Reality and the Poet in Spanish Poetry
Author | : Pedro Salinas |
Publisher | : |
Total Pages | : 212 |
Release | : 1966 |
Genre | : Poets, Spanish |
ISBN | : |
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Author | : Pedro Salinas |
Publisher | : |
Total Pages | : 212 |
Release | : 1966 |
Genre | : Poets, Spanish |
ISBN | : |
Author | : John A. Crow |
Publisher | : LSU Press |
Total Pages | : 264 |
Release | : 1980-12-01 |
Genre | : Literary Criticism |
ISBN | : 9780807104835 |
John A. Crow, a leading Hispanist, has culled the best translations available--by such poets as Richard Franshawe, Edward Fitzgerald, Percy Bysshe Shelley, Lord Byron, Henry Wadsworth Longfellow, William Cullen Bryant, Robert Southey, and many distinguished modern poets--of poems ranging from the eleventh century to the present to make this the most complete collection of both Spanish and Spanish American poetry in English translation. Represented here is work by such twentieth century poets as Gabriela Mistral, Octavio Paz, Federico García Lorca, César Vallejo, Pablo Neruda, Anotnio Machado, and Juan Ramón Jiménez, many of whom the editor has known personally. The inclusion of many contemporary poets whose verse has never before appeared in English makes this anthology a particularly valuable collection.
Author | : Pedro Salinas |
Publisher | : |
Total Pages | : |
Release | : 1966 |
Genre | : Realism in literature |
ISBN | : |
Author | : Pedro Salinas |
Publisher | : |
Total Pages | : 165 |
Release | : 1940 |
Genre | : Mimesis in literature |
ISBN | : |
Author | : Andrew Debicki |
Publisher | : University Press of Kentucky |
Total Pages | : 395 |
Release | : 2021-12-14 |
Genre | : Poetry |
ISBN | : 0813189934 |
Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.
Author | : Pedro Salinas |
Publisher | : W. W. Norton |
Total Pages | : 230 |
Release | : 1974 |
Genre | : |
ISBN | : 9780393043891 |
Author | : Juan Ramón Jiménez |
Publisher | : iUniverse |
Total Pages | : 305 |
Release | : 2000-03-24 |
Genre | : Spanish literature |
ISBN | : 0595002595 |
The great Spanish poet Juan Ramón Jiménez, winner of the Nobel Prize for Literature in 1956, was a mystic as will as a poet, and the deep spirituality which infuses so much of his writing makes itself felt with special fervor throughout this remarkable new collection of poems. Composed by Jiménez between the years 1917 to 1920, the works in this grouping vanished mysteriously, only to be rediscovered a half-century later among the author's private papers. Published in Spain for the first time in 1983, they appear now at last in a bilingual edition, the English lovingly rendered by the scholar and poet Antonio T. de Nicolás, and introduced by the Pulitzer Prize-winning poet Louis Simpson. This is a book of verse for the poet in all of us it sings of the invisible realities which we carry in our hearts and which carry us through a life filled with symbols, toil and beauty. Juan Ramón Jiménez, an early twentieth century pioneer in the use of free verse and author of over 70 books has been hailed by The New Republic as not only the dean of Hispanic poets, but the pioneer and the source of all those who wrote in the Spanish tongue after him. Antonio T. de Nicolás is widely known for his translation of the Jiménez classic, Platero and I, which will also be republished through iUniverse.com.
Author | : Oliver J. Noble-Wood |
Publisher | : OUP Oxford |
Total Pages | : 247 |
Release | : 2014-10-16 |
Genre | : Literary Criticism |
ISBN | : 0191016993 |
A Tale Blazed Through Heaven examines developments in the representation of the classical tale of Mars, Venus, and Vulcan in the literature and painting of the Golden Age of Spain (c.1526-1681). Anchored in close analysis of individual primary texts, the five chapters that comprise this study assess how poets and painters breathed new life into the tale inherited from Homer, Ovid, and others, examining some of the ways in which the story of Mars, Venus, and Vulcan was disguised, developed, expanded, mocked, combined with or played off against different subjects, or otherwise modified in order to pique the interest of successive generations of readers and viewers. Each chapter discusses what particular changes and shifts in emphasis reveal about the tale itself, specific renderings, the aims and intentions of individual poets and painters, and the wider context of the literary and visual culture of Early Modern Spain. Discussing a range of poems by both canonical (Garcilaso de la Vega, Luis de Góngora, Lope de Vega, etc.) and less well-known writers (Juan de la Cueva, Alonso de Castillo Solórzano, Salvador Jacinto Polo de Medina, etc.), and culminating in detailed examination of select mythological works by Philip IV's court painter, Diego Velázquez, this book sheds light on questions relating to aspects of classical reception in the Renaissance, the rise of specific poetic styles (epic, mock-epic, burlesque, etc.), the interplay between the sister arts of poetry and painting, and the continual process of imitation and invention that was one of the defining features of the Spanish Golden Age.
Author | : Dario Villanueva |
Publisher | : State University of New York Press |
Total Pages | : 210 |
Release | : 1997-04-24 |
Genre | : Biography & Autobiography |
ISBN | : 1438422946 |
Realism has not only shaped important schools and periods in literary history, but has also been a fundamental constant of all literature, its first theoretical formulation being the principle of mimesis in Aristotle's Poetics. Realism can be considered by extension one of the main aspects of literary theory, the aims of which must be to define its concepts clearly and to neutralize the imprecision, polysemy, and ambiguity that often characterized the application of realism. This book explores the possibilities and limits of a concept of realism that seeks a point of equilibrium between the principle of the autonomy of the literary work vis-a`-vis reality and the complex relations that the work clearly establishes with this reality. It acknowledges that it is a personal response to the poststructuralist crisis in literary theory. By concentrating on the study of the literary work of art as a verbal construction, the great Continental and Anglo-American tradition of formalism and New Criticism has ended up neglecting the second, mimetic aspect of the literary problematic, thus dissociating literature from life.