Reappearing Characters In Nineteenth Century French Literature
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| Author | : Sotirios Paraschas |
| Publisher | : Springer |
| Total Pages | : 291 |
| Release | : 2018-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 3319692909 |
This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and Émile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
| Author | : Julian Murphet |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2024-03-12 |
| Genre | : Literary Criticism |
| ISBN | : 0192863126 |
In this groundbreaking and comprehensive study, Julian Murphet examines how dramatists and prose writers at the turn of the twentieth century experimented with new forms of modern character. Old truisms of character such as consistency, depth, and verisimilitude are eschewed in favour of inconsistency, bad faith, and fragmentation.
| Author | : Emilie Sitzia |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 315 |
| Release | : 2011-12-08 |
| Genre | : Art |
| ISBN | : 1443835919 |
The traditional relationship between painting and literature underwent a profound change in nineteenth-century France. Painting progressively asserted its independence from literature as it liberated itself from narrative obligations whilst interrogating the concept of subject matter itself. Simultaneously the influence of art on the writing styles of authors increased and the character of the artist established itself as a recurring motif in French literature. This book offers a panoramic review of the relationship between art and literature in nineteenth-century France. By means of a series of case studies chosen from key moments throughout the nineteenth century, the aim of this study is to provide a focused analysis of specific examples of this relationship, revealing both its multifaceted nature as well as offering a panorama of the development of this on-going and increasingly complex cultural relationship. From Jacques Louis David’s irreverence for classical texts to Victor Hugo’s graphic works, from Edouard Manet’s illustrations to Vincent Van Gogh’s paintings of books, from Honoré de Balzac’s Unknown Masterpiece to Joris-Karl Huysmans’s A Rebours, this interdisciplinary investigation of the links between literature and art in France throws new light on both fields of creative endeavour during a critical phase of France’s cultural history.
| Author | : Snait B. Gissis |
| Publisher | : Springer Nature |
| Total Pages | : 337 |
| Release | : 2024 |
| Genre | : Social sciences |
| ISBN | : 3031527569 |
Zusammenfassung: The book presents an original synthesizing framework on the relations between 'the biological' and 'the social'. Within these relations, the late nineteenth-century emergence of social sciences aspiring to be constituted as autonomous, as 'scientific' disciplines, is described, analyzed and explained. Through this framework, the author points to conceptual and constructive commonalities conjoining significant founding figures - Lamarck, Spencer, Hughlings Jackson, Ribot, Durkheim, Freud - who were not grouped nor analyzed in this manner before. Thus, the book offers a rather unique synthesis of the interactions of the social, the mental, and the evolutionary biological - Spencerian Lamarckism and/or Neo-Lamarckism - crystallizing into novel fields. It adds substantially to the understanding of the complexities of evolutionary debates during the last quarter of the nineteenth century. It will attract the attention of a wide spectrum of specialists, academics, and postgraduates in European history of the nineteenth century, history and philosophy of science, and history of biology and of the social sciences, including psychology
| Author | : Eric Martone |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 200 |
| Release | : 2020-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 1527548554 |
Nineteenth-century writer Alexandre Dumas (1802-1870), author of The Three Musketeers and The Count of Monte Cristo, has been a controversial part of the French patrimony, and faced various forms of racial prejudice in France because of his biracial ancestry and due to being a descendant of a slave. During the late nineteenth century, the rise of scientific racism and aggressive European imperialism resulted in worldviews supporting European superiority and equated “European” with being “white.” Such developments complicated perceptions of Dumas as part of the French patrimony. French intellectuals and politicians from the late nineteenth-century onward created their own imaginative visions of what Dumas had represented in order to employ them ideologically to support or counter prevailing mainstream views of French history and identity. This collection traces the evolution of Dumas’s legacy as a controversial symbol of France since 1870, as the nation has struggled to deal with colonialism and its aftermath, and increased diversity and globalization.
| Author | : Dirk Göttsche |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 834 |
| Release | : 2021-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 9027260362 |
Few literary phenomena are as elusive and yet as persistent as realism. While it responds to the perennial impulse to use literature to reflect on experience, it also designates a specific set of literary and artistic practices that emerged in response to Western modernity. Landscapes of Realism is a two-volume collaborative interdisciplinary exploration of this vast territory, bringing together leading-edge new criticism on the realist paradigms that were first articulated in nineteenth-century Europe but have since gone on globally to transform the literary landscape. Tracing the manifold ways in which these paradigms are developed, discussed and contested across time, space, cultures and media, this first volume tackles in its five core essays and twenty-five case studies such questions as why realism emerged when it did, why and how it developed such a transformative dynamic across languages, to what extent realist poetics remain central to art and popular culture after 1900, and how generally to reassess realism from a twenty-first-century comparative perspective.
| Author | : Owen Heathcote |
| Publisher | : Cambridge University Press |
| Total Pages | : 249 |
| Release | : 2017-02-02 |
| Genre | : Literary Criticism |
| ISBN | : 1107066476 |
Leading specialists shed new light on key narrative and thematic features of the writings of Honoré de Balzac.
| Author | : Karen L. Taylor |
| Publisher | : Infobase Publishing |
| Total Pages | : 497 |
| Release | : 2006 |
| Genre | : Electronic books |
| ISBN | : 0816074992 |
French novels such as "Madame Bovary" and "The Stranger" are staples of high school and college literature courses. This work provides coverage of the French novel since its origins in the 16th century, with an emphasis on novels most commonly studied in high school and college courses in world literature and in French culture and civilization.
| Author | : Allan Pasco |
| Publisher | : Routledge |
| Total Pages | : 207 |
| Release | : 2019-07-03 |
| Genre | : Literary Collections |
| ISBN | : 1000134741 |
The 19th-Century French Short Story, by eminent scholar, Allan H. Pasco, seeks to offer a more comprehensive view of the definition, capabilities, and aims of short stories. The book examines general instances of the genre specifically in 19th-century France by recognizing their cultural context, demonstrating how close analysis of texts effectively communicates their artistry, and arguing for a distinction between middling and great short stories. Where previous studies have examined the writers of short stories individually, The 19th-Century French Short Story takes a broader lens to the subject, and looks at short story writers as they grapple with the artistic, ethical, and social concerns of their day. Making use of French short story masterpieces, with reinforcing comparisons to works from other traditions, this book offers the possibility of a more adequate appreciation of the under-valued short story genre.
| Author | : Morgane Cadieu |
| Publisher | : University of Chicago Press |
| Total Pages | : 362 |
| Release | : 2024-01-05 |
| Genre | : Literary Criticism |
| ISBN | : 0226830357 |
An analysis of social mobility in contemporary French literature that offers a new perspective on figures who move between social classes. Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu’s study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation. Focusing on recent French novels and autobiographies, On Both Sides of the Tracks speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem.
