, Sexuality, and Ideology in Iran, Talattof finds that the process of modernity never truly unfolded, due in large part to Iran’s reluctance to embrace the seminal subjects of gender and sexuality. Talattof’s approach reflects a unique look at modernity as advancement not only in industry and economy but also toward an open, intellectual discourse on sexuality. Exploring the life and times of Shahrzad, a dancer, actress, filmmaker, and poet, Talattof illuminates the country’s struggle with modernity and the ideological, traditional, and religious resistance against it. Born in 1946, she performed in several theater productions, became an acclaimed film star in the 1970s, and pursued a career as a journalist and poet. Following the revolution, she was imprisoned and eventually became homeless on the streets of Tehran. Her success and eventual decline as a female artist and entertainer illustrate the conflict between modernity and tradition and Iran’s failure to embrace an overt expression of sexuality. Talattof also profiles several other female artists of the 1970s, analyzing their lives and work as windows through which to examine what Iranian culture allowed and what it repudiated. A pioneering and timely work, Modernity, Sexuality, and Ideology in Iran explores the integral role of popular culture and female artists in the shaping of modern Iran, constructing a new framework for understanding such crucial concepts as ideology and modernity.
Author | : Gholam Khiabany |
Publisher | : Routledge |
Total Pages | : 305 |
Release | : 2009-09-10 |
Genre | : History |
ISBN | : 1135894892 |
The post-revolutionary state in Iran has tried to amalgamate ‘Sharia with electricity’ and modernity with what it considers as ‘Islam’. While sympathetic to private capital, through quasi anti-capitalist politics, the state began to restrict market-relations, confiscate major assets of sections of the Iranian bourgeoisie, and nationalize major aspects of Iran’s industry, including its communications system. Since the end of war with Iraq and the start of the process of ‘reconstruction’, market-driven development and economic policies have been key aims of the state.
Author | : Amy Motlagh |
Publisher | : Stanford University Press |
Total Pages | : 200 |
Release | : 2011-12-14 |
Genre | : Literary Criticism |
ISBN | : 9780804775892 |
Burying the Beloved traces the relationship between the law and literature in Iran to reveal the profound ambiguities at the heart of Iranian ideas of modernity regarding women's rights and social status. The book reveals how novels mediate legal reforms and examines how authors have used realism to challenge and re-imagine notions of "the real." It examines seminal works that foreground acute anxieties about female subjectivity in an Iran negotiating its modernity from the Constitutional Revolution of 1905 up to and beyond the Islamic Revolution of 1979. By focusing on marriage as the central metaphor through which both law and fiction read gender, Motlagh critically engages and highlights the difficulties that arise as gender norms and laws change over time. She examines the recurrent foregrounding of marriage at five critical periods of legal reform, documenting how texts were understood both at first publication and as their importance changed over time.